Alana Woods interviews MARY SMITH, author of No More Mulberries

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I’ve just finished reading Mary Smith’s novel, NO MORE MULBERRIES, a story about a Scots woman who marries an Afghan chap and moves to Afghanistan in the 1980s. It was such a good read I immediately wanted to discuss it with Mary; she said Yes to an interview, so here we are.

Mary Smith

Alana: Mary, welcome. I traditionally ask guests if they would talk a little about themselves first, before getting on to their books and writing. You were born in Scotland and apart from 10 years in Pakistan and Afghanistan you continue to live there, am I right? Would you describe where you live and tell us what keeps you there.

Mary: Thanks so much for inviting me, Alana. I’m delighted you enjoyed NO MORE MULBERRIES. I live in a small market town (pop about 4,000) in Dumfries & Galloway in the south west of Scotland. It’s a beautiful part of the country and although our hills are not as high as in the Highlands they provide a stunning backdrop to lush farmland, forests, and glorious beaches. It’s a magnet for artists and is a really vibrant, creative place to live with a strong sense of community.

Alana: The photos you provided certainly make me want to do a bit of wandering around there. I was watching Escape to the country a couple of weeks ago; it featured the area and mentioned a walk. So who knows! You work part-time as a journalist, what are the types of stories you encounter?

Mary: Over the years I’ve worked on a wide range of stories from local history, including articles on locals who became explorers or writers – what I call my dead famous series—to interviews with writers and artists living in the area. I’ve also written more hard-edged stories on the difficulties of our young people finding a house to buy or rent, heroin use, and domestic abuse.

Alana: It sounds like you’ll tackle anything.

Mary: I love the variety. My last three features were on a major research project into dying with the aim of ensuring everyone can have a ‘good’ death, an interview with the head of a local university, and a feature on a locally-based charity which works to open schools in Afghanistan.

Alana: Talking about Afghanistan … the 10 years you spent in Pakistan and Afghanistan, how did they come about?

Mary: Believe it or not initially I only went to Pakistan for a two-week holiday!

Alana: So you ended up staying?

Mary: No, that visit was just for the two weeks. While there I visited the headquarters of the leprosy programme which received funding from Oxfam, for whom I worked. I was impressed by the work being done towards controlling leprosy and wanted to contribute in some hands-on way. It was suggested I stay and start up a health education department. When I pointed out I didn’t have any medical qualifications they said that was okay, they would provide that.

Alana: But you didn’t stay?

Mary: No. I came home but couldn’t settle and eventually wrote an application letter for the post. I knew they had been going to advertise and expected other, better-qualified people would have applied. However, I received a letter asking me to come as soon as possible. I signed a contract for three years, handed in my notice at work and headed back to Pakistan.

Alana: What did you do there?

Mary: I set up the health education department to help raise awareness of leprosy and spread the word that it is curable. After three years I signed up again but this time to work in Afghanistan where I established a health project teaching Afghan women to become local health volunteers.

Alana: So you were in Afghanistan for seven years? Is Miriam’s daily life in the book drawn from your own experiences?

Mary: Yes and yes. And also from observing what life was like for women in the rural areas of Afghanistan.

Alana: What has stayed in your memory of your time there?

Mary: I miss the excitement of new experiences and the colour and the sunshine. The hospitality of the people—in both countries—is something I will never forget. The adventure of travelling in central Afghanistan through amazing landscapes, over high mountain passes on bone-jarring roads will always stay in my memory. And a few less happy events will not be forgotten either—being caught in a bombing raid, or the time I was tied up by armed robbers in our house in Mazar-i-Sharif. The good memories far outweigh the bad. Oh, goodness, so much has stayed in my memory from those years—enough to write another couple of books I should think!

Alana: How about a series? NO MORE MULBERRIES was a lot of things including entertaining and emotional, but for me it was a real insight into the lives of people, particularly women, there. I imagine it has struck many readers that way. I’d love to gain more insight.

Mary: Very often when watching something on television about Afghanistan or reading in a newspaper, or even a novel, I find myself shouting, “But life for Afghan women is not ALL like that!” I feel very strongly that Afghan women deserve so much more than always to be depicted as repressed, downtrodden creatures, unhappily married to violent husbands. For sure, in some cases, this is true just as it is true in every country including mine. I wanted to show there are other aspects to women’s lives like having fun, enjoying a laugh with friends or taking delight in their children. I’d already written a non-fiction book but thought perhaps a novel would attract a wider audience. I was also interested in exploring what kind of problems a western woman would encounter if she was married to an Afghan man and if their marriage could survive.

No More Mulberries
Alana: Tell us about your other published works.

Mary: As I mentioned above, I’ve also written a non-fiction book. DRUNK CHICKENS AND BURNT MACARONI: REAL STORIES OF AFGHAN WOMEN is a memoir of the last three years I spent in Afghanistan. It describes the work I was doing and introduces the reader to some of the women (and their families) with whom I worked. I wanted to share my experiences of living in Afghanistan and, as I couldn’t persuade people to come and visit, I thought at least by writing about it I could give people an opportunity to be part of that life for as long as it took them to read the book.

I have a collection of poetry called THOUSANDS PASS HERE EVERY DAY which includes some poems about Afghanistan but also about where I live now and about family and childhood. I’m slowly—very slowly—working towards another collection.

My most recently published book is something quite different. DUMFRIES THROUGH TIME is a picture-led local history book with a ‘then and now’ format. I worked with a photographer who took photos of the places for which we’d sourced old images.

Alana: And you have two blogs, My dad is a goldfish: caring for a demented dad and Take Five Authors —would you discuss the ideas behind them both?

Mary: My dad is a goldfish is about caring for my dad, who had dementia. He died in December 2014 and I thought of not continuing with the blog but decided to keep on, though I’m blogging retrospectively. I’ve met some bloggers in a similar situation; some caring for a parent, some for a spouse and it has been good to feel connected with others. I think we all appreciate knowing we’re not alone on this journey.

Take Five Authors is a blog I share with four other writers. Some are traditionally published, some indie, and we put a new post up each week. This means each of us only has to blog once every five weeks. We blog about all aspects of writing and reading from new publications to overcoming the fear of writing; from saving public libraries to running writing courses. It’s a new blog and we’d love to welcome new followers to it.

Alana: I understand you have several projects currently underway. Do any of them involve a new book?

Mary: I want to publish My dad is a goldfish as a book. I’ve just started the process and have realised it’s going to be a bit more complicated than I first thought as the structure has to be changed. I don’t want it just to be a series of blog posts like journal entries, so I need to create something a bit more cohesive. I would like to think I could have it done before the end of this year—it was one of my New Year resolutions.

Photographer Allan Devlin and I have been asked to do another local history book featuring a different town and we’re starting the search for old photos and postcards.

And in case I feel I don’t have enough to challenge me, the other day I found the original manuscript for a book about my first six-months in Afghanistan – the first book which never sees the light of day!

Alana: Ah yes, we all have those. I have three!

Mary: There is quite a lot of material I haven’t used in my other books so I’m thinking of doing a major edit and getting it out there.

Alana: Mary, thank you so much and all the best with your endeavours.

Mary: Thank you so much, Alana. I’ve enjoyed our discussion – hope I didn’t ramble on too much.

Alana: Not even a hint of rambling, Mary. Loved listening.

Take this link to my review of NO MORE MULBERRIES

Mary’s links:  website   |    Amazon author page
Mary’s blogs:  My dad is a goldfish   |   TakeFiveAuthors   |   eNovelAuthorsatWork
Mary on:   Facebook   |   Twitter

Buy links
NO MORE MULBERRIES:  Amazon US   |   Amazon UK
DRUNK CHICKENS AND BURNT MACARONI:  Amazon US   |   Amazon UK
DUMFRIES THROUGH TIME:  Amazon US   |   Amazon UK
THOUSANDS PASS HERE EVERY DAY:  Amazon US   |   Amazon UK

Alana Woods’ book reviews: NO MORE MULBERRIES by Mary Smith

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No More Mulberries

We dive into the life of Scottish born and raised Margaret as she lives with her Afghan second husband Iqbal, a doctor, and two young children in Afghanistan.

The story jumps back and forth between the present and the past in which she met and fell in love with her first husband. Margaret has changed her name to Miriam and gradually throughout the story we discover her history as well as those of her two husbands.

This is a beautifully told story that will remain in your thoughts after you’ve finished reading. There’s conflict both on the social landscape level as well as the personal. There’s doubt and mistrust because of the conflicting cultural issues, but there’s also love, kindness and inclusiveness shown to Miriam. She becomes immersed in the life of Iqbal’s village partly because she’s a midwife and sets up a clinic for the village women.

The story is rich in imagery. Horrible things happen in Afghanistan, as they do everywhere else of course, but the miseries caused by families compelled to ‘save face’ are difficult if not impossible to understand by anyone not raised in such a culture.

I found myself musing that the author must have firsthand knowledge of Afghanistan and life there. There’s just too much detail, in my opinion, for it not to be from personal experience. I was curious enough to check out her website and discovered she had spent ten years in Pakistan and Afghanistan as a health worker.

I spent two very pleasant afternoons reading this book and would have been happy to keep reading if it had been longer.

No more mulberries on Amazon US   |   Amazon UK

Read my interview with Mary Smith

You’re invited! Come see my fab new website!

You’re invited to check out my fab new website! 

I love new things, don’t you?  I actually love fab old things too, but this one is new and I’m really pleased with it.  Proud, too, of the accomplishment.

So I want to share it with absolutely everyone.

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My books on Amazon    Imbroglio | Automaton | Tapestries  | 25 Writing Tips

The prompt was a problem with the blog sharing capabilities of my old website. That raised it’s very annoying head just two weeks before I was due to renew my website registration for another year or two.

It was obviously a sign from above to move on.  So I did.  To WordPress.  Boy, was that ever a steep learning curve!

Incredibly annoyingly—at least in the short term—was the fact that I was unable to transfer my existing data.  I therefore had to start from scratch.

That turned out to be a good thing because it made me analyse what my old site had offered and whether I wanted to replicate it.

I decided I didn’t.

I thought about what I, as a reader, like to see on author pages.

Information about their books, yes, but also information about them.  I like to know something about the lives of the authors I read.  Not nosy stuff, definitely not.  But where they live, what interests them and what they occasionally get up to.

 And here’s the result.

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I’ve completely overhauled my book pages to include the story behind the story and location pics.  I’ve also gone the extra mile and chosen the Australian actors I’d love to play my lead characters if the books were to be made into movies.  Come check them out.  Here are a few. imbroglio stars | automaton stars

There are character interviews too.

So come visit.  Tell me what you think.  Like a few pages.  Subscribe to my site and two blogs.  The invitation includes it all!!

Oh, and turn on your sound.

Cheers from me
Alana
Alana Woods Author

Meet Elisabeth Sharman, star of AUTOMATON


This is an interview with Elisabeth Sharman, senior solicitor with the Australian Capital Territory Legal Aid Service.


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Melissa George
Melissa George is the actor I would like to play Elisabeth Sharman if a film were to be made of AUTOMATON. She has that classy, fragile but inner strength look I want for Elisabeth. Photo from IMDb.com.

Elisabeth, it’s lovely to finally meet you. I’ve been wanting to talk to you ever since the revelations that came out during Russell Montgomery’s trial. I thought we could tackle it by starting at the beginning and working our way from there.

Elisabeth: Sounds good to me.

 What prompted you to move from Sydney to Canberra?

Elisabeth: I love Sydney but not to put too fine a point on it I felt I had to leave. Work and life there were no longer tenable.

You were with Legal Aid and you moved to the Canberra Legal Aid office. So it wasn’t Legal Aid as such that you wanted to move away from?

Elisabeth: No. It was more that I kept running into someone I wanted nothing to do with.

Would that be Thierry Richards QC?

Elisabeth: Look … regardless of how I feel about that person I don’t want to … would you mind if we moved on.

Okay, let’s talk about when you arrived in Canberra. You jumped in at the deep end with the Russell Montgomery case.

Elisabeth: I’m really sorry… but do you mind if we don’t talk about that either.  It’s still very raw.

Not a problem. I understand. Let’s take a step back. Describe yourself to me. How do you see yourself?

Elisabeth: Okay. Let me attempt a bit of objectivity. Short spiky red hair. I used to be able to sit on it but had it cut before coming to Canberra. Typical redhead’s colouring … white, no freckles because I’ve never been a sunlover, size 10, 5’7” in bare feet, and I’m 34. How’s that? Oh, and shall I tell you what Robert said about my eyes? Green as deep ocean on a sunbright day.  I was speechless when he said it. No-one’s ever described them quite like that before. So now you’d know me in a crowd, yes?

Yes, I believe I would.  Next question: What do you hope to achieve in life?

Elisabeth: That a big question. Many things I suppose, but happiness has to be at the top. Nothing’s worth it if you’re not happy.

And are you? Happy, that is.

Elisabeth: I’m working on it. 

What do you like to do in your spare time?

Elisabeth: I’m a walker. For the exercise but also because I love it. Getting out and exploring and letting my mind wander. Never fails to refresh and re-invigorate.

Your friend Honey Milton was often a walking companion I believe.  What is she to you?

Elisabeth: My best friend.  Always will be.  She’s gorgeous.  I adore her.  I miss her like crazy now that I’m in Canberra.  We used to see each other all the time because her man travels a lot.  He’s an actor and tours with his company.  And as you say, we both liked walking.  Not so often together nowadays, given we now live in different cities.

What about Robert Murphy?

Elisabeth: Robert? I liked him the moment I met him. He’s straightforward, sincere, good at his job.  What’s not to like?  The fact that he’s very attractive is a plus … .  He stuck with me from the start despite the fact I couldn’t have been very likeable.  I had my reasons, but he didn’t know that.  But I count him among my good friends now.  I hope he feels the same way about me.

As much as I’d like to explore that further I know you don’t want to, so let’s turn to the trial. What was it about the Stavros family that irked you so much?

Elisabeth: Every single one of them was lying and I knew it.  But proving it was almost impossible because of Russell’s amnesia.  Thank God for Robert and Joe Gaudry.  In spite of me being no help they kept pushing.  It was entirely because of them we got to the truth.

Let’s finish with what’s made you the woman you are today?

Elisabeth: Mmm. That may be a question better put to others.  But I’ll have a go at it.  On a personal level I was very young when I made the decision that altered my life.  At the time I felt it was the only choice I could make, I believed I was too young to do anything else.  I still believe that.  But I feel the weight of condemnation from some people.  I try not to let it bother me.  On a professional level, law was something that always interested me.  When I started university I began a Bachelor of Arts, but the law components really gripped me so I changed and ended up doing a combined Bachelor of Laws and Bachelor of Economics.  I still like law.  But that’s not to say I wouldn’t be happy doing something else … if something else came along.

Elisabeth, thanks, I know you weren’t looking forward to this and what I might have been planning to ask you.  How about we go for a drink.  My shout.

Elisabeth: It’s Friday night so why not.  Great idea.  Just so you know though.  Anything I say under the influence is not for public consumption.

Fair enough.  Grab your bag then.  There’s a new bar opened up in Garema Place.  I thought we could see if it’s any good.

You can find Elisabeth and get to know her story in AUTOMATON

Melissa George’s IMDB page

@mgeorgeofficial on Twitter

Melissa George on Facebook