|Posted by Alana Woods on February 14, 2015 at 4:00 PM|
I was a couple of chapters in when I laughed, and then wondered if I should. It immediately reminded me of my first exposure to the film Pulp Fiction; that first inadvertent burst of laughter when John Travolta’s gun accidentally fired in the car. I was aghast at myself. Was I supposed to laugh? The scene was so over the top. So too is this novel. What is its classification: comedy horror or horror comedy, or something else? Is it supposed to be a serious novel? I finished reading without deciding.
It’s set in the modern day and everything is familiar: the world, the way ordinary people live their lives and earn their living, the traumas we face. Even the incessant killing is a reflection of our gone-mad society. But there the similarities end.
From the cover, when I bought the book, I thought it was a sci-fi story. From the title, RENAISSANCE 2.0, I thought it was a nod to the 14th—16th century European Renaissance and the author was creating a second, 21st century, perhaps global, renaissance. And although I didn’t see any evidence of one in this book it no doubt becomes apparent in subsequent books in the series.
There is a definite sci-fi element with technologies that shatter life being created in back rooms and just as quickly being disposed of by mysterious forces; there’s a beserk drug culture; in fact it’s sheer mayhem from start to finish. Multiple characters make brief appearances never to return and it’s only well into the story that I realised there is a recurring character who, by the end, is identified as the protagonist who will be taking the series forward. He’s a detective with a wife who is becoming a man, which is forcing him into thinking he should become a woman. Yes, you read that right!
The author takes you deep into the psyches of his characters. There’s plenty of esoterica as he delves into psychology and philosophy. If you’re not interested in that you can skim without losing the plot.
I have no idea how the author will sustain this level of tortuous inventiveness over a series. As five volumes have already been published I don’t have to wait to find out.
This is an exceptional read. I was gobsmacked from very early on and didn’t pick my chin up until I’d finished reading.
It’s very different. Read it and see what you think.
RENAISSANCE 2.0 on Amazon
An interview with the author will be published at a later date
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