|Posted by Alana Woods on July 18, 2015 at 7:05 PM||comments (0)|
My guest today is UK author Ian Jackson. I recently read and reviewed his debut novel DEAD CHARMING, a psychological crime thriller I found confronting but, paradoxically, compelling.
Alana: Ian, welcome. First a little about yourself if you don’t mind. You were born in Liverpool but now live in Cheshire. Why Cheshire? Did you choose it for a particular reason?
Ian: My father moved us from Liverpool to the Wirral when I was about ten years old and when I became old enough to buy a house myself I moved closer to Chester. I think of Cheshire as my home now rather than Liverpool.
Alana: The Wirral, you’re going to have to explain that.
Ian: The Wirral is a peninsular on the opposite side of the River Mersey from Liverpool…it’s a beautiful place!
Alana: And you’ve just been married—am I right in thinking that?
Ian: Yes, June 6th this year. It was a wonderful day and I married the girl of my dreams!
Alana: That’s what I like to hear—a besotted bridegroom. ☺
You’re not new to the writing world. You’ve been a magazine and features writer for over 20 years. What was the catalyst for turning to fiction?
Ian: When you write to a contract the content is pretty much set and whilst you can be creative there’s no room to explore themes. Writing fiction means that I can write as I feel and then answer to readers, which is refreshing.
Alana: And why did you choose the crime genre?
Ian: I’m fascinated by the relationship between criminals and their crimes. I wanted to explore the psychological driving-force and the necessary impact that crime has on both perpetrator and victim—plus I love a great crime thriller myself!
Alana: DEAD CHARMING, your debut novel, is set in Manchester. Why did you pick that city for its location?
Ian: I know Manchester very well having worked in the city for a number of years. I love the city and the people and I wanted to set the novel in a place populous enough to help make the narrative believable.
Alana: I have to say that I found the subject matter difficult to read at times but even while thinking that I found myself thinking how well you dealt with it. How did you decide how graphic you should be?
Ian: I was careful to balance the murders with emotional response and bring in private lives as a shield against the natural horror of the crimes. I contemplated the psychological effect of the crimes on the characters themselves, thereby insulating the reader to a certain extent—I hope I managed to do that!
Alana: Thinking back on it I’d say you did a pretty good job of that. You have a new novel out I believe, in ebook format at the moment but a paperback edition isn’t far away. Would you tell us a little about it.
Ian: Yes, it’s called DEADLY DETERMINATION and is available throughout the world as a Kindle download. The paperback will be ready before the end of July and I have arranged book signings at Waterstones across the North West of the UK for late July and August—visit www.ian-d-jackson.com for further information.
The story is set in Liverpool and follows the trials of DI Karen Bellows as she navigates her way through a difficult investigation where honesty is not necessarily synonymous with the truth—I’ve written the book as a fast-paced crime story with an un-guessable and breathtaking ending—I hope!
Alana: It sounds like another good one from you! It may be a bit premature to be asking this, but have you started on a third novel yet or, if not, have you one in mind? And can I ask whether you’ll be continuing in the psychological crime genre?
Ian: Yes, my third novel Deadly labels will be out for Christmas this year and readers of DEADLY DETERMINATION get a sneak preview as the introduction and first chapter are at the back of the book.
Alana: Ian, thank you so much for talking with me today. I’ve thoroughly enjoyed finding out more about you and your work.
Ian: Thank you Alana and thank you for your comments and review of DEAD CHARMING. I find it truly inspirational hearing readers’ thoughts.
Where to buy DEAD CHARMING: Amazon, Waterstones, WHSmith and all good book stores.
Go to Ian's website and follow the buy links.
Take this link to my review of book
Take this link to all my author interviews
|Posted by Alana Woods on July 18, 2015 at 7:00 PM||comments (0)|
This is the debut novel by English author Ian Jackson, and it’s a cracker of a contemporary psychological thriller.
If you’re a squeamish reader I give you warning now: there are some disturbing scenes that you may want to skim. You won’t lose the plot by doing so.
Set in Manchester UK it tells the story of newly-qualified criminal profiler Jenny Foster as she starts work with the Manchester Metropolitan Police Serious Crime Squad and is dropped in the deep end of a serial killer case on her first day.
Among other things it’s a story of degradation, torture, manipulation and deception.
Told from multiple points of view—the victims, the killer, Jenny—it takes you intimately into their lives and their minds.
The story is well told and doesn’t lose its way at any point. Jackson keeps the anticipation mounting as the police close in on their quarry and Jenny has to contend with problems at home while hoping her observations about the killer are accurate.
And then there’s the ending! I’m not going to spoil it by saying anything about it.
If you like taut psychological thrillers you might want to give this one a go.
DEAD CHARMING is available at Amazon, Waterstones, WHSmith and all good book stores.
Go Ian's website and follow the buy links.
Take this link to my interview with IAN JACKSON
Take this link to all my book reviews
|Posted by Alana Woods on June 13, 2015 at 6:05 PM||comments (0)|
Once in a very rare while a writer appears and knocks your socks off. Their prose transcends much of what you’ve read before. Their story touches you so deeply it settles to reside in your soul.
Much has been written over the years since TO KILL A MOCKINGBIRD was published about how it stands tall among other wonderful works. If there is any fairness in creation ACCIDENTS OF BIRTH will come to be looked upon as its equal.
The beauty and pathos of Christina Carson’s story reaches out and wraps its tendrils around your heart. So too do her words.
Centred in the small town of Ellensburg, Mississippi, this story follows the lives of a number of its inhabitants, both white and black, focusing on two families, the white Sutton’s and the black Ware’s who served them.
The story begins in the 1960s and opens with a funeral. John F Kennedy and Martin Luther King are still alive. They won’t be at the end of book 2.
Except for chapter 1, book 1 is told in the first person by Imogene Ware, a woman with more love for the human race than anyone could fairly expect of her, given her situation in life. The narration of book 2 widens to take in the voices of several other main characters, so we get to see the viewpoints from both sides of the fence.
It’s an ugly story. The racism, the hatred, the belief in superiority and inferiority are without any redeeming features.
Yet the story is told beautifully, and it leaves you feeling not repulsed by the inhumanity portrayed but uplifted by the generosity of spirit shown by the Ware family to their oppressors and—can I get away with saying it again—the beauty of the prose and Christina Carson’s skill as a storyteller.
Take this link to my interview with Christina Carson
Take this link to all my book reviews
|Posted by Alana Woods on June 13, 2015 at 6:00 PM||comments (0)|
My guest today is Christina Carson, an author with a lot of living and experiences under her belt. Her latest books, ACCIDENTS OF BIRTH books 1 and 2, are the first of her stories that I’ve read and to say I was impressed with her storytelling skills is certainly an understatement. I will be finding time for her others. Let me introduce you.
Alana: Christina, welcome. Let me first ask you a little about yourself. In your own words you’ve ‘worn many hats’ and 'travelled many roads’. Would you tell us a bit about those hats and roads.
Christina: I started out intent on being a medical doctor, not my choice—
Alana: That’s a tantalising comment. May I ask whose choice it was and why you acceded to it?
Christina: …When I was three years old, my mother said to me, 'Christina, you are going to be a doctor.' Every relevant decision in my education from that point on was based on that assumption. Because pleasing my mother made life more bearable I never said no. Luckily science quickly began to fascinate me. But two years into pre-med I realized I wasn’t looking forward to the job, just the science, so I picked up an undergraduate research opportunity and found medical research was my place. By then the Vietnam War was front page news and just as I was heading into a PhD program my world changed radically. Because of my views I left the program, was turned out by my family and moved to Canada.
Alana: You’re saying there, I presume, that you were against the war. Why did that cause you to leave your job?
Christina: It wasn’t just the war, it was the realization that my country, the only thing left that I believed in at that point in my life, was selling wholesale lies to its populace and killing young men for personal and political gain, not defense. That may sound naïve, but growing up in the 1950s in the US created a very Pollyanna view of life which I acquired from my parents—meaning the USA was above reproach. The Vietnam War made it all too clear that was not true. As I struggled to determine what my response to the war was going to be, I realized I couldn’t live in the States any longer. Since my parents had severed their relationship with me I crossed the border into Canada and never looked back. My position, my graduate degree and everything else, I left behind. In Canada I taught for a few years but then wanted out of academia and that’s when change ran rampant through my life. First, I worked in the trades and then was a sheep farmer for 15 years in the far North.
Alana: That’s a heck of a change in direction.
Christina: It certainly was, but I felt I needed it. Life went rather smoothly for the next 15 years, and then the bottom fell out again, and I lost everything that mattered to me.
Alana: I’m sorry to hear that. Would you care to share the story behind it?
Christina: Due to a marriage breakup I had to leave the North and with it my farm, my community, the man I loved, and a life I treasured. I moved south to Vancouver and started over once again. I was deeply unsettled and moved from magazine ad salesperson to stockbroker, corporate consultant, contributing editor to Canada’s then only financial magazine, then in a period of financial ruin anything I could get to stay afloat. Some of it was thrilling, some of it hell, but years later it certainly serves my writing.
Alana: You weren’t exaggerating with the many hats and roads! Where do you call home now? Is it permanent or do you envisage moving again at some stage?
Christina: My home of heart will always be Canada. I should have been born there. It felt like home from the get-go. The title of my latest novel ACCIDENTS OF BIRTH came from hearing myself rationalize my birthplace and why I didn’t want to go back. I’d say being born there was just an accident of birth. I doubt I’ll ever return to Canada, and I am finally seeing the beauty of living in the Deep South. In a most fascinating way it is like stepping back in time, both alluring and instructive.
Alana: So how did you end up in the Deep South?
Christina: My present husband, Bert, was born and raised in Alabama. He’s traveled the country widely but prefers the South. So I followed him here.
Alana: And what are you doing now, workwise? Are you a fulltime writer or are you pursuing another career in parallel with your writing?
Christina: Bert and I have a small photography business, which strangely requires an inordinate amount of time. Thus is takes me ages to finish a novel. I can only write in our slow months, which is about the most inefficient manner in which to write a novel that I could imagine. I would like to write full time, but I don’t know if that will happen.
Alana: Your husband, Bert Carson, is also an author. Have you found that both of you being writers creates problems in the household or does it actually ease the way, so as to speak?
Christina: We both share a passion for writing and that is a marvelous passion to share. We are not in any way competitive with one another; in fact, completely supportive would be the accurate description. I’ve always thrived on sharing things of meaning with the one I love, and now Bert and I have several such points of intersection.
Alana: ACCIDENTS OF BIRTH—where on earth did the story idea come from? It’s an amazing read. It seems a world away from your own experiences and yet it rings so completely true and believable.
Christina: That is a conundrum, even for me at times. The initial spark came from wanting an experience of true mother-love at a difficult point in my life. Crazy as that sounds for an older adult, it was the initial inspiration. But the only place in my life where I had experienced such all-inclusive love was from two Black orderlies in a hospital in Pennsylvania when I was 16. I had never felt anything like what they offered to comfort me, and I never forgot it. Then living in the South I was privileged to meet many more Black women due to the nature of Bert’s and my work. Our photography business focuses on taking photos of little children in daycares. When we’re in towns or counties that are predominately Black, the daycare Directors are always Black women. I have met many through that experience and since our customers, the Directors, become like family, we have close ties with them. Over and over, these women show me that my early experience wasn’t an exception.
I was half way through another novel when I got the sense of a story that would let me, in a ‘writerly’ way, spend time in the company of the very people who had taught me about love. I set my other novel aside. I brought up a blank screen and the first chapter felt like it fell out of the sky. Then in chapter 2, Miss Imogene, who was only to be a supporting character, since I feared how the sense of hubris in writing outside not only your world experience but also your race might appear, stepped out and took over. She made herself the protagonist. I, at that point, was merely the scribe. By then I could hear the dialect in my head and I could hardly keep up with the story that flowed onto the page. I fell in love with Miss Imogene and in the end she healed her world in an amazing number of ways as well as healing mine too.
Alana: I fell in love with her too. I love her philosophy on life. All of your books including ACCIDENTS OF BIRTH are categorised as literary fiction with some sub-genres happening for each. Do you feel that it quite captures the spirit of the stories you tell?
Christina: I will be the first to admit I am genre-challenged. The best category would be contemporary fiction, but if you are selling through Amazon that is akin to stepping into oblivion. I write about love but my books aren’t romances. I write about human interplay, but without the pounding metronomic rhythm of modern fiction. And I always seem to include an underlying current of the spiritual and metaphysical. If someone can tell me what genre that belongs to I’ll kiss their feet. So I chose literary fiction as it permits the most latitude in topic and form of presentation. Your sense, Alana, was most accurate. I don’t really fit there.
Alana: Your bio says you’re a long way from finished, so tell us what’s in the works next for Christina Carson, novelist.
Christina: In truth, what that statement referred to was the larger project of my life, a never ending desire to attain a greater awareness about what we are and why we are here. I refer to it as human cosmology, and it is my life’s work. There is no finishing that one, so indeed I am not finished.
Alana: And your writing?
Christina: I plan to go back and finish the novel Miss Imogene interrupted. I don’t as yet have a title, but it is historical fiction only because I wasn’t sure it could happen in these times. The story relates the experience we all have—we come into the world whole, open, connected with life and filled with wonder. But then the pressures to conform begin. The protagonist, Tibatha Nase, has had enough freedom in her childhood that she rebels as she senses her circumstances closing in on her. She moves West with the large migration of those seeking new beginnings in the 1850s. In the process she walks right into the Indian Wars, the Sheep and Cattle War and the genocidal action of the American government toward Natives. If she thought she was confused before, she now faces a tragic scenario she could have never imagined. It takes years for her to regain her balance and finally find her place in the world.
I have a contemporary novel sitting in the back of my mind presently. I’m calling it The Mobius Strip [a one-sided surface]. It asks if life is a Mobius Strip, a situation we can never leave, or is there way out? The protagonist is an older woman, now a widow and in a state of penury that has her feeling defeated and frightened (The US can be a cruel place to live for old, poor people). She has taken great risks in her life to take a road less traveled hoping to understand the nature of human reality, but now feels like a dreadful failure. Surely it shouldn’t have brought her to this end. In the ugly little concrete block apartment building she’s been forced to move to she meets a crazy Vietnam veteran whom she befriends, a man who knows all too well about life’s disappointments. As well, through seeming serendipity, she crosses paths with a successful young IT entrepreneur who works in the field of artificial intelligence. These two new acquaintances set up a triangle of relationship that becomes the next phase of her life. Neither knows she has been a student of mind and consciousness, for she seems quite broken when they meet, but when tragedy strikes she begins to see a bigger picture of how life works, perhaps even a way out.
Alana: There sounds as though elements of your own story may be finding their way into that one. Before I let you go would you tell us a little about your other published novels.
Christina: My first novel, SUFFER THE LITTLE CHILDREN, is set in a wilderness community in western Alberta. I was really homesick, so that gave me the opportunity to immerse myself in a world I knew and loved. It asks a question, like so much of my writing does. In this case it was: what is it we do that drives our children from us? It haunts the protagonist, for her only daughter has been missing for 8 years and not until a neighbor child ends up on her doorstep, also on the lam, does Anne Mueller realize she must find the answer or perhaps create the situation again. She is assisted by her wise Native friends and the very wilderness in which she lives as it pits her against her worst fear to bring her to a point of reckoning. It is a great book for parents and children to read together.
I switched to something a tad more metaphysical in my second novel, DYING TO KNOW. In it a young woman faces cancer but is insistent that she’ll not take the traditional route of treatment after having cared for her mother dying from cancer. As one reviewer said, ‘ ... but it is not a book about cancer’. And he was right. It is a story about the search for the real nature of health and well-being, for the reader lives each day with Calli Morrow in her search for an alternative view of life and healing. As another reviewer deftly summarizes: ‘… in the undercurrent of the story, the careful reader will see the struggle with the paradoxical world and the taffy-pull of the scientist with the philosopher’. It is a book that gives the reader much to ponder.
Alana: Christina, many thanks for giving us your time today.
Christina: Alana, I am most grateful for your invitation. I am particularly delighted that this will touch Australia more directly as your country has always had a pull on me. In fact, just before I met Bert, I was seriously considering moving there. I appreciate the time and effort you give these interviews. Thank you indeed.
Take this link to my review of ACCIDENTS OF BIRTH
Take this link to all my author interviews
|Posted by Alana Woods on March 7, 2015 at 4:05 PM||comments (0)|
This is not my usual author interview. When I contacted Laurence O’Bryan to ask if he would be interested in participating in one he sent me back an already-prepared Q&A. Rather than delving into the author as well as all of his works, this focuses mainly on the novel I reviewed, THE MANHATTAN PUZZLE. So, for those of you who would have liked to get to know the author a little better, you will be disappointed. But if you’d like to know the story behind the story, and isn't that all of us, here it is—Laurence talking about Manhattan.
Q: Laurence, describe your connection to Manhattan?
Laurence: I have been to Manhattan, the site of my latest novel, THE MANHATTAN PUZZLE, only four times. Each time it was different and so was I. Manhattan became part of my dream of prosperity. If I had enough money, in my fantasy, I would leave Ireland, visit Manhattan and enjoy all the interesting things that the city could offer. Later, after 9/11 and the financial crash, my impressions of the city changed. They became darker. There were forces battling over the island and innocent lives were being lost.
Q: What things about this place make it unique and a good physical setting in your books?
Laurence: I imagine the whole of Manhattan as a museum. It exists as an entirely man-made object, a piece of intricate jewellery or a giant snow globe with dollar bills cascading. Every street in Manhattan seems imbued with style, either gritty, trashy or glitzy, but there is nothing boring about it. I know of no other place like it.
Q: Did you consciously set out to use your location as a ‘character’ in your books, or did this grow naturally out of the initial story or stories?
Laurence: Manhattan, the mid-town section around Grand Central Terminal, is a character in THE MANHATTAN PUZZLE. It exists in the streets around the terminal and in the imaginary BXH Bank headquarters, a 1920s era skyscraper with a secret underneath. I couldn’t write a story about Manhattan without that presence coming through strongly, like Marilyn or Frank Sinatra swaggering past you as they head towards a limousine.
Q: How do you incorporate location in your fiction? Do you pay overt attention to it in certain scenes, or is it a background inspiration for you? In other words, similar to the last question, are you conscious of referring to your specific city or locale as you write?
Laurence: I believe place is a vital part of any novel. I went deep under Grand Central to feel it and to smell what it is like. There is a cinnamon-like smell on the lower tracks. I do pay specific attention to details like that, the feel of the stones under your feet as you race along the tracks, the smell, the noise of a train on a distant track.
Q: How does your protagonist interact with his/her surroundings? Is she a native, a blow-in, a reluctant or enthusiastic inhabitant, cynical about it, a booster? And conversely, how does the setting affect your protagonist?
Laurence: My main characters are blow-ins, like me. They are there to solve a puzzle. They don’t make much of their surroundings, they are too busy surviving, but the city is there, behind it all.
Q: Has there been any local reaction to your works? What do local (ie those who actually live in your novels’ settings) reviewers think, for example. If published in a non-English speaking country are your books in translation in that country and, if so, what reaction have they gotten from reviewers?
Laurence: I have had great responses from readers in New York. Not one has given me a negative comment yet. This is a good thing for me. If I had dropped a few clangers I am sure they would have been noticed by sharp-eyed New Yorkers.
I’ve also written about Istanbul and Jerusalem. Both novels have been reviewed by people from those cities and the Istanbul novel has been translated into Turkish. Aside from a few minor points, such as below, there has been no negative comment about my use of these locations.
Q: Have you ever made any goofs in depicting your location or time period? Please share—the more humorous the better (we all have).
Laurence: A tricky one this. I wrote a novel set in Istanbul. In it I placed a sea bus to the Princess Islands in one location on the Bosphorus shore of the city only to find when it was being translated that the location was wrong. I also misnamed a tower, allocating its creation to the Venetians, not the Genoese!
Q: Of the novels you have written set in this location, do you have a favorite book or scene that focuses on the place? Could you quote a short passage or give an example of how the location figures in your novels?
Laurence: In THE MANHATTAN PUZZLE the tracks under Grand Central and a secret platform form an important part of the middle section of the book. That part of Manhattan, deep under Grand Central, is a location I love. It’s not a long section in the book but it links the modern part of Manhattan to an imaginary older part, which I have created. It is a factual place that is hidden, which I have used to link to an imaginary place.
Q: If you could live anywhere, where would it be and why?
Laurence: I would live in Manhattan, in the Village, for the vitality, the energy all around, the great bookshops and the constant flow of people and stories.
Q: Who are your favorite writers, and do you feel that other writers influenced you in your use of the spirit of place in your novels?
Laurence: The writers I have enjoyed most include Robert Graves, whose series set in Rome and beyond was definitely inspired by place. Conan Doyle and the Sherlock Holmes series was also greatly involved with place, from the smoke-filled streets of London to the mists of Devon. In the modern era I enjoy Wilbur Smith’s adventure series and Barbara Kingsolver’s novels. All these novels feature place as a key element. I also enjoy Michael Connelly’s novels. He brings LA to life for me.
Q: What’s next for your protagonist?
Laurence: Sean and Isabel Ryan are off to Nuremberg. I am writing the novel at the moment. It’s about modern fascism and betrayal. It also takes the puzzle at the heart of the series one more step forward.
Laurence O’Bryan’s first novel, THE ISTANBUL PUZZLE, was short listed for Irish Crime Novel of the year in 2012. He still lives in Ireland. You can find out more about him and the series at www.lpobryan.com.
Laurence’s thrillers have been translated into ten languages. THE MANHATTAN PUZZLE was published by Harper Collins in the US on 26 August 2014.
Take this link to my review of THE MANHATTAN PUZZLE
Take this link to all my author interviews
|Posted by Alana Woods on March 7, 2015 at 4:00 PM||comments (0)|
I very nearly didn’t read on from the opening of this book because it is confronting. However, I dislike giving up on a book so quickly and persevered. Glad I did, it’s a good one.
Throughout the story there were back story glimpses which I realised after a while were references to earlier books in the series. Yes, this is a series, so be warned. If you prefer to read your series in order then you’ll need the preceding two before you bury your nose in this one: THE ISTANBUL PUZZLE and THE JERUSALEM PUZZLE. But I have to say I didn’t feel disadvantaged as this one stands on its own.
The story follows Sean and Isabel Ryan, husband and wife, as they become involved in an international religious conspiracy that, if successful, will turn the world on its head.
The story/plot is terrific, as is characterisation. I believed in these people. My heart was in my mouth as to where O’Bryan was taking me in relation to one character later in the book. Was he going to die, and would it be horribly? You’re going to have to read it to find out.
The author’s use of language, description and dialogue kept my adrenalin levels elevated for pretty well the entire 400+ pages. And unlike other series I’ve read where the reader is left hanging at the end as though the next chapter is missing, this book is complete in itself. A definite plus.
Take this link to an interview with Laurence O'Bryan
Take this link to all my book reviews
|Posted by Alana Woods on February 14, 2015 at 4:00 PM||comments (0)|
I was a couple of chapters in when I laughed, and then wondered if I should. It immediately reminded me of my first exposure to the film Pulp Fiction; that first inadvertent burst of laughter when John Travolta’s gun accidentally fired in the car. I was aghast at myself. Was I supposed to laugh? The scene was so over the top. So too is this novel. What is its classification: comedy horror or horror comedy, or something else? Is it supposed to be a serious novel? I finished reading without deciding.
It’s set in the modern day and everything is familiar: the world, the way ordinary people live their lives and earn their living, the traumas we face. Even the incessant killing is a reflection of our gone-mad society. But there the similarities end.
From the cover, when I bought the book, I thought it was a sci-fi story. From the title, RENAISSANCE 2.0, I thought it was a nod to the 14th—16th century European Renaissance and the author was creating a second, 21st century, perhaps global, renaissance. And although I didn’t see any evidence of one in this book it no doubt becomes apparent in subsequent books in the series.
There is a definite sci-fi element with technologies that shatter life being created in back rooms and just as quickly being disposed of by mysterious forces; there’s a beserk drug culture; in fact it’s sheer mayhem from start to finish. Multiple characters make brief appearances never to return and it’s only well into the story that I realised there is a recurring character who, by the end, is identified as the protagonist who will be taking the series forward. He’s a detective with a wife who is becoming a man, which is forcing him into thinking he should become a woman. Yes, you read that right!
The author takes you deep into the psyches of his characters. There’s plenty of esoterica as he delves into psychology and philosophy. If you’re not interested in that you can skim without losing the plot.
I have no idea how the author will sustain this level of tortuous inventiveness over a series. As five volumes have already been published I don’t have to wait to find out.
This is an exceptional read. I was gobsmacked from very early on and didn’t pick my chin up until I’d finished reading.
It’s very different. Read it and see what you think.
RENAISSANCE 2.0 on Amazon
An interview with the author will be published at a later date
Take this link to all my book reviews
|Posted by Alana Woods on January 23, 2015 at 4:00 PM||comments (2)|
I’m impressed with the generosity of spirit that Julia Gillard possesses. The book is littered with the names of people to whom she gives thanks: for their enduring friendship, their casual mateship, their thoughtfulness, their support and love. What a rich life this woman has, if those she counts as friends is a guide.
And that in her official memoir encompassing her time as Prime Minister of Australia she unstintingly gives credit where she believes it’s due to her political opponents and enemies as well as the many people who sustained and continue to sustain her is generous indeed.
Generous also is her take on what is important in life: to make a difference to the lives of others through your own hard work.
Working class immigrants to Australia from Wales when Gillard was a child, her parents regretted their lack of education and the limits it placed on them. Education and hard work were inculcated into their two daughters. And Gillard has made bettering Australia’s education system her life’s work. The education sphere is where she headed immediately she left politics.
I’ve never read the memoirs of past prime ministers before. Never wanted to. But I felt the memoirs of the first female to hold that position warranted my attention. Having only read this one I don’t know if its structure follows a formula for PM memoirs. Whether it does or not it’s a good one. Rather than adopting a time sequential telling where the multiplicity of what was going on at any given time would overwhelm you, each chapter covers a different aspect of her prime ministership.
The first part chronicles the overall story. Subsequent chapters deal with individual areas such as defence, health, education, environment, tax, foreign policy. This approach makes it possible for the reader to grasp all that was done and accomplished. It makes clear the vast breadth and scope of what is expected of a country’s leader.
It’s also an intimate picture of what goes on behind the scenes. I suspect I’m no different to any other reader when I say it’s those candid moments and the humour that reveal and round out the woman.
At the end Gillard says ‘I hope my words inform, provoke, intrigue and amuse'. For me they did all of those. It was well worth the read.
MY STORY on Amazon (this is a global link)
The author declined an interview to accompany this review
Take this link to all my book reviews
|Posted by Alana Woods on December 13, 2014 at 4:05 PM||comments (0)|
This is a coming-of-age story about 16 year old Arturo Basilides, a street-smart orphan with a sassy mouth and engaging personality living at the bottom level of society in a savagely-ruled post-apocalyptic world that has a lot of similarities to Earth. The story is told in first person point of view by Arturo, who lives with his sister and friends he considers to be family in a disused warehouse on the outer fringes of society. It’s an unqualified attention-grabber!
By the book’s end it’s obvious Arturo’s been a pretty gutsy kid from the moment he entered the world. Set against a background of controlling overlords, gangsterish rebels and the uncaring upper-crust of society Arturo must find a way to keep his family safe while coming to terms with the important role he seems destined to play in the rebel movement and the added complication of his overwhelming but probably unrequited love for one of his inner circle.
I wonder if the author is planning more for Arturo, given there were several questions left unresolved. Or perhaps he has deliberately left some things for the reader to surmise.
I enjoyed this book immensely. The story and characters are nicely developed. I particularly enjoyed the descriptions, which are sharp to the point of drawing blood. And let’s not forget the completely natural dialogue—a talent beyond many authors but one that RD Hale has nailed.
Hale is an author to watch. He has a crystalline quality to his storytelling, the descriptions are sharp and the characterisation is subtle yet powerful.
It’s not often I read a book that requires my absolute undivided attention. This is one of them. The author’s voice is compelling, and exactly right for the telling of this cyberpunk saga.
SKY CITY: THE RISE OF AN ORPHAN on Amazon (this is a global link)
Take this link to my interview with RD Hale
Take this link to RD Hale's Amazon author page
Take this link to all my book reviews
|Posted by Alana Woods on December 13, 2014 at 4:00 PM||comments (0)|
I’ve just finished reading RD Hale’s debut novel, SKY CITY: THE RISE OF AN ORPHAN. It’s a 492 page epic. Lots of labels have been attached to it by others: cyberpunk, biopunk, dystopian, sci-fi, manga, young adult, as well as a touch of fantasy. I agree with all of them, but add another one: coming of age.
There’s not much you can find out about RD on the internet, perhaps because he’s a private kind of person and likes to keep to himself, or perhaps he prefers to let his writing and characters talk for him. Whatever the reason, I aim to tease something from him today to make the day for his growing number of fans.
Alana: G’day RD, am I allowed to know what the R in RD stands for, or do you use the initials to maintain a certain mystique?
RD: The initials help to maintain a mystique and create the impression I'm smarter than I actually am! However, my friends call me Ricky (among other things!)
Alana: How about I help maintain the mystique and stick with RD then. Your bio says little is known about you other than tidbits, rumours and hearsay. I’m going to do my best to squeeze a bit of detail from you today because, let’s face it, you’ve got a lot of fans out there in book land. I think they’d like an inside peek. Your bio says you’re married and have one young child. I take it that’s fact, yes? As to your age, I’m hazarding a guess that you’re still wrinkle-free.
RD: I’m rapidly starting to accumulate grey hairs thanks in no part to my son, but I'm doing pretty well on the wrinkle side. However, I'm sure my second child will help contribute towards those when he/she arrives.
Alana: Oh, does that mean another baby is on the way? Are congratulations in order?
RD: The second boy is due in early April and already I am having sleepless nights!
Alana: There’s nothing like a new baby! You’ll look back on it as totally worth it. As you’re going for a second I guess you already know that though. Where in the UK do you call home?
RD: A lively place called Newcastle upon Tyne where beer is known as "breakfast" and religion is called "football".
Newcastle upon Tyne pics: Angel of the North, Tynemouth Priory, fireworks over the city.
Alana: Sounds like a tough place! Is it where you want to be, or is there somewhere you’d rather be if money were no object? Does the grittiness of SKY CITY stem from there or do I have completely the wrong impression of your home town?
RD: Medio city is a (greatly exaggerated) representation of the council estate where I grew up. Sky City represents the sights and sounds that were out of reach to a jobless, disenfranchised youth.
My home town has its qualities, but unemployment has been a problem for many. And then there is the perma-grey sky which only adds to the misery! I understand your part of the world is lit by a golden disc called "the sun". We've never seen it!
Alana: Yes, we’re blessed here in Australia. It’s the best place on the planet. I was born in the UK but wouldn’t live anywhere else but here.
RD: Maybe one day we'll get to move somewhere warm and cheerful like Australia.
Alana: You’d be very welcome. Let’s talk about your writing. It sounds as though the genre you write in is the one that’s always appealed to you. Is that right, and why?
RD: I've always liked sci-fi for many reasons, not least because once interstellar travel is invented I plan to become a space pirate! I spent my childhood preparing for this role by playing videogames, and now I fill the waiting time by writing books!
Sci-fi is a great tool for self-expression because you have more creative freedom than in other genres. The aspect that most appeals is the world building. With SKY CITY I wanted to create a microcosm of the world in which we live, where the problems are amplified so we can take a closer look at poverty, inequality and indoctrination. My aim was to give a voice to the voiceless and to challenge pre-conceived ideas.
Alana: I’d say you’ve well and truly succeeded in that. And Arturo Basilides, SKY CITY’s young hero you’ve built that world around; what brought about his creation? He’s an immensely charismatic character.
RD: He's a combination of many factors; he has some of my traits but I was conscious about making him fit into his awful world. He had to be highly intelligent and physically adept for the rebellion to take an interest in him, but he also had to be reckless. He could not have emerged from his childhood untainted so he is a very flawed protagonist. I wanted to get away from the heroic stereotype and create a character who was complex and unpredictable.
Alana: You originally published the book as a series of six smaller books but have now removed them from sale. What’s the thinking behind that?
RD: The book was originally serialised on Wattpad and I wanted readers to experience the instalments as they were initially intended, but their removal from Amazon was ultimately a commercial decision. It was confusing my readership as Amazon kept listing the complete edition as part of the series. I didn’t want people to mistakenly purchase twice in the belief they were buying the latest instalment. Plus the complete edition has a reasonable price so there’s no need to break it up.
Alana: I commented in my review of SKY CITY that there are several aspects of the story that were unfinished. I speculated that more is to come of Arturo. Am I right? And if so, do you have a release date in mind? Perhaps you might also like to whet our appetite for where you will be taking Arturo and his mates in it.
RD: I have a couple of spin-offs in the works starring other characters which are available on Wattpad. Both are in their early stages so everything, including the titles may change.
The Formation of the Rebellion stars Leo Jardine and is a prequel explaining how the rebellion came to be. It’s intended to be hard sci-fi—darker and more complex than The Rise of an Orphan with a similar feel to Gibson's Neuromancer.
The Sister of a Rebel Soldier stars Emmi Basilides and continues on from events at the end of The Rise of an Orphan. It’s intended to be a more accessible addition to the series. The rebellion really gets under way in this one and you'll discover what the more interesting characters are capable of.
Alana: And Arturo?
RD: I haven’t started the next part of Arturo's story just yet, but it’s definitely coming. I’ll likely serialise it on Wattpad and then release six instalments as one book on Amazon as I did with The Rise of an Orphan. I expect Arturo's saga will become a trilogy at the very least.
Alana: What about after SKY CITY is completed, do you have any other stories in mind and are they in the same genre?
RD: I would love to write in another genre, maybe fantasy but I can't see myself doing this for a long time!
Alana: RD, thank you so much for talking with me today. It’s been a real pleasure getting to know the writer behind the book.
RD: Thank you, Alana.
RD Hale has a new website. You can visit it by taking this link.
RD Hale's blog
SKY CITY: THE RISE OF AN ORPHAN on Amazon (this is a global link)
Take this link to my review of SKY CITY: THE RISE OF AN ORPHAN
Take this link to all my author interviews
|Posted by Alana Woods on November 15, 2014 at 5:40 PM||comments (0)|
My guest today is Rebecca Dahlke, better known as RP Dahlke to her fans. I’ve just read the 4th book in her DEAD RED mystery series and it might be true to say that with the series Rebecca took to heart the advice given to many authors starting out, and that is to write what you know. I say that because the first three books at least centre on the crop dusting business and, like her heroine Lalla Bains, Rebecca worked in it herself.
Alana: Welcome Rebecca. First of all, do you prefer Rebecca or RP?
Rebecca: Rebecca is just fine!
Alana: You grew up in Modesto, California, but escaped to the city after running your father’s crop-dusting business for two years. Whereabouts is home nowadays? Any particular reason you chose it?
Rebecca: We were leaving our sailboat in Mexico every summer, going back to the states to annoy our adult children, which can be very entertaining if you count how much fun it is to leave the towels on their bathroom floor and stand in front of an open fridge and ask, "What's for dinner?"
pics: Rebecca's father RA Phillips and the first of the Stearmans he used for the aero ag business. Rebecca's son John (on right) and a mate in front of their aero ag plane.
Alana: Wow, you’re game. We’ve never been brave enough to push those boundaries!
Rebecca: Well, hijinks of that sort only go so far, so we figured it was time to buy a summer home, something close enough to drive to and from the Mexican Marina where we kept our boat. Of course, when my husband suggested a condo or apartment, I suggested he get realistic! I'd gotten used to wide open spaces, so we compromised on 4 acres and a nice house south of Tucson. The scenic shot is a picture of our back yard.
Alana: That's some back yard! My husband John and I owned a 46ft catamaran for a few years and I pretended to be a sailor but never got out of the sheltered waters of the Great Barrier Reef in Queensland. Tell us a bit about your experience. What was or is your craft, how long have you been sailing and where? Have you retired from the sea or do you still sail?
Rebecca: We're from the bay area of San Francisco, California. We both learned to sail on this bay—which really was a lot of fun, if you don't mind dodging freighters barreling down on you at warp speed. We started with a 27ft water ballasted trailerable boat, then upsized to a Hylas 47. Interesting that you had a catamaran as we tried out a few with charters, and even considered purchasing one before opting to stick with the mono-hull. A 46 ft. cat is like a 65 ft. monohull, and a dream to sail, or so I've heard.
Alana: We sold some years ago, but our memories are of the fun we had. I understand you wrote your mystery sailing trilogy while sailing. I can imagine it would have been very conducive to getting the creative juices flowing. I haven’t read it, so would you tell us a bit about it? Does it follow a principal character?
Rebecca: The two books in my sailing trilogy are based around one small 32 ft Westsail and two sisters who inherited it from their father. They both learned to sail it on the San Francisco bay and loved it.
Alana: So you were writing from experience again.
Rebecca: I was, and am. In the first book, A DANGEROUS HARBOR, Katrina Hunter is a S.F. police detective on leave after shooting her sister's stalker. She single hands the boat to Mexico only to find a floater, an old flame with a secret that could undo her career, a bald parrot and the man who could either become the love of her life or her undoing.
Alana: And the second?
Rebecca: The second book, HURRICANE HOLE, features the sister, Leila Hunter Standiford, queen of daytime drama. When she admires a beautiful vintage Alden and its handsome captain she doesn't realize that the boat will soon burn to the water line, or that a dead body will be found below, or that the captain has been targeted as the sacrificial diver.
Alana: Lalla Bains, the heroine of the DEAD RED series, is very likeable. I dropped in on her in the 4th book in the series and at some point I’m going to have to go back and read about her earlier exploits. She reminded me of Janet Evanovich’s Stephanie Plum, although she’s most definitely her own person. I imagine I’m not the first person to make favourable comparisons.
Rebecca: I've been absolutely floored that so many readers have commented that this series reminds them of Janet Evanovich's Stephanie Plum series! I write what I like to read and, of course, Janet Evanovich is the queen of humorous mysteries.
Alana: I have to admit to becoming a bit tired of Stephanie by the time the books got to double figures.
Rebecca: Well, I can tell you there a lot of really entertaining authors who can also tickle the funny bone while writing a really good mystery. Try Heather Haven or Cindy Sample, or AJ Lape or Kaye George. Want to get all of these authors, myself included in a boxed set? Get WHAT’S SO FUNNY ABOUT MURDER? and enjoy seven complete humorous novels for only 99 cents.
Alana: Thanks, I’ve just taken you up on that☺. About time I found myself some more authors in the genre. But getting back to you, do you have more stories in either or both of the series planned?
Rebecca: I'm writing #5 in the DEAD RED mystery series. This one is titled A DEAD RED MIRACLE and it's again based in Wishbone, Arizona. I'm so enjoying writing about this area. Did you know that South East Arizona is where Geronimo and Cochise lived? These two Chirachauhua Apache Indians were famous for side-stepping American efforts to corral them, or their people.
Alana: Cowboys and Indians was one of the favourite games when I was growing up. I remember the girls always had to be the Indians and the cowboys always had to win. Things would be different if kids played it nowadays I think! But again, let’s get back to you. You produce a newsletter too, I’ve heard.
Rebecca: I do, three times a week and they feature the best in mystery/suspense and thrillers with DIRT CHEAP MYSTERY READS.
Alana: Are there new books envisaged for the future that take you away from the two current series and perhaps into a new genre?
Rebecca: oh, boy—that's a loaded question. I so want to write a book that I've had in my head for several years, but the DEAD RED series is starting to pick up more and more readers, so much so that I can't see how to stop writing the next and the next just to indulge my fantasy of something completely different.
Alana: Well, I look forward to reading it when you do. Rebecca, thank you so much for talking with me.
Rebecca: It has been my pleasure! Thank you for having me!
Take this link to my review of A DEAD RED ALIBI
Take this link to all my author interviews
|Posted by Alana Woods on November 15, 2014 at 5:35 PM||comments (0)|
Stephanie Plum step aside.
Lalla Bains—ex model, 5’10”, blond and extremely easy on the eye teams up with cousin and budding PI Pearlie and cop fiancé Caleb Stone to solve two murders, not least because Lalla’s dad is the chief suspect.
This is the 4th book in the Dead Red mystery series and at the end the author expresses the hope I enjoyed reading it as much as she enjoyed writing it. I can assure her I did!
I haven’t read the previous three in the series, not knowing about them until coming across this one, but I didn’t feel the lack of any essential knowledge about the characters. There was some economical back story to fill me in but essentially I think it’s complete enough in itself to stand alone.
Told in a deceptively easy-to-read style everything about it engages you: the storyline, the characters, the descriptions and the humour.
I say ‘deceptively easy to read’ because that style isn’t as easy to accomplish as some may imagine. It brought to mind one of my all-time favourite authors, Dick Francis. He had a similar writing style and he was a master with it. I’m not exaggerating when I say that RP Dahlke is another author who has finessed it.
I found myself comparing it to Janet Evanovich’s Stephanie Plum series and I’m betting that if you like Stephanie you’re going to really like RP Dahlke’s Lalla Bains.
A DEAD RED ALIBI on Amazon
Take this link to my interview with RP Dahlke
Take this link to RP Dahlke's Amazon author page
Take this link to all my book reviews
|Posted by Alana Woods on November 8, 2014 at 12:35 AM||comments (4)|
What a glorious time of the year Spring is in CHASING BOOK SALES LAND.
The resident ducks have had babies and the kangaroos are coming in to the gardens looking for the new shoots. They have the belief—and I don’t disabuse them of the idea—that I cause the rain to fall that provides them with the new grass that grows just outside the palace doors.
The lavender is buckling under the weight of the Fiefdom’s bee population and the Consort and I are already salivating in anticipation of coating the honey on the lovely bread our bakery provides.
The rugosa roses are heavy with flowers, so along with everything else we’re expecting a bumper crop of hips to be turned into jam. The Trigintipetala roses are also heavy with blooms, meaning the Fiefdom’s stock of rose oil will be well and truly replenished this season. Nothing like rose oil to soothe the unquiet breasts of the Fiefdom’s sometimes unruly neighbors.
In the orchard our apple blossoms have transformed into little new fruits. Come autumn they will be large, red, crunchy and very sweet to bite into straight from the tree or savoured in the cook’s famous pies and strudel. The cherries, too, are abundant this year and will grace the Fiefdom’s Christmas Feast table. And let's not forget our treasured olive trees which are covered in tiny flowers. They have only been producing a crop for the last two years so My Fiefdomness is still on the pickling learning curve. But I will master it!
Ah, Spring. Yes, we love it here in CHASING BOOK SALES LAND.
Take this link to all CHASING BOOK SALES LAND stories.
|Posted by Alana Woods on September 13, 2014 at 8:00 PM||comments (0)|
Some time ago I read Nougat’s short story compilation Death on Facebook, Short Stories for the Digital Age and was impressed with the range of stories and the skill with which they were presented. One that caught my imagination was I will not leave you behind, the futuristic story of a 122 year old woman who is part of an elite program that keeps you young until you die. In FOREVER YOUNG Nougat has taken that short story and woven its premise into a four-part series of short novels I enjoyed reading very much.
The over-arching theme is the approaching doom of Earth from climate change. The story is set 200 years into the future and what becomes apparent very quickly is that humankind never did learn the lessons of what it would take to save the planet. Everyone, including big business, is still only concerned with the present and what they can get out of it for themselves. People are still divided into the have’s and have not’s, only now the have’s—called the OnePercenters—can afford to have old-age and illness permanently eliminated right up until death, whereas the have not’s—the 99PerCenters—continue to struggle as we struggle in this day and age.
The story and struggle is told through three characters who all aspire to be a OnePercenter, highlighting the fact that even in Earth’s extremis we’re still only concerned with what advantages we can garner for ourselves.
You can come away from reading this series feeling a great despair for where we’re heading. The alternatives that the author presents, that of leaving Earth to inhabit a new planet and starting again, or remaining and hoping Earth regenerates itself, are stark contrasts.
A thought-provoking, confronting read.
A point worth mentioning is that the cover art is one of Nougat's own works and depicts Alice, one of the characters in the series. If you click on the link below to my interview with the author you will see more of her paintings.
FOREVER YOUNG on Amazon
Take this link to my interview with CLAUDE NOUGAT
Take this link to the author's Amazon author page for all of her novels
Take this link to all my book reviews
|Posted by Alana Woods on September 4, 2014 at 10:40 AM||comments (0)|
You may well remember that I've reviewed some of John L Work's books previously. I've always meant to catch up with this particular series and now I have. A WELL-REGULATED VENGEANCE can be read as a stand-alone novel but it can also be read as a precursor to the three-part THE BARTER series. The author himself refers to it as a four book collection called THE BARTER AND RECKONING SERIES. For the purposes of this article I'm reviewing them separately.
I’ve read enough of John L Work’s novels to know they take you by the throat and don’t let go until well after you’ve finished reading them. This one doesn’t deviate from the mold. In fact it ramps up the tension by quite a few degrees.
In this gun-rights thriller he takes you to the United States in the near future, 2016, against the backdrop of a country descending into totalitarianism, and brings you the story of an ordinary man, Wesley Kirbaugh, seeking justice for his murdered daughter.
It beautifully combines a seemingly small story—that of one man—with a large story—that of a nation’s descent from greatness.
Unsettling is an understatement. But what read!
This story was born from best-selling author and investigative journalist Jerome Corsi’s essay at World Net Daily titled China poised to play debt card—for US land. John L Work took the premise of a United States in so deep a debt to China that it trades the debt for US soil. The year is 2016 and the political scene picks up where it left off in A WELL-REGULATED VENGEANCE.
Once again Work sets one man’s story against world affairs and once again does it brilliantly.
Although A WELL-REGULATED VENGEANCE is a stand alone novel it is also a precursor to the three-part THE BARTER series, of which this is the first.
Benito Hernandez, a military veteran, has been working at a chicken processing plant for some years. The kids are grown up and have left home, so there’s just him and his wife Monica. The deteriorating political situation in the US is seen through his story and his eyes. And it’s horrific.
Work knows how to keep you turning the page and holding your breath.
Think George Orwell’s 1984 was a piece of fiction? Think again. In this second in THE BARTER series John L Work presents for your enjoyment and contemplation a story of the world going mad. The year is 2020.
He points out that the United States has gone from being the World’s biggest creditor nation in 1945 to the world’s biggest debtor nation today.
But as he also points out in his introduction, “This isn’t a book about economics. It’s a killer thriller.”
Benito and Monica Hernandez from book 1 are dead and we now follow their son Jamie. Private citizens possessing guns was outlawed years ago and there are harsh penalties for non-compliance. I’m not giving anything away by saying Jamie buys one so he can pursue his vendetta against the injustice of his father’s death.
I’m not going to tell you how Benito died but it’s all tied up in the Chinese now being the behind-the-scenes power in America.
You’re going to want to move straight on to book 3 when you finish this one.
This is book 3 in John L Work’s THE BARTER series and picks up within minutes of where book 2 finished. America is now a country that today’s citizens wouldn’t recognise. In the not too distant future Islam and China will be battling for supremacy but for now they exist together in an uneasy alliance.
Jamie Hernandez is on the run from his own government for crimes committed in book 2. He’s aided by Australian Secret Intelligence Service agents. Rebecca Teals is one of them and she and Jamie get to know each other pretty well over the course of the rest of the story.
As an Australian myself it’s interesting to see a non-Australian’s view of us. Work obviously finds us engaging. It’s not the first time he’s referenced Australia as the last bastion against Islam in his novels.
Jamie and Rebecca escape to Australia where Jamie and two other Americans receive military training with the aim of returning to the US to wreak havoc. Then it’s back home to do just that.
Book 3 keeps up the pace and I found myself reading quickly to find out if Jamie and Rebecca survive.
The whole series of four books grabs you by the throat—as I said in my review of A WELL-REGULATED VENGEANCE—and doesn’t let go.
A WELL-REGULATED VENGEANCE on Amazon
THE BARTER on Amazon
THE BARTER 2: CRUSADE on Amazon
THE BARTER 3: RESCUE on Amazon
Take this link to my interview with JOHN L WORK
Take this link to the author's Amazon author page for all of his novels
Take this link to all my book reviews
|Posted by Alana Woods on August 23, 2014 at 7:00 PM||comments (2)|
This week an article I wrote on branding yourself featured on the blog of self-publishing guru Jason Matthews.
It's reproduced in part here, on my own blog, and if you'd like to read it in its entirety just take this link to Jason's page.
Intrigue Queen, Branding an Indie Author
It’s no secret indie authors need to market their books, but how many are branding themselves? It’s one thing to pick a genre and produce multiple books, it’s another to intentionally build a brand.
This is why we can learn a few things from Alana Woods, who splits time between the UK and Australia. Besides writing gripping novels (winner of the Australian Fast Books Prize for Best Fiction), she’s a source of great ideas on writing and marketing.
Alana, how does an author brand herself?
Every indie author knows that promotion and marketing is our own responsibility.
It isn’t essential, but to focus my mind I made a business plan and it consists of this.
1. A brand to build exposure—Alana Woods is the Intrigue Queen. I chose this because I write suspenseful thrillers. It’s the central theme around which I market my product.
2. My target market—The narrow market is book publishing. The wider market is the entertainment industry as books not only compete with other books but also TV, cinema, games etc.
3. My product—What I write, packaged in books.
4. Where my product sits in the market—Narrow market: genre. Wider market: books.
5. Where to place my product—Online and/or physical book stores, direct selling.
6. My goal—To be the top selling author in my genre.
7. Strategies to achieve my goal—Promotion and marketing. Currently it revolves around ebooks and paperbacks. Eventually it will include audiobooks and foreign translations.
8. Hanging on to the apron strings of 7 is the question: are there any circumstances unique to me as an Australian author?
Find out how I implement my business plan by reading the full article on Jason's blog.
|Posted by Alana Woods on August 19, 2014 at 8:00 PM||comments (0)|
About August McLaughlin
August McLaughlin is an award-winning health and sexuality writer, radio personality and creator of the empowering female sexuality brand Girl Boner. Her work has been featured by LIVESTRONG.com, Sexual Wellness News, DAME Magazine, Healthy Aging Magazine and more.
Her first novel, IN HER SHADOW, a thriller loosely based on her battle with anorexia while working as an international model, was an 2013 Indies for Excellence finalist, and in 2014 she was named one of BlogHer’s Voices of the Year.
Known for melding personal passion with activism, she uses her skills as a public speaker and journalist to inspire other women to embrace their bodies and sexuality, making way for fuller, more authentic lives.
August is represented by Jill Marr of the Sandra Dijkstra Literary Agency and loves connecting with readers and listeners throughout social media.
Take this link to all Indie Authors TV posts.
|Posted by Alana Woods on August 16, 2014 at 9:10 PM||comments (2)|
Once in a rare while, when petitions have banked to a degree that I can no longer ignore them, I’ll hold a Petition Day where all the inhabitants who have something they wish to discuss with me can come to the palace and gain an audience.
On this particular morning I was busy trying to get to the bottom of my in-box before Petition Time when I heard a loud bang. Not concerned, because sometimes the roof likes to herald its presence by making annoying noises, I continued with the correspondence.
Imagine my horror, then, when peering out at the queue forming to see me I spied one of my subjects in extremis on the palace window ledge.
It looked like Little Spoggy had tried to beat the crowds into the palace only to find what she thought was the entrance barred by an invisible barrier—glass.
I rushed outside and to my relief found her still breathing although her eyes were closed, her mouth open and her heart beating as though it would burst from her chest.
I stroked her little chest to calm her and tried dripfeeding her some water after which The Consort led me away to grieve as he predicted she would not recover.
Imagine my joy then, when an hour later I returned to collect her fragile little body for burial and found her sitting. Another hour later she had recovered sufficiently to fly home.
I hastened to ask what it was she had come to petition me for but she said she had such a headache it had flown right out of her head.
Egbert, on the other hand, was granted his request.
Recent rains have brought about a second flush of new rosehips and I consented to not net them.
I was so upset about Little Spoggy in extremis I felt it not appropriate to capture her image but Egbert, on the other hand, he’s always happy to pose.
Take this link to all CHASING BOOK SALES LAND stories
|Posted by Alana Woods on August 12, 2014 at 8:00 PM||comments (2)|
Indie Authors TV #65 interviews award winning author Lynne Spreen about her Amazon bestseller DAKOTA BLUES, a coming-of-age story for mid-lifers. Lynne discusses the novel and what coming of age for mid-lifers means for her.
Lynne wrote DAKOTA BLUES, in part, because she wanted to express her optimism about aging. She has a core belief: life is better after fifty.
DAKOTA BLUES has received over one hundred reviews, earning an average 4.5 out of 5 stars on Amazon.com.
Lynne's website book blurb: In the traditional coming-of-age story the main character has to figure out who she wants to be when she grows up. She struggles to earn an education, develop a career, find a life partner, establish a home, start a family…
But then what? After you’ve lived through your first coming-of-age you reach a place where you think you have it figured out, but then life changes. Maybe you’re not happy anymore. Something’s missing – or you’ve been dealt a tough hand. What happens now?
That’s the midlife coming-of-age story!
Hosted by Jason Matthews
|Posted by Alana Woods on July 30, 2014 at 8:00 PM||comments (0)|
Megan Cyrulewski's new memoir WHO AM I!
is available on Amazon and Barnes & Noble from Saturday 2 August 2014
I'm participating in the BOOK BLAST promotion, helping Megan to spread the news
WHO AM I! synopsis
Megan’s book, Who Am I? How My Daughter Taught Me to Let Go and Live Again, is about her journey into post-partum depression, anxiety disorder, panic attacks, stays in the psych ward, divorce, emotional abuse, domestic violence, law school, how she managed to graduate from law school and a beautiful little girl who emerged from all of this chaos.
Megan Cyrulewski has been writing short stories since she was ten. After attending Grand Valley State University she eventually settled into a career in the non-profit sector for eight years. Deciding to change careers she went back to school to study for a law degree from Thomas M. Cooley Law School.
While studying she wrote her memoir, documenting her divorce, child custody battle and postpartum depression struggles.
Megan lives in Michigan with her 3-year-old daughter who loves to dance, run, read, and snuggle time with Mommy. Megan also enjoys her volunteer work with various organizations in and around metro-Detroit.
Excerpt from the book
On January 18, 2012, we all convened in the courthouse for the Motion for Parenting Time hearing. My dad and I arrived with my attorney, but Tyler loved an audience so he brought his dad, step-mom, and his new on-again off-again girlfriend, Heather. Tyler walked in with his posse in tow, cocky as hell. It took all of two minutes for the judge to knock him off his feet.
The Judge addressed our respective attorneys. “Why are we here?”
“Your honor,” Tyler’s attorney began, “my client has clearly been denied his parenti—”
The Judge didn’t even let him finish. “How?” She turned to my attorney. “Don?”
“Your honor, as you can see in the divorce decree, there was supposed to be a review when the minor child turned twelve-months-old. The Defendant has ignored that review.”
“I—if I may, your honor,” Tyler’s attorney sputtered.
“I see the review in the decree. It’s here in black and white,” she told Tyler’s attorney. “What is the problem? Why didn’t you understand the review? Your client signed the divorce decree.”
Tyler’s attorney tried again. “But your honor—”
The judge cut him off. “There is to be a review conducted by the Friend of the Court referee assigned to the parties. Until then, the Defendant will continue his parenting time schedule as agreed upon in the divorce decree. Dismissed.”
And that was it. After eight police reports and numerous harassing text messages, phone calls, and e-mails, we won. As Don and Tyler’s attorney went to speak with the clerk to file the necessary paperwork, Don told us to wait for him outside the courtroom.
As we exited the courtroom, the hallway was so packed with people that my dad and I were only able to find enough space to lean against the wall. We were talking about the court proceedings when we looked up and saw Tyler and his new girlfriend standing right across from us.
“Why do you lie about everything?” Tyler screamed.
Heather walked up to me and stood about an inch from my face. “As a mother myself, you should be happy that Tyler is the father of your child.”
My jaw dropped. “I’m sorry but I don’t know you.”
She smirked. “Well you’re going to get to know me, bitch.”
Tyler made a big show of pulling her from me like I was going to punch her or something. By this time, everyone in the hallway was watching us. We were pure entertainment.
Heather continued her rant. “Two times in the psych ward, Megan? What a great mother you are.”
“Where is your mom, the real mother of our child?” Tyler screamed. “She’s the one who takes care of Madelyne.”
My dad and I tried to move away from Tyler and Heather but they followed us.
“Awww…” Heather mocked. “Do you have to take a Xanax because of your anxiety?”
“Go take your Xanax and sleeping pills, you drug addict,” Tyler shouted.
Finally, Don emerged from the courtroom and pulled us into a quiet corridor. He explained that I needed to call our referee to set up a meeting to discuss a visitation schedule. I told Don about the verbal assault by Tyler and Heather. Don said he would call Tyler’s attorney to let him know that Heather would not be allowed in my house.
Upon leaving the courthouse, Heather screamed, “See you on Sunday, Megan.”
I turned toward her and said calmly, “I don’t know you, but you are not welcome in my home.”
That night, Tyler sent me multiple texts attacking my mothering skills, my supposed drug addictions, how he was going to fight for joint custody of Madelyne, how Heather would be accompanying him for his visitations, and a barrage of other insults:
• “Get a life already.”
• “Don’t you have something better to do than wasting your parents’ money?”
• “Go take your pills and relax, oh yeah, then your parents would have to watch our daughter. Oh yeah, they already do.”
• “Go talk to your friends. Oh yeah, you don’t have any because of how crazy you are.”
• “Interesting to know you’ve been to the hospital a couple of times. You really need to get it together.”
• “Better go call your lawyer and make up some more stuff about me.”
• “Don’t be mad at your sorry life.”
• “I am sure living with Mom and Dad the rest of your life will be fun.”
• “When you get a job, then you can pay me child support. Fun.”
I finally had to turn my phone off at midnight.
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