Category Archives: Author Interviews

Alana Woods interviews PAUL V WALTERS, author of Looking for Lionel

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I first interviewed Paul V Walters back in January 2013 after reading the first two books in his Jonathan Savage thriller series. Since then he’s finished the series and published a short story collection that I’ve just read and reviewed—which was the impetus for this catch-up interview. That, and wanting to find out more about his never-endingly interesting life.

Alana: Hi Paul, it’s terrific to catch up with you again and I’m not letting you go until you’ve told us everything about life as you know it nowadays. A move to Bali, freelance article writing around the world, plus two more books since we last spoke. Let’s start with the move from Queensland to Bali. How and when did that come about?

Paul: My life has always seemed to revolve around making impulsive decisions, and I guess this was another to add to the mix. After I sold my advertising agency I was in a bit of a quandary as to what to do. Fortunately I’m married to an extremely clever and talented woman whose skills are needed in the education field in developing countries. When we were wondering what we should do (or should I say, what I should do) the phone rang with an offer of an exciting project for Elisabeth in Bali. After debating for all of 3 seconds we both looked at each other and said…”Hell, let’s go!”

Alana: Do you retain a foothold in Australia?

Paul: Less, less and less these days. We have our youngest daughter there who is finishing a degree at Queensland University but apart from that not much really. Recently we sold the family home, the investment properties, cars, appliances and everything else that filled our lives. It was a liberating experience!!!!

Alana: Wow! A brave move, but how exciting! I believe you started out using Bali as your base when you wrote the first two books in the series: FINAL DIAGNOSIS and BLOWBACK. Was that still your modus operandi for the third and final book COUNTERPOINT?

Paul: I finished the third book while ‘on the road’ so to speak. Elisabeth and I travel a lot and I would use the evenings when we stopped for the day to type out a chapter. My journals, filled with notes along the way, were a great help. I ended up finishing the book in Bali although the island doesn’t feature at all.

1--Final diagnosis cover 2--blowback cover new 3--Counterpoint cover

Alana: My admiration has just gone up in leaps and bounds that you had the energy and willpower to do that! Did you have an association with the island before you began to write?

Paul: I visited Bali on a few occasions and at one point attended the Ubud Writers Festival. At the time I had a manuscript in my bag, which was the first novel I had ever written. I had no idea what to do with it and was hoping for some guidance from somebody at the festival. Fate intervened when I shared a table with an Indian stranger in a crowded café. He was a charismatic diplomat and the current Indian Ambassador to Japan. After chatting for a while I discovered that I was sitting with Vikas Swarup who told me his book Q & A had recently been turned into, as he put it, “ a small film that they named Slum dog Millionaire”. He was incredibly generous in sharing with me the methods he used in getting published and I took his advice (and shamelessly, his contacts) and viola!

Alana: I take the view that he wouldn’t have shared if he wasn’t okay with that. And there’s no point in letting information go to waste!

Paul: The first publisher I approached took the novel … a fluke one might say!!

Alana: Well done! And well deserved. Getting back to Bali, give us an insight into your typical day. What do you do? Where do you go? What do you see?

Paul: It always intrigues me that 99% of visitors to this place spend all of their time confined to .5% of the island and never venture beyond the confines of their resorts. To me Bali is a treasure trove and one I will never get tired of exploring. There are over 70,000 temples here, a culture that stretches back 5000 years, and impossibly beautiful places that will take your breath away. And then there are the people. The Balinese I do believe are infused with the ‘nice’ gene at birth as they are some of the most wonderful, loving and warm people on this planet. They also smile pretty much all the time. So when S & P (sloth and procrastination) doesn’t envelope me I get out and about. I write for several magazines here and around the world and Bali is always a topic they want covered and so off I toddle to get the story and the photographs … it’s a fun job!!

Alana: It certainly sounds like it. You travel to some very far-flung and interesting places in search of topics for articles. How did this side to writing come about? Are the articles commissioned or do you write them and then find a market? Where are some of the places you’ve been and what topics have you written about?

Paul: I feel a little blessed most of the time. A couple of years ago I ran into an editor who runs a high circulating English Language magazine and she asked if I would consider writing a piece for her on a well known artist from Bali. I did and suddenly I was swamped with requests from other Vox Pop publications wanting material. I then branched out and began to scribble for in-flight journals for several of the major international carriers. Most of the pieces are commissioned; however, I will often fire off a story to a magazine covering a place I have recently travelled to. I travelled by road right across the north of the Indian sub-continent in December and January of this year and gathered a wealth of material. After that trip a 5 week stint in Africa followed which has given me more than enough material to last for a few more months. Next month I’m off to Borneo to take a river cruise into the heart of Kalimantan. So as I said, I feel blessed to be able to get to go to wonderful places, stay in fabulous hotels and then get paid for the privilege!

Alana: You finished the Jonathan Savage series a while back and then made a genre move to short stories with the just-published LOOKING FOR LIONEL collection. What inspired that?

Paul: In addition to writing for magazines I also produce a weekly blog on all matters trivial. (www.paulvwalters.com) I was rather attracted to the concept of a bite-sized read as I thought it would be easy. How wrong I was when it came to the crafting of a short story. I take my hat off to the Alice Munroe’s of this world, as crafting a short story is no easy task! Many of the stories in the Lionel anthology have been ‘hanging around ‘ for years and the bottom drawer needed a clean out so this was a good way to get them out of the way. At my publisher’s urging I also included several published articles that have appeared over the years and these are 1000 words and sometimes a little less which appear at the back of the book.

lionel cover

Alana: Will Jonathan Savage make a return at some stage, do you think, or has his story been told?

Paul: He has moved on and his time with me has finished. However, I have retained D.I. John Moore as a character to fill the role of the hero. I kind of like his ribald, sarcastic sense of humor and I did miss him after I finished the trilogy.

Alana: I know you’ve just published LOOKING FOR LIONEL so this may be a bit premature, but do you have any more stories on the drawing board?

Paul: I have returned to my familiar genre, which is a thriller. I have another novel that is chugging along (slowly) and it has the working title, Scimitar. All going well and, if I am able to ward of the sloth and procrastination, it just might be ready for Christmas.

Alana: I look forward to reading it. Paul, thanks for being so patient and indulging my curiosity. Talk to you again soon.

Paul: Thanks Alana, always a pleasure and I look forward to seeing you at the next Ubud Writers festival. As they say, “if you never go, you’ll never know.“

Alana: How right you are! ☺ Cheers.

PAUL V WALTERS’ links:   website  |  Amazon  |  FaceBook

Take this link to my review of LOOKING FOR LIONEL

 

Alana Woods interviews IAN JACKSON, author of Dead Charming

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My guest today is UK author Ian Jackson. I recently read and reviewed his debut novel DEAD CHARMING, a psychological crime thriller I found confronting but, paradoxically, compelling.

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Alana: Ian, welcome. First a little about yourself if you don’t mind. You were born in Liverpool but now live in Cheshire. Why Cheshire? Did you choose it for a particular reason?

Ian: My father moved us from Liverpool to the Wirral when I was about ten years old and when I became old enough to buy a house myself I moved closer to Chester. I think of Cheshire as my home now rather than Liverpool.

Alana: The Wirral, you’re going to have to explain that.

Ian: The Wirral is a peninsular on the opposite side of the River Mersey from Liverpool…it’s a beautiful place!

Alana: And you’ve just been married—am I right in thinking that?

Ian: Yes, June 6th this year. It was a wonderful day and I married the girl of my dreams!

Ian Jackson wedding

Alana: That’s what I like to hear—a besotted bridegroom. ☺
You’re not new to the writing world. You’ve been a magazine and features writer for over 20 years. What was the catalyst for turning to fiction?

Ian: When you write to a contract the content is pretty much set and whilst you can be creative there’s no room to explore themes. Writing fiction means that I can write as I feel and then answer to readers, which is refreshing.

Alana: And why did you choose the crime genre?

Ian: I’m fascinated by the relationship between criminals and their crimes. I wanted to explore the psychological driving-force and the necessary impact that crime has on both perpetrator and victim—plus I love a great crime thriller myself!

Alana: DEAD CHARMING, your debut novel, is set in Manchester. Why did you pick that city for its location?

Ian: I know Manchester very well having worked in the city for a number of years. I love the city and the people and I wanted to set the novel in a place populous enough to help make the narrative believable.

Dead charming cover

Alana: I have to say that I found the subject matter difficult to read at times but even while thinking that I found myself thinking how well you dealt with it. How did you decide how graphic you should be?

Ian: I was careful to balance the murders with emotional response and bring in private lives as a shield against the natural horror of the crimes. I contemplated the psychological effect of the crimes on the characters themselves, thereby insulating the reader to a certain extent—I hope I managed to do that!

Alana: Thinking back on it I’d say you did a pretty good job of that. You have a new novel out I believe, in ebook format at the moment but a paperback edition isn’t far away. Would you tell us a little about it.

Ian: Yes, it’s called DEADLY DETERMINATION and is available throughout the world as a Kindle download. The paperback will be ready before the end of July and I have arranged book signings at Waterstones across the North West of the UK for late July and August—visit www.ian-d-jackson.com for further information.

The story is set in Liverpool and follows the trials of DI Karen Bellows as she navigates her way through a difficult investigation where honesty is not necessarily synonymous with the truth—I’ve written the book as a fast-paced crime story with an un-guessable and breathtaking ending—I hope!

Deadly determination

Alana: It sounds like another good one from you! It may be a bit premature to be asking this, but have you started on a third novel yet or, if not, have you one in mind? And can I ask whether you’ll be continuing in the psychological crime genre?

Ian: Yes, my third novel Deadly labels will be out for Christmas this year and readers of DEADLY DETERMINATION get a sneak preview as the introduction and first chapter are at the back of the book.

Alana: Ian, thank you so much for talking with me today. I’ve thoroughly enjoyed finding out more about you and your work.

Ian: Thank you Alana and thank you for your comments and review of DEAD CHARMING. I find it truly inspirational hearing readers’ thoughts.

Ian’s links:  www.ian-d-jackson.com  | Twitter: @crimenovel

Where to buy DEAD CHARMING:  Amazon, Waterstones, WHSmith and all good book stores.
Go to Ian’s website and follow the buy links.

Take this link to my review of DEAD CHARMING

Alana Woods interviews CHRISTINA CARSON, author of Accidents of birth

 

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My guest today is Christina Carson, an author with a lot of living and experiences under her belt. Her latest books, ACCIDENTS OF BIRTH books 1 and 2, are the first of her stories that I’ve read and to say I was impressed with her storytelling skills is certainly an understatement. I will be finding time for her others. Let me introduce you.

Christina Carson 144 KB

Alana: Christina, welcome. Let me first ask you a little about yourself. In your own words you’ve ‘worn many hats’ and ‘travelled many roads’. Would you tell us a bit about those hats and roads.

Christina: I started out intent on being a medical doctor, not my choice—

Alana: That’s a tantalising comment. May I ask whose choice it was and why you acceded to it?

Christina: …When I was three years old, my mother said to me, ‘Christina, you are going to be a doctor.’ Every relevant decision in my education from that point on was based on that assumption. Because pleasing my mother made life more bearable I never said no. Luckily science quickly began to fascinate me. But two years into pre-med I realized I wasn’t looking forward to the job, just the science, so I picked up an undergraduate research opportunity and found medical research was my place. By then the Vietnam War was front page news and just as I was heading into a PhD program my world changed radically. Because of my views I left the program, was turned out by my family and moved to Canada.

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Alana: You’re saying there, I presume, that you were against the war. Why did that cause you to leave your job?

Christina: It wasn’t just the war, it was the realization that my country, the only thing left that I believed in at that point in my life, was selling wholesale lies to its populace and killing young men for personal and political gain, not defense. That may sound naïve, but growing up in the 1950s in the US created a very Pollyanna view of life which I acquired from my parents—meaning the USA was above reproach. The Vietnam War made it all too clear that was not true. As I struggled to determine what my response to the war was going to be, I realized I couldn’t live in the States any longer. Since my parents had severed their relationship with me I crossed the border into Canada and never looked back. My position, my graduate degree and everything else, I left behind. In Canada I taught for a few years but then wanted out of academia and that’s when change ran rampant through my life. First, I worked in the trades and then was a sheep farmer for 15 years in the far North.

Dali & Lambs Dali-cropped

Alana: That’s a heck of a change in direction.

Christina: It certainly was, but I felt I needed it. Life went rather smoothly for the next 15 years, and then the bottom fell out again, and I lost everything that mattered to me.

Alana: I’m sorry to hear that. Would you care to share the story behind it?

Christina: Due to a marriage breakup I had to leave the North and with it my farm, my community, the man I loved, and a life I treasured. I moved south to Vancouver and started over once again. I was deeply unsettled and moved from magazine ad salesperson to stockbroker, corporate consultant, contributing editor to Canada’s then only financial magazine, then in a period of financial ruin anything I could get to stay afloat. Some of it was thrilling, some of it hell, but years later it certainly serves my writing.

Alana: You weren’t exaggerating with the many hats and roads! Where do you call home now? Is it permanent or do you envisage moving again at some stage?

Christina: My home of heart will always be Canada. I should have been born there. It felt like home from the get-go. The title of my latest novel ACCIDENTS OF BIRTH came from hearing myself rationalize my birthplace and why I didn’t want to go back. I’d say being born there was just an accident of birth. I doubt I’ll ever return to Canada, and I am finally seeing the beauty of living in the Deep South. In a most fascinating way it is like stepping back in time, both alluring and instructive.

Alana: So how did you end up in the Deep South?

Christina: My present husband, Bert, was born and raised in Alabama. He’s traveled the country widely but prefers the South. So I followed him here.

Christina & Bert

Alana: And what are you doing now, workwise? Are you a fulltime writer or are you pursuing another career in parallel with your writing?

Christina: Bert and I have a small photography business, which strangely requires an inordinate amount of time. Thus is takes me ages to finish a novel. I can only write in our slow months, which is about the most inefficient manner in which to write a novel that I could imagine. I would like to write full time, but I don’t know if that will happen.

Alana: Your husband, Bert Carson, is also an author. Have you found that both of you being writers creates problems in the household or does it actually ease the way, so as to speak?

Christina: We both share a passion for writing and that is a marvelous passion to share. We are not in any way competitive with one another; in fact, completely supportive would be the accurate description. I’ve always thrived on sharing things of meaning with the one I love, and now Bert and I have several such points of intersection.

Alana: ACCIDENTS OF BIRTH—where on earth did the story idea come from? It’s an amazing read. It seems a world away from your own experiences and yet it rings so completely true and believable.

Christina: That is a conundrum, even for me at times. The initial spark came from wanting an experience of true mother-love at a difficult point in my life. Crazy as that sounds for an older adult, it was the initial inspiration. But the only place in my life where I had experienced such all-inclusive love was from two Black orderlies in a hospital in Pennsylvania when I was 16. I had never felt anything like what they offered to comfort me, and I never forgot it. Then living in the South I was privileged to meet many more Black women due to the nature of Bert’s and my work. Our photography business focuses on taking photos of little children in daycares. When we’re in towns or counties that are predominately Black, the daycare Directors are always Black women. I have met many through that experience and since our customers, the Directors, become like family, we have close ties with them. Over and over, these women show me that my early experience wasn’t an exception.

I was half way through another novel when I got the sense of a story that would let me, in a ‘writerly’ way, spend time in the company of the very people who had taught me about love. I set my other novel aside. I brought up a blank screen and the first chapter felt like it fell out of the sky. Then in chapter 2, Miss Imogene, who was only to be a supporting character, since I feared how the sense of hubris in writing outside not only your world experience but also your race might appear, stepped out and took over. She made herself the protagonist. I, at that point, was merely the scribe. By then I could hear the dialect in my head and I could hardly keep up with the story that flowed onto the page. I fell in love with Miss Imogene and in the end she healed her world in an amazing number of ways as well as healing mine too.

Accidents of birth book 1 Accidents of birth book 2

Alana: I fell in love with her too.  I love her philosophy on life. All of your books including ACCIDENTS OF BIRTH are categorised as literary fiction with some sub-genres happening for each. Do you feel that it quite captures the spirit of the stories you tell?

Christina: I will be the first to admit I am genre-challenged. The best category would be contemporary fiction, but if you are selling through Amazon that is akin to stepping into oblivion. I write about love but my books aren’t romances. I write about human interplay, but without the pounding metronomic rhythm of modern fiction. And I always seem to include an underlying current of the spiritual and metaphysical. If someone can tell me what genre that belongs to I’ll kiss their feet. So I chose literary fiction as it permits the most latitude in topic and form of presentation. Your sense, Alana, was most accurate. I don’t really fit there.

Alana: Your bio says you’re a long way from finished, so tell us what’s in the works next for Christina Carson, novelist.

Christina: In truth, what that statement referred to was the larger project of my life, a never ending desire to attain a greater awareness about what we are and why we are here. I refer to it as human cosmology, and it is my life’s work. There is no finishing that one, so indeed I am not finished.

Alana: And your writing?

Christina: I plan to go back and finish the novel Miss Imogene interrupted. I don’t as yet have a title, but it is historical fiction only because I wasn’t sure it could happen in these times. The story relates the experience we all have—we come into the world whole, open, connected with life and filled with wonder. But then the pressures to conform begin. The protagonist, Tibatha Nase, has had enough freedom in her childhood that she rebels as she senses her circumstances closing in on her. She moves West with the large migration of those seeking new beginnings in the 1850s. In the process she walks right into the Indian Wars, the Sheep and Cattle War and the genocidal action of the American government toward Natives. If she thought she was confused before, she now faces a tragic scenario she could have never imagined. It takes years for her to regain her balance and finally find her place in the world.

I have a contemporary novel sitting in the back of my mind presently. I’m calling it The Mobius Strip [a one-sided surface]. It asks if life is a Mobius Strip, a situation we can never leave, or is there way out? The protagonist is an older woman, now a widow and in a state of penury that has her feeling defeated and frightened (The US can be a cruel place to live for old, poor people). She has taken great risks in her life to take a road less traveled hoping to understand the nature of human reality, but now feels like a dreadful failure. Surely it shouldn’t have brought her to this end. In the ugly little concrete block apartment building she’s been forced to move to she meets a crazy Vietnam veteran whom she befriends, a man who knows all too well about life’s disappointments. As well, through seeming serendipity, she crosses paths with a successful young IT entrepreneur who works in the field of artificial intelligence. These two new acquaintances set up a triangle of relationship that becomes the next phase of her life. Neither knows she has been a student of mind and consciousness, for she seems quite broken when they meet, but when tragedy strikes she begins to see a bigger picture of how life works, perhaps even a way out.

Alana: There sounds as though elements of your own story may be finding their way into that one. Before I let you go would you tell us a little about your other published novels.

Christina: My first novel, SUFFER THE LITTLE CHILDREN, is set in a wilderness community in western Alberta. I was really homesick, so that gave me the opportunity to immerse myself in a world I knew and loved. It asks a question, like so much of my writing does. In this case it was: what is it we do that drives our children from us? It haunts the protagonist, for her only daughter has been missing for 8 years and not until a neighbor child ends up on her doorstep, also on the lam, does Anne Mueller realize she must find the answer or perhaps create the situation again. She is assisted by her wise Native friends and the very wilderness in which she lives as it pits her against her worst fear to bring her to a point of reckoning. It is a great book for parents and children to read together.

I switched to something a tad more metaphysical in my second novel, DYING TO KNOW. In it a young woman faces cancer but is insistent that she’ll not take the traditional route of treatment after having cared for her mother dying from cancer. As one reviewer said, ‘ … but it is not a book about cancer’. And he was right. It is a story about the search for the real nature of health and well-being, for the reader lives each day with Calli Morrow in her search for an alternative view of life and healing. As another reviewer deftly summarizes: ‘… in the undercurrent of the story, the careful reader will see the struggle with the paradoxical world and the taffy-pull of the scientist with the philosopher’. It is a book that gives the reader much to ponder.

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Alana: Christina, many thanks for giving us your time today.

Christina: Alana, I am most grateful for your invitation. I am particularly delighted that this will touch Australia more directly as your country has always had a pull on me. In fact, just before I met Bert, I was seriously considering moving there. I appreciate the time and effort you give these interviews. Thank you indeed.

Christina Carson’s links: Website | Blog | Amazon

Take this link to my review of ACCIDENTS OF BIRTH

Alana Woods interviews: LAURENCE O’BRYAN, author of The Manhattan puzzle

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My books on Amazon    Imbroglio | Automaton | Tapestries  | 25 Writing Tips

 

This is not my usual author interview. When I contacted Laurence O’Bryan to ask if he would be interested in participating in one he sent me back an already-prepared Q&A. Rather than delving into the author as well as all of his works, this focuses mainly on the novel I reviewed, THE MANHATTAN PUZZLE. So, for those of you who would have liked to get to know the author a little better, you will be disappointed. But if you’d like to know the story behind the story, and isn’t that all of us, here it is—Laurence talking about Manhattan.

Laurence O'Bryan 1

Q: Laurence, describe your connection to Manhattan?

Laurence: I have been to Manhattan, the site of my latest novel, THE MANHATTAN PUZZLE, only four times. Each time it was different and so was I. Manhattan became part of my dream of prosperity. If I had enough money, in my fantasy, I would leave Ireland, visit Manhattan and enjoy all the interesting things that the city could offer. Later, after 9/11 and the financial crash, my impressions of the city changed. They became darker. There were forces battling over the island and innocent lives were being lost.

Q: What things about this place make it unique and a good physical setting in your books?

Laurence: I imagine the whole of Manhattan as a museum. It exists as an entirely man-made object, a piece of intricate jewellery or a giant snow globe with dollar bills cascading. Every street in Manhattan seems imbued with style, either gritty, trashy or glitzy, but there is nothing boring about it. I know of no other place like it.

Q: Did you consciously set out to use your location as a ‘character’ in your books, or did this grow naturally out of the initial story or stories?

Laurence: 
Manhattan, the mid-town section around Grand Central Terminal, is a character in THE MANHATTAN PUZZLE. It exists in the streets around the terminal and in the imaginary BXH Bank headquarters, a 1920s era skyscraper with a secret underneath. I couldn’t write a story about Manhattan without that presence coming through strongly, like Marilyn or Frank Sinatra swaggering past you as they head towards a limousine.

Q: How do you incorporate location in your fiction? Do you pay overt attention to it in certain scenes, or is it a background inspiration for you? In other words, similar to the last question, are you conscious of referring to your specific city or locale as you write?

Laurence: I believe place is a vital part of any novel. I went deep under Grand Central to feel it and to smell what it is like. There is a cinnamon-like smell on the lower tracks. I do pay specific attention to details like that, the feel of the stones under your feet as you race along the tracks, the smell, the noise of a train on a distant track.

Q: How does your protagonist interact with his/her surroundings? Is she a native, a blow-in, a reluctant or enthusiastic inhabitant, cynical about it, a booster? And conversely, how does the setting affect your protagonist?

Laurence: My main characters are blow-ins, like me. They are there to solve a puzzle. They don’t make much of their surroundings, they are too busy surviving, but the city is there, behind it all.

Q: Has there been any local reaction to your works? What do local (ie those who actually live in your novels’ settings) reviewers think, for example. If published in a non-English speaking country are your books in translation in that country and, if so, what reaction have they gotten from reviewers?

Laurence: I have had great responses from readers in New York. Not one has given me a negative comment yet. This is a good thing for me. If I had dropped a few clangers I am sure they would have been noticed by sharp-eyed New Yorkers.

I’ve also written about Istanbul and Jerusalem. Both novels have been reviewed by people from those cities and the Istanbul novel has been translated into Turkish. Aside from a few minor points, such as below, there has been no negative comment about my use of these locations.

Q: Have you ever made any goofs in depicting your location or time period? Please share—the more humorous the better (we all have).

Laurence: A tricky one this. I wrote a novel set in Istanbul. In it I placed a sea bus to the Princess Islands in one location on the Bosphorus shore of the city only to find when it was being translated that the location was wrong. I also misnamed a tower, allocating its creation to the Venetians, not the Genoese!

Q: Of the novels you have written set in this location, do you have a favourite book or scene that focuses on the place? Could you quote a short passage or give an example of how the location figures in your novels?

Laurence: In THE MANHATTAN PUZZLE the tracks under Grand Central and a secret platform form an important part of the middle section of the book. That part of Manhattan, deep under Grand Central, is a location I love. It’s not a long section in the book but it links the modern part of Manhattan to an imaginary older part, which I have created. It is a factual place that is hidden, which I have used to link to an imaginary place.

Q: If you could live anywhere, where would it be and why?

Laurence: I would live in Manhattan, in the Village, for the vitality, the energy all around, the great bookshops and the constant flow of people and stories.

Q: Who are your favourite writers, and do you feel that other writers influenced you in your use of the spirit of place in your novels?

Laurence: The writers I have enjoyed most include Robert Graves, whose series set in Rome and beyond was definitely inspired by place. Conan Doyle and the Sherlock Holmes series was also greatly involved with place, from the smoke-filled streets of London to the mists of Devon. In the modern era I enjoy Wilbur Smith’s adventure series and Barbara Kingsolver’s novels. All these novels feature place as a key element. I also enjoy Michael Connelly’s novels. He brings LA to life for me.

Q: What’s next for your protagonist?

Laurence: Sean and Isabel Ryan are off to Nuremberg. I am writing the novel at the moment. It’s about modern fascism and betrayal. It also takes the puzzle at the heart of the series one more step forward.

Laurence O’Bryan’s first novel, THE ISTANBUL PUZZLE, was short listed for Irish Crime Novel of the year in 2012. He still lives in Ireland. You can find out more about him and the series at www.lpobryan.com.

Laurence’s thrillers have been translated into ten languages. THE MANHATTAN PUZZLE was published by Harper Collins in the US on 26 August 2014.

The Istanbul puzzle The Jerusalem puzzle The Manhattan puzzle

LAURENCE O’BRYAN’S links:   website   |   Amazon page
Facebook   |   Twitter   |   Goodreads   |   YouTube

Take this link to my review of THE MANHATTAN PUZZLE