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Alana Woods interviews CHRISTINA CARSON, author of Accidents of birth

Posted by Alana Woods on June 13, 2015 at 6:00 PM Comments comments (0)


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My guest today is Christina Carson, an author with a lot of living and experiences under her belt. Her latest books, ACCIDENTS OF BIRTH books 1 and 2, are the first of her stories that I’ve read and to say I was impressed with her storytelling skills is certainly an understatement. I will be finding time for her others. Let me introduce you.



Alana: Christina, welcome. Let me first ask you a little about yourself. In your own words you’ve ‘worn many hats’ and 'travelled many roads’. Would you tell us a bit about those hats and roads.

Christina: I started out intent on being a medical doctor, not my choice—

Alana: That’s a tantalising comment. May I ask whose choice it was and why you acceded to it?

Christina: …When I was three years old, my mother said to me, 'Christina, you are going to be a doctor.' Every relevant decision in my education from that point on was based on that assumption. Because pleasing my mother made life more bearable I never said no. Luckily science quickly began to fascinate me. But two years into pre-med I realized I wasn’t looking forward to the job, just the science, so I picked up an undergraduate research opportunity and found medical research was my place. By then the Vietnam War was front page news and just as I was heading into a PhD program my world changed radically. Because of my views I left the program, was turned out by my family and moved to Canada.


Alana: You’re saying there, I presume, that you were against the war. Why did that cause you to leave your job?

Christina: It wasn’t just the war, it was the realization that my country, the only thing left that I believed in at that point in my life, was selling wholesale lies to its populace and killing young men for personal and political gain, not defense. That may sound naïve, but growing up in the 1950s in the US created a very Pollyanna view of life which I acquired from my parents—meaning the USA was above reproach. The Vietnam War made it all too clear that was not true. As I struggled to determine what my response to the war was going to be, I realized I couldn’t live in the States any longer. Since my parents had severed their relationship with me I crossed the border into Canada and never looked back. My position, my graduate degree and everything else, I left behind. In Canada I taught for a few years but then wanted out of academia and that’s when change ran rampant through my life. First, I worked in the trades and then was a sheep farmer for 15 years in the far North.


Alana: That’s a heck of a change in direction.

Christina: It certainly was, but I felt I needed it. Life went rather smoothly for the next 15 years, and then the bottom fell out again, and I lost everything that mattered to me.

Alana: I’m sorry to hear that. Would you care to share the story behind it?

Christina: Due to a marriage breakup I had to leave the North and with it my farm, my community, the man I loved, and a life I treasured. I moved south to Vancouver and started over once again. I was deeply unsettled and moved from magazine ad salesperson to stockbroker, corporate consultant, contributing editor to Canada’s then only financial magazine, then in a period of financial ruin anything I could get to stay afloat. Some of it was thrilling, some of it hell, but years later it certainly serves my writing.

Alana: You weren’t exaggerating with the many hats and roads! Where do you call home now? Is it permanent or do you envisage moving again at some stage?

Christina: My home of heart will always be Canada. I should have been born there. It felt like home from the get-go. The title of my latest novel ACCIDENTS OF BIRTH came from hearing myself rationalize my birthplace and why I didn’t want to go back. I’d say being born there was just an accident of birth. I doubt I’ll ever return to Canada, and I am finally seeing the beauty of living in the Deep South. In a most fascinating way it is like stepping back in time, both alluring and instructive.

Alana: So how did you end up in the Deep South?

Christina: My present husband, Bert, was born and raised in Alabama. He’s traveled the country widely but prefers the South. So I followed him here.

Alana: And what are you doing now, workwise? Are you a fulltime writer or are you pursuing another career in parallel with your writing?

Christina: Bert and I have a small photography business, which strangely requires an inordinate amount of time. Thus is takes me ages to finish a novel. I can only write in our slow months, which is about the most inefficient manner in which to write a novel that I could imagine. I would like to write full time, but I don’t know if that will happen.

Alana: Your husband, Bert Carson, is also an author. Have you found that both of you being writers creates problems in the household or does it actually ease the way, so as to speak?

Christina: We both share a passion for writing and that is a marvelous passion to share. We are not in any way competitive with one another; in fact, completely supportive would be the accurate description. I’ve always thrived on sharing things of meaning with the one I love, and now Bert and I have several such points of intersection.

Alana: ACCIDENTS OF BIRTH—where on earth did the story idea come from? It’s an amazing read. It seems a world away from your own experiences and yet it rings so completely true and believable.

Christina: That is a conundrum, even for me at times. The initial spark came from wanting an experience of true mother-love at a difficult point in my life. Crazy as that sounds for an older adult, it was the initial inspiration. But the only place in my life where I had experienced such all-inclusive love was from two Black orderlies in a hospital in Pennsylvania when I was 16. I had never felt anything like what they offered to comfort me, and I never forgot it. Then living in the South I was privileged to meet many more Black women due to the nature of Bert’s and my work. Our photography business focuses on taking photos of little children in daycares. When we’re in towns or counties that are predominately Black, the daycare Directors are always Black women. I have met many through that experience and since our customers, the Directors, become like family, we have close ties with them. Over and over, these women show me that my early experience wasn’t an exception.

I was half way through another novel when I got the sense of a story that would let me, in a ‘writerly’ way, spend time in the company of the very people who had taught me about love. I set my other novel aside. I brought up a blank screen and the first chapter felt like it fell out of the sky. Then in chapter 2, Miss Imogene, who was only to be a supporting character, since I feared how the sense of hubris in writing outside not only your world experience but also your race might appear, stepped out and took over. She made herself the protagonist. I, at that point, was merely the scribe. By then I could hear the dialect in my head and I could hardly keep up with the story that flowed onto the page. I fell in love with Miss Imogene and in the end she healed her world in an amazing number of ways as well as healing mine too.


Alana: I fell in love with her too.  I love her philosophy on life. All of your books including ACCIDENTS OF BIRTH are categorised as literary fiction with some sub-genres happening for each. Do you feel that it quite captures the spirit of the stories you tell?

Christina: I will be the first to admit I am genre-challenged. The best category would be contemporary fiction, but if you are selling through Amazon that is akin to stepping into oblivion. I write about love but my books aren’t romances. I write about human interplay, but without the pounding metronomic rhythm of modern fiction. And I always seem to include an underlying current of the spiritual and metaphysical. If someone can tell me what genre that belongs to I’ll kiss their feet. So I chose literary fiction as it permits the most latitude in topic and form of presentation. Your sense, Alana, was most accurate. I don’t really fit there.

Alana: Your bio says you’re a long way from finished, so tell us what’s in the works next for Christina Carson, novelist.

Christina: In truth, what that statement referred to was the larger project of my life, a never ending desire to attain a greater awareness about what we are and why we are here. I refer to it as human cosmology, and it is my life’s work. There is no finishing that one, so indeed I am not finished.

Alana: And your writing?

Christina: I plan to go back and finish the novel Miss Imogene interrupted. I don’t as yet have a title, but it is historical fiction only because I wasn’t sure it could happen in these times. The story relates the experience we all have—we come into the world whole, open, connected with life and filled with wonder. But then the pressures to conform begin. The protagonist, Tibatha Nase, has had enough freedom in her childhood that she rebels as she senses her circumstances closing in on her. She moves West with the large migration of those seeking new beginnings in the 1850s. In the process she walks right into the Indian Wars, the Sheep and Cattle War and the genocidal action of the American government toward Natives. If she thought she was confused before, she now faces a tragic scenario she could have never imagined. It takes years for her to regain her balance and finally find her place in the world.

I have a contemporary novel sitting in the back of my mind presently. I’m calling it The Mobius Strip [a one-sided surface]. It asks if life is a Mobius Strip, a situation we can never leave, or is there way out? The protagonist is an older woman, now a widow and in a state of penury that has her feeling defeated and frightened (The US can be a cruel place to live for old, poor people). She has taken great risks in her life to take a road less traveled hoping to understand the nature of human reality, but now feels like a dreadful failure. Surely it shouldn’t have brought her to this end. In the ugly little concrete block apartment building she’s been forced to move to she meets a crazy Vietnam veteran whom she befriends, a man who knows all too well about life’s disappointments. As well, through seeming serendipity, she crosses paths with a successful young IT entrepreneur who works in the field of artificial intelligence. These two new acquaintances set up a triangle of relationship that becomes the next phase of her life. Neither knows she has been a student of mind and consciousness, for she seems quite broken when they meet, but when tragedy strikes she begins to see a bigger picture of how life works, perhaps even a way out.

Alana: There sounds as though elements of your own story may be finding their way into that one. Before I let you go would you tell us a little about your other published novels.

Christina: My first novel, SUFFER THE LITTLE CHILDREN, is set in a wilderness community in western Alberta. I was really homesick, so that gave me the opportunity to immerse myself in a world I knew and loved. It asks a question, like so much of my writing does. In this case it was: what is it we do that drives our children from us? It haunts the protagonist, for her only daughter has been missing for 8 years and not until a neighbor child ends up on her doorstep, also on the lam, does Anne Mueller realize she must find the answer or perhaps create the situation again. She is assisted by her wise Native friends and the very wilderness in which she lives as it pits her against her worst fear to bring her to a point of reckoning. It is a great book for parents and children to read together.

I switched to something a tad more metaphysical in my second novel, DYING TO KNOW. In it a young woman faces cancer but is insistent that she’ll not take the traditional route of treatment after having cared for her mother dying from cancer. As one reviewer said, ‘ ... but it is not a book about cancer’. And he was right. It is a story about the search for the real nature of health and well-being, for the reader lives each day with Calli Morrow in her search for an alternative view of life and healing. As another reviewer deftly summarizes: ‘… in the undercurrent of the story, the careful reader will see the struggle with the paradoxical world and the taffy-pull of the scientist with the philosopher’. It is a book that gives the reader much to ponder.


Alana: Christina, many thanks for giving us your time today.

Christina: Alana, I am most grateful for your invitation. I am particularly delighted that this will touch Australia more directly as your country has always had a pull on me. In fact, just before I met Bert, I was seriously considering moving there. I appreciate the time and effort you give these interviews. Thank you indeed.

Christina Carson's links: Website | Blog | Amazon

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Alana Woods interviews LAURENCE O'BRYAN, author of The Manhattan puzzle

Posted by Alana Woods on March 7, 2015 at 4:05 PM Comments comments (0)


This is not my usual author interview. When I contacted Laurence O’Bryan to ask if he would be interested in participating in one he sent me back an already-prepared Q&A. Rather than delving into the author as well as all of his works, this focuses mainly on the novel I reviewed, THE MANHATTAN PUZZLE. So, for those of you who would have liked to get to know the author a little better, you will be disappointed. But if you’d like to know the story behind the story, and isn't that all of us, here it is—Laurence talking about Manhattan.

Q: Laurence, describe your connection to Manhattan?

Laurence: I have been to Manhattan, the site of my latest novel, THE MANHATTAN PUZZLE, only four times. Each time it was different and so was I. Manhattan became part of my dream of prosperity. If I had enough money, in my fantasy, I would leave Ireland, visit Manhattan and enjoy all the interesting things that the city could offer. Later, after 9/11 and the financial crash, my impressions of the city changed. They became darker. There were forces battling over the island and innocent lives were being lost.

Q: What things about this place make it unique and a good physical setting in your books?

Laurence: I imagine the whole of Manhattan as a museum. It exists as an entirely man-made object, a piece of intricate jewellery or a giant snow globe with dollar bills cascading. Every street in Manhattan seems imbued with style, either gritty, trashy or glitzy, but there is nothing boring about it. I know of no other place like it.

Q: Did you consciously set out to use your location as a ‘character’ in your books, or did this grow naturally out of the initial story or stories?

Manhattan, the mid-town section around Grand Central Terminal, is a character in THE MANHATTAN PUZZLE. It exists in the streets around the terminal and in the imaginary BXH Bank headquarters, a 1920s era skyscraper with a secret underneath. I couldn’t write a story about Manhattan without that presence coming through strongly, like Marilyn or Frank Sinatra swaggering past you as they head towards a limousine.


Q: How do you incorporate location in your fiction? Do you pay overt attention to it in certain scenes, or is it a background inspiration for you? In other words, similar to the last question, are you conscious of referring to your specific city or locale as you write?

Laurence: I believe place is a vital part of any novel. I went deep under Grand Central to feel it and to smell what it is like. There is a cinnamon-like smell on the lower tracks. I do pay specific attention to details like that, the feel of the stones under your feet as you race along the tracks, the smell, the noise of a train on a distant track.


Q: How does your protagonist interact with his/her surroundings? Is she a native, a blow-in, a reluctant or enthusiastic inhabitant, cynical about it, a booster? And conversely, how does the setting affect your protagonist?

Laurence: My main characters are blow-ins, like me. They are there to solve a puzzle. They don’t make much of their surroundings, they are too busy surviving, but the city is there, behind it all.


Q: Has there been any local reaction to your works? What do local (ie those who actually live in your novels’ settings) reviewers think, for example. If published in a non-English speaking country are your books in translation in that country and, if so, what reaction have they gotten from reviewers?

Laurence: I have had great responses from readers in New York. Not one has given me a negative comment yet. This is a good thing for me. If I had dropped a few clangers I am sure they would have been noticed by sharp-eyed New Yorkers.

I’ve also written about Istanbul and Jerusalem. Both novels have been reviewed by people from those cities and the Istanbul novel has been translated into Turkish. Aside from a few minor points, such as below, there has been no negative comment about my use of these locations.


Q: Have you ever made any goofs in depicting your location or time period? Please share—the more humorous the better (we all have).

Laurence: A tricky one this. I wrote a novel set in Istanbul. In it I placed a sea bus to the Princess Islands in one location on the Bosphorus shore of the city only to find when it was being translated that the location was wrong. I also misnamed a tower, allocating its creation to the Venetians, not the Genoese!


Q: Of the novels you have written set in this location, do you have a favorite book or scene that focuses on the place? Could you quote a short passage or give an example of how the location figures in your novels?

Laurence: In THE MANHATTAN PUZZLE the tracks under Grand Central and a secret platform form an important part of the middle section of the book. That part of Manhattan, deep under Grand Central, is a location I love. It’s not a long section in the book but it links the modern part of Manhattan to an imaginary older part, which I have created. It is a factual place that is hidden, which I have used to link to an imaginary place.


Q: If you could live anywhere, where would it be and why?

Laurence: I would live in Manhattan, in the Village, for the vitality, the energy all around, the great bookshops and the constant flow of people and stories.


Q: Who are your favorite writers, and do you feel that other writers influenced you in your use of the spirit of place in your novels?

Laurence: The writers I have enjoyed most include Robert Graves, whose series set in Rome and beyond was definitely inspired by place. Conan Doyle and the Sherlock Holmes series was also greatly involved with place, from the smoke-filled streets of London to the mists of Devon. In the modern era I enjoy Wilbur Smith’s adventure series and Barbara Kingsolver’s novels. All these novels feature place as a key element. I also enjoy Michael Connelly’s novels. He brings LA to life for me.


Q: What’s next for your protagonist?

Laurence: Sean and Isabel Ryan are off to Nuremberg. I am writing the novel at the moment. It’s about modern fascism and betrayal. It also takes the puzzle at the heart of the series one more step forward.


Laurence O’Bryan’s first novel, THE ISTANBUL PUZZLE, was short listed for Irish Crime Novel of the year in 2012. He still lives in Ireland. You can find out more about him and the series at

Laurence’s thrillers have been translated into ten languages. THE MANHATTAN PUZZLE was published by Harper Collins in the US on 26 August 2014.


LAURENCE O'BRYAN'S links:   website   |   Amazon page

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Alana Woods interviews RD HALE, author of Sky City: the rise of an orphan

Posted by Alana Woods on December 13, 2014 at 4:00 PM Comments comments (0)

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I’ve just finished reading RD Hale’s debut novel, SKY CITY: THE RISE OF AN ORPHAN. It’s a 492 page epic. Lots of labels have been attached to it by others: cyberpunk, biopunk, dystopian, sci-fi, manga, young adult, as well as a touch of fantasy. I agree with all of them, but add another one: coming of age.

There’s not much you can find out about RD on the internet, perhaps because he’s a private kind of person and likes to keep to himself, or perhaps he prefers to let his writing and characters talk for him. Whatever the reason, I aim to tease something from him today to make the day for his growing number of fans.

Alana: G’day RD, am I allowed to know what the R in RD stands for, or do you use the initials to maintain a certain mystique?

RD: The initials help to maintain a mystique and create the impression I'm smarter than I actually am! However, my friends call me Ricky (among other things!)

Alana: How about I help maintain the mystique and stick with RD then. :) Your bio says little is known about you other than tidbits, rumours and hearsay. I’m going to do my best to squeeze a bit of detail from you today because, let’s face it, you’ve got a lot of fans out there in book land. I think they’d like an inside peek. Your bio says you’re married and have one young child. I take it that’s fact, yes? As to your age, I’m hazarding a guess that you’re still wrinkle-free.

RD: I’m rapidly starting to accumulate grey hairs thanks in no part to my son, but I'm doing pretty well on the wrinkle side. However, I'm sure my second child will help contribute towards those when he/she arrives.

Alana: Oh, does that mean another baby is on the way? Are congratulations in order?

RD: The second boy is due in early April and already I am having sleepless nights!

Alana: There’s nothing like a new baby! You’ll look back on it as totally worth it. As you’re going for a second I guess you already know that though. Where in the UK do you call home?

RD: A lively place called Newcastle upon Tyne where beer is known as "breakfast" and religion is called "football".

Newcastle upon Tyne pics: Angel of the North, Tynemouth Priory, fireworks over the city.



Alana: Sounds like a tough place! Is it where you want to be, or is there somewhere you’d rather be if money were no object? Does the grittiness of SKY CITY stem from there or do I have completely the wrong impression of your home town?

RD: Medio city is a (greatly exaggerated) representation of the council estate where I grew up. Sky City represents the sights and sounds that were out of reach to a jobless, disenfranchised youth. 

My home town has its qualities, but unemployment has been a problem for many. And then there is the perma-grey sky which only adds to the misery! I understand your part of the world is lit by a golden disc called "the sun". We've never seen it!




Alana: Yes, we’re blessed here in Australia. It’s the best place on the planet. I was born in the UK but wouldn’t live anywhere else but here.

RD: Maybe one day we'll get to move somewhere warm and cheerful like Australia.

Alana: You’d be very welcome. Let’s talk about your writing. It sounds as though the genre you write in is the one that’s always appealed to you. Is that right, and why?

RD: I've always liked sci-fi for many reasons, not least because once interstellar travel is invented I plan to become a space pirate! I spent my childhood preparing for this role by playing videogames, and now I fill the waiting time by writing books!

Sci-fi is a great tool for self-expression because you have more creative freedom than in other genres. The aspect that most appeals is the world building. With SKY CITY I wanted to create a microcosm of the world in which we live, where the problems are amplified so we can take a closer look at poverty, inequality and indoctrination. My aim was to give a voice to the voiceless and to challenge pre-conceived ideas.

Alana: I’d say you’ve well and truly succeeded in that. And Arturo Basilides, SKY CITY’s young hero you’ve built that world around; what brought about his creation? He’s an immensely charismatic character.

RD: He's a combination of many factors; he has some of my traits but I was conscious about making him fit into his awful world. He had to be highly intelligent and physically adept for the rebellion to take an interest in him, but he also had to be reckless. He could not have emerged from his childhood untainted so he is a very flawed protagonist. I wanted to get away from the heroic stereotype and create a character who was complex and unpredictable.

Alana: You originally published the book as a series of six smaller books but have now removed them from sale. What’s the thinking behind that?

RD: The book was originally serialised on Wattpad and I wanted readers to experience the instalments as they were initially intended, but their removal from Amazon was ultimately a commercial decision. It was confusing my readership as Amazon kept listing the complete edition as part of the series. I didn’t want people to mistakenly purchase twice in the belief they were buying the latest instalment. Plus the complete edition has a reasonable price so there’s no need to break it up.

Alana: I commented in my review of SKY CITY that there are several aspects of the story that were unfinished. I speculated that more is to come of Arturo. Am I right? And if so, do you have a release date in mind? Perhaps you might also like to whet our appetite for where you will be taking Arturo and his mates in it.

RD: I have a couple of spin-offs in the works starring other characters which are available on Wattpad. Both are in their early stages so everything, including the titles may change.

The Formation of the Rebellion stars Leo Jardine and is a prequel explaining how the rebellion came to be. It’s intended to be hard sci-fi—darker and more complex than The Rise of an Orphan with a similar feel to Gibson's Neuromancer.

The Sister of a Rebel Soldier stars Emmi Basilides and continues on from events at the end of The Rise of an Orphan. It’s intended to be a more accessible addition to the series. The rebellion really gets under way in this one and you'll discover what the more interesting characters are capable of.

Alana: And Arturo?

RD: I haven’t started the next part of Arturo's story just yet, but it’s definitely coming. I’ll likely serialise it on Wattpad and then release six instalments as one book on Amazon as I did with The Rise of an Orphan. I expect Arturo's saga will become a trilogy at the very least.


Alana: What about after SKY CITY is completed, do you have any other stories in mind and are they in the same genre?

RD: I would love to write in another genre, maybe fantasy but I can't see myself doing this for a long time!


Alana: RD, thank you so much for talking with me today. It’s been a real pleasure getting to know the writer behind the book.

RD: Thank you, Alana.

RD Hale has a new website. You can visit it by taking this link.

RD Hale's blog

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SKY CITY: THE RISE OF AN ORPHAN on Amazon (this is a global link)


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Alana Woods interviews RP DAHLKE, author of The Dead Red mystery series

Posted by Alana Woods on November 15, 2014 at 5:40 PM Comments comments (0)

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My guest today is Rebecca Dahlke, better known as RP Dahlke to her fans. I’ve just read the 4th book in her DEAD RED mystery series and it might be true to say that with the series Rebecca took to heart the advice given to many authors starting out, and that is to write what you know. I say that because the first three books at least centre on the crop dusting business and, like her heroine Lalla Bains, Rebecca worked in it herself.



Alana: Welcome Rebecca. First of all, do you prefer Rebecca or RP?

Rebecca: Rebecca is just fine!

Alana: You grew up in Modesto, California, but escaped to the city after running your father’s crop-dusting business for two years. Whereabouts is home nowadays? Any particular reason you chose it?

Rebecca: We were leaving our sailboat in Mexico every summer, going back to the states to annoy our adult children, which can be very entertaining if you count how much fun it is to leave the towels on their bathroom floor and stand in front of an open fridge and ask, "What's for dinner?"

pics: Rebecca's father RA Phillips and the first of the Stearmans he used for the aero ag business. Rebecca's son John (on right) and a mate in front of their aero ag plane.


Alana: Wow, you’re game. We’ve never been brave enough to push those boundaries!

Rebecca: Well, hijinks of that sort only go so far, so we figured it was time to buy a summer home, something close enough to drive to and from the Mexican Marina where we kept our boat. Of course, when my husband suggested a condo or apartment, I suggested he get realistic! I'd gotten used to wide open spaces, so we compromised on 4 acres and a nice house south of Tucson. The scenic shot is a picture of our back yard.


Alana: That's some back yard! My husband John and I owned a 46ft catamaran for a few years and I pretended to be a sailor but never got out of the sheltered waters of the Great Barrier Reef in Queensland. Tell us a bit about your experience. What was or is your craft, how long have you been sailing and where? Have you retired from the sea or do you still sail?

Rebecca: We're from the bay area of San Francisco, California. We both learned to sail on this bay—which really was a lot of fun, if you don't mind dodging freighters barreling down on you at warp speed. We started with a 27ft water ballasted trailerable boat, then upsized to a Hylas 47. Interesting that you had a catamaran as we tried out a few with charters, and even considered purchasing one before opting to stick with the mono-hull. A 46 ft. cat is like a 65 ft. monohull, and a dream to sail, or so I've heard.


Alana: We sold some years ago, but our memories are of the fun we had. I understand you wrote your mystery sailing trilogy while sailing. I can imagine it would have been very conducive to getting the creative juices flowing. I haven’t read it, so would you tell us a bit about it? Does it follow a principal character?

Rebecca: The two books in my sailing trilogy are based around one small 32 ft Westsail and two sisters who inherited it from their father. They both learned to sail it on the San Francisco bay and loved it.


Alana: So you were writing from experience again.

Rebecca: I was, and am. In the first book, A DANGEROUS HARBOR, Katrina Hunter is a S.F. police detective on leave after shooting her sister's stalker. She single hands the boat to Mexico only to find a floater, an old flame with a secret that could undo her career, a bald parrot and the man who could either become the love of her life or her undoing.


Alana: And the second?

Rebecca: The second book, HURRICANE HOLE, features the sister, Leila Hunter Standiford, queen of daytime drama. When she admires a beautiful vintage Alden and its handsome captain she doesn't realize that the boat will soon burn to the water line, or that a dead body will be found below, or that the captain has been targeted as the sacrificial diver.



Alana: Lalla Bains, the heroine of the DEAD RED series, is very likeable. I dropped in on her in the 4th book in the series and at some point I’m going to have to go back and read about her earlier exploits. She reminded me of Janet Evanovich’s Stephanie Plum, although she’s most definitely her own person. I imagine I’m not the first person to make favourable comparisons.

Rebecca: I've been absolutely floored that so many readers have commented that this series reminds them of Janet Evanovich's Stephanie Plum series! I write what I like to read and, of course, Janet Evanovich is the queen of humorous mysteries.




Alana: I have to admit to becoming a bit tired of Stephanie by the time the books got to double figures.

Rebecca: Well, I can tell you there a lot of really entertaining authors who can also tickle the funny bone while writing a really good mystery. Try Heather Haven or Cindy Sample, or AJ Lape or Kaye George. Want to get all of these authors, myself included in a boxed set? Get WHAT’S SO FUNNY ABOUT MURDER? and enjoy seven complete humorous novels for only 99 cents.



Alana: Thanks, I’ve just taken you up on that. About time I found myself some more authors in the genre. But getting back to you, do you have more stories in either or both of the series planned?

Rebecca: I'm writing #5 in the DEAD RED mystery series. This one is titled A DEAD RED MIRACLE and it's again based in Wishbone, Arizona. I'm so enjoying writing about this area. Did you know that South East Arizona is where Geronimo and Cochise lived? These two Chirachauhua Apache Indians were famous for side-stepping American efforts to corral them, or their people.

Alana: Cowboys and Indians was one of the favourite games when I was growing up. I remember the girls always had to be the Indians and the cowboys always had to win. Things would be different if kids played it nowadays I think! But again, let’s get back to you. You produce a newsletter too, I’ve heard.

Rebecca: I do, three times a week and they feature the best in mystery/suspense and thrillers with DIRT CHEAP MYSTERY READS.



Alana: Are there new books envisaged for the future that take you away from the two current series and perhaps into a new genre?

Rebecca: oh, boy—that's a loaded question. I so want to write a book that I've had in my head for several years, but the DEAD RED series is starting to pick up more and more readers, so much so that I can't see how to stop writing the next and the next just to indulge my fantasy of something completely different.

Alana: Well, I look forward to reading it when you do. Rebecca, thank you so much for talking with me.

Rebecca: It has been my pleasure! Thank you for having me!

RP DAHLKE'S links:  website   |   DIRTCHEAPMYSTERYREADS   |   Amazon

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Alana Woods interviews GRAHAM HIGSON, author of Flither Lass

Posted by Alana Woods on July 5, 2014 at 7:10 PM Comments comments (2)

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My guest today is UK author Graham Higson whose book about a small UK Yorkshire fishing village in 1915 attracted my attention because John and I were walking those very spots in July last year. Heartbeat country, if Graham's photo is anything to go by.

Alana: Graham, welcome. Wyke Bay, the fictional setting for FLITHER LASS, is based on Robin Hood’s Bay, which is the end point for the Coast to Coast walk that John and I did. We loved the place. Why choose that spot?

Graham: Thanks, Alana. Because you've been there you'll be able to appreciate the timelessness of the village, which is very much as it was in the story's time period. Then there's the coastline, and the beaches teeming with rock pools. I could see the characters tramping through the streets, sense their hunger, feel their anguish. It was if they were there every time I turned a corner. And when we walked along the beach and saw a cliff top waterfall, I knew that I would use it in the story.

So yes, it's very much like the fictional Wyke Bay, but I had to write in some differences because if readers think that a place is real, then they might (heaven forbid) believe that the characters are also based on actual people.


Alana: On your website you talk about visiting Whitby, which is close to your setting of Wyke Bay. I bought a silver and jet bangle there to commemorate our walk. Unfortunately I didn’t have time to get used to wearing it because it was stolen less than a month later. But you say that although living nearby all your life it wasn’t until you were an adult that you visited Whitby.

Graham: I know the very shop where you must have bought the jet bangle. Sorry to hear about what happened. The shop is at the bottom of the famous 199 steps …


Alana: It is! W Hamond. Guarantees that it uses only genuine Whitby jet.

Graham: That’s it … and I'm pleased to say that on a couple of occasions I have run up those two at a time without stopping.

Alana: Hope you don't mind. I'm throwing in two of my own photos here. There's me outside W Hamond with my new purchase in my hot little hands, and then there's John on the famous 199 steps.



Alana: I doubt that I could have gone up them two at a time. Quite a feat!

Graham: Yes, but dare I do it again …? So why did it take us so long to visit Whitby for the first time? It is in a part of England that we'd not yet got around to. It's as simple as that.


Alana: So where is home? And why is it home?

Graham: Home is in an outlying Pennine village in Yorkshire, about half an hour from Leeds in one direction and Manchester in the other.

It's all open countryside, which we like, even though you can be held up by cows crossing the road for milking, and there is plenty of wind and rain. Come to think of it, it's very much like the village where my character Briscoe lives in OAK SEER.


Alana: There’s nothing quite like using what you know. You’ve been a journalist for most of your life I believe, although if I’m not wrong you’re a fulltime writer, as in author rather than journalist, nowadays.

Graham: Yes, I gave up my day job so I could write fulltime, but in and amongst I decided to complete my education. I trained as a screenwriter at University College Falmouth, which I think taught me much more about things like structure and dialogue. I was the only one taking screenwriting, by the way, which meant that the tutor had no one else to pick on but me.


Alana: But think of all that one on one! Invaluable! And nowadays you’re involved in the republishing of another local author, Leo Walmsley, who lived 1892-1966. Would you tell us a little about him and what you’re doing.

Graham: I found Robin Hood's Bay in about 1989 and there was this cottage with a blue commemorative plaque above the door saying that an author once lived there. I thought, "Crikey, I've never heard of him." I really believed they were grasping at straws for tourism purposes, although my wife Margaret was certain she had read one of his books. But then there was a television program about the village that mentioned a major film had been shot there in the 1930s. There was no internet back then (not for civilians, anyhow) and it was whilst asking around in the village that I found the film, Turn of the Tide, was based on a Walmsley book. We bought the book, THREE FEVERS, and six years later joined the Walmsley Society. Two years after that my wife and I were voted on to the committee. At that time none of the major publishers was printing his books, and it was me who said we should do it ourselves. Here we are, 11 books republished and another on the way. Very satisfying.


Alana: Do you have a link that anyone interested can take to check them out?

Graham: Yes. I also administer the website.

Alana: Let’s talk about your books now. FLITHER LASS, which I’ve just read and reviewed, to begin with. Give us a flavor of the story line. I have to say I love the video trailer for it. I called the book atmospheric. Well, so is the trailer.

Perhaps you could also explain what a flither is and what they were used for.

Graham: In the 1800s, maybe even farther back, many flither girls traveled in gangs, but in 1915 my flither lass Amy works alone, often in harsh weather conditions as she scours the shore for limpets, or "flithers". These are the mollusk-type creatures that live inside the conical shells usually found sticking to the rocks, almost with the strength of industrial adhesive. She collects them to use as bait on her father's fishing lines. Hardy, strong, practical, she is an expert at climbing steep cliff faces, and refuses to allow her highly impractical long skirt to prevent her wading out into the water. Instead she simply rolls it up to her waist, despite exposing her bare thighs – quite shocking for those times.




But she is estranged from the local community which believes, in its ignorance, that she is backward, slow-witted. The reality is that she is a wild, unruly girl, passionately protective of the small bay that she believes is hers. She works things out by instinct and whatever else she can pick up from odd snatches of conversation that are not obscured by an undiagnosed hearing condition. You wouldn't get that sort of thing happening nowadays, would you? Naturally, sometimes she gets things wrong.

The story begins when her father is caught in a storm, leaving her with no-one apart from a hard, embittered mother and an idle sister. Convinced that her father is still alive she searches the shore, and instead finds an injured man. He's not her father but for the time being he'll do, and she decides to keep him for herself. The First World War is waging in France and Belgium and only a few hundred yards out from the coast at Wyke Bay merchant shipping is under threat from mines and U-boats. And Amy's new friend is German.


Alana: The book’s a corker. I don’t hand out 5 stars easily but FLITHER LASS deserved them. And your other book?

Graham: OAK SEER (a supernatural mystery) is about an obsessive who deals in old wooden artifacts. One night he finds he can no longer handle these wooden items without being haunted by images from the past. He's something of a Lothario, doesn't much like people, yet women throw themselves at him … and suddenly he can’t perform, so he's washed up, whichever way you look at it. There's a modern day high priestess of a coven in Scotland, women who lust after an ancient medieval carving of a monster's face, blood loss, and a girl in a white dress. And poor old Briscoe must take a look at himself and do the right thing to save them. But what is the right thing? And is he so set in his ways that he won't be able to exorcise the past? Or is it that the past is exorcising him?


Alana: Sounds like he’s got some real problems! Are you working on anything else at the moment?

Graham: Yes—a memoir, would you believe? It's based on the magazine column I wrote for over 10 years and is about the observations from behind the counter of an independent hardware store. This time there's an underlying theme with much more at stake. I'm reluctant to describe it as funny because those readers who don't find it as such then give bad reviews, but I can tell you that it is meant to be a little humorous. I've just completed the first draft and it's been a pleasure getting reacquainted with the characters I've known for so long they almost write themselves. Naturally, being a memoir, there are some real people in there, but their names have been changed to prevent lawsuits.


Alana: Graham, thank you so much for chatting with me today.

Graham: And thank you, Alana, for having me. I've rather enjoyed being here with you.

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Alana Woods interviews MICHEAL MAXWELL, author of Diamonds and Cole

Posted by Alana Woods on June 21, 2014 at 7:10 PM Comments comments (0)

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Micheal Maxwell is my guest author today. I like to do a bit of ferreting about authors before having a chat so check out such places as their websites, Facebook and Amazon author pages. Micheal is obviously someone who likes to keep himself to himself because all I could find was a teaser. I immediately wanted to know details and am now going to attempt to get them.

Here’s the teaser from his author bio: Mr Maxwell has traveled the globe, dined with politicians, rock stars and beggars. He has rubbed shoulders with priests and murderers, surgeons and drug dealers, each one giving him a part of themselves that will live again in the pages of his books.


Alana: Micheal, welcome. There is no way I’m going to let you go without enlightening me about the travel and the people you’ve met. So tell me, in what exotic spots did you meet such diverse types and how did you come to meet them?

Micheal: Thanks for having me. Since I am unwilling to enter a 12-step program there is no hope of curing my Travel Addiction. This June I will visit my 39th country. Along the way I’ve met a lot of folks.


Alana: I’m all ears to hear about them.

Micheal: Okay, let’s see, I’ve traveled to China and met with the head of National Chinese Radio, who at the time was the Party Chairman for Yunnan Province. The Governor of Aguascalientes, Mexico, and I had a meeting a few years ago. I thought American politicians were a shady bunch until I met him. He gave me a nice gift though.

I ate dinner with Ace Frehley of KISS. I remember it, he was beyond remembering anything. I’ve been known to give beggars part of my lunch, some were grateful, some, well, not so much.

Been to the Vatican twice, they wouldn’t let me in once. I had walking shorts on. The woman in line in front of me had on a gauzy see through summer dress and a thong. Nothing else. They put her right through. (laughs)

On a more serious note, when I was in the music business I met a lot of drug dealers. Speaking of murderers, I am sad to say I have known 11 convicted murderers on a first name basis. They were all in my classroom over the years.

A car I was riding in was stopped by New People Army guerrillas in the middle of nowhere in the Philippines. They opened my luggage and tossed it around with the barrel tip of a machine gun. That was a bit unsettling.


Alana: I bet. Getting back to the music business—what did you do?

Micheal: Actually music is my first love. I am an avid collector, wannabe guitarist and it seemed only natural that when, as a disenchanted worker bee, I wanted a job that I would love, I turned to music. Over the years I have written record reviews, done specialty radio shows, promoted concerts and owned a small chain of record stores. I mentioned meeting rock stars, that’s when most of that happened.

I still long to introduce people to music they haven’t heard so every Sunday morning on my Facebook page I post a mini-radio show called Sunday With Micheal, where I post two Youtube videos of artists I think people need to know about.

Alana: Apologies for interrupting your run. Please continue.

Micheal: Talking about music is never an interruption.

I once had a woman tell me over dinner how she tried to hire a hit man to kill her daughter’s abusive husband. Thankfully she didn’t pay the ten grand. (laughs)


Alana: That would’ve given me a restless night or two wondering if she was serious! Anyone else?

Micheal: This is turning a bit dark. (laughs) Let’s lighten it up a bit. I met a family while traveling that were very devote Jews. We spent many hours over Kosher meals discussing faith. The daughter had never met a Christian to actually sit and talk with. They lived in a really tight community in Toronto. So, she asked me everything she had ever wondered about. At the next table was a couple from Melbourne that as the evening progress seemed to be leaning closer and closer to hear us. At one point the wife turned and asked if we were disturbing them.

He said, 'No, I just want to see who wins.'

He had missed the whole point. Even though we were loud and there was a lot of waving of hands, our talk was done in love and respect for each other’s beliefs.

I told the fellow we weren’t arguing and that we were having a great time sharing our faith.

'You people are so intelligent I can’t believe you believe all the bulls**t!' the man replied.

I will never forget what my friend said to him, without missing a beat he quoted Psalm 14:1, 'The fool hath said in his heart: "There is no God"; they have dealt corruptly, they have done abominably; there is none that doeth good.'

That was the end of our evening.

I ran into the guy from Melbourne the next day and he apologized. Turned out to be a nice guy.

I have found that everyone has a story. If you are an active listener, people will open up with the most intimate details of their life. I think there is almost a confessional element or psychological release in talking to strangers. As a writer I think it’s important to keep your eyes open and your mouth shut as much as possible. Sometimes you have to prime the pump though.

The funny thing is, one on one, they were all just people who breathe the same air we do.

I still haven’t met Bob Dylan yet. That’s a disappointment.


Alana: I recently read and reviewed the first in your Cole Sage thriller series DIAMONDS AND COLE. Did any of the people you’ve met influence the characters in the story and, if so, how?

Micheal: It is often said, ‘Careful what you say to a writer, it will end up in print.’ I would certainly be less than truthful if I said that the characters weren’t drawn from people and events I have either seen or been party to. Writing is kind of the same confessional cleansing I spoke of earlier. Before you ask, no, I haven’t committed any crimes.


In the Cole Sage series there are also biographical elements that make such good stories I would be foolish not to use them. The roots of COLE DUST, book four in the series, are deep in my own family’s oral history and legends. In the end, fiction is still fiction though, and certainly parallels between Cole Sage and I would be flattering, but a bit misguided.

In THREE NAILS I think there is a much finer line between fiction and memoir. Some stories just seem to haunt me until I get them down properly. In the case of THREE NAILS I really tried to examine the pain of losing a child and how it would color the world around you. Thank God I have never lost a child, but someone dear to me did. The idea of braiding their story with anecdotes from my own life seemed a very natural thing to do.

So to your question, yes, everything and everyone I have ever met or things I’ve done play a role in my books. I think that’s why I enjoy writing so much.


Alana: Why a world-weary reporter for your leading man?

Micheal: As a young man I got a job fresh out of university as a writer. My boss was an old school newspaperman from Chicago. In the two years I spent with him he taught me more about the craft of writing than all the writing courses I ever sat through. There is no resemblance other than Chicago and the newspaper connection but it was my way of honoring him.

The character of Cole Sage is intended to be an every man hero. He’s a good guy who finds himself in situations not of his making, that put his investigative skills and sense of right and wrong constantly to the test.

I really wanted Cole Sage to be free of the over-used character flaws that almost every mystery/detective/private eye character seems to be burdened with. So, Cole isn’t a drunk, degenerate gambler, PTSD patient, womanizer or recovering drug addict. He’s just a regular guy that a lot of bad stuff happens to. That’s why, in DIAMONDS AND COLE we take care of the great burden of losing the woman he loved and lost. As he grows as a character it is his commitment to his friends that find him with decisions that stretch the boundaries of how far he is willing to go to take care of those he loves.

Alana: I liked his being normal very much.

Micheal: I think Cole is a character that women will love and that men can relate to.

Alana: I think you’re right.:)  I believe you now live in California; are you on the coast, inland, in a city? Have you always been there or is it a recent settling, after your travels?

Micheal: I am sadly landlocked. If you drew a cross on the map of California, where the lines intersect is home. I once heard someone say where they lived was, ‘a good place to be from’. That’s Modesto, 80 miles east of San Francisco but it may as well be a million. Therein lies the secret of my travel bug. ‘Anywhere but here’ as my wife tells people when asked why I like to travel so much.



Alana: I’ve heard of Modesto—can’t say why or how—so it can’t be too bad. Are you a lone traveller and your wife keeps the home fires burning, or is she a willing accomplice?

Micheal: Like I said, Modesto is a great place to be from. George Lucas of Star Wars fame is from Modesto. His sister is my neighbor. If you’ve seen American Graffiti, that is about Modesto. Actors Jeremy Renner and Timothy Olyphant are both from Modesto. Of course our two most famous achievements are Gallo Wine and Micheal Maxwell the author! (laughs)

As to my wonderful wife Janet, she is my ever present traveling partner, photographer, navigator and chronicler of facts. I leave a town and twenty minutes later can’t remember its name. Janet keeps nearly hour by hour logs of places, facts and details that I love to read later. We have two bookshelves full of her amazing photo/scrapbooks of our adventures. This photo was taken in Yosemite National Park, three hours from Modesto.


Alana: I must say that I find it awkward to type your name. I have a brother called Michael and the a is before the e. My fingers just don’t want to type it any other way.

Micheal: Truth is stranger than fiction. Here’s the scoop on the name thing. I was an eleven pound, two ounce baby. When I was born my poor mother was pretty wiped out after, and when they brought the clipboard with the paperwork she transposed the a and e. Viola! Micheal!

The thing is, nobody searches for Micheal, so on, Facebook, Twitter, my blog, stuff like that, I spell it Michael.  If you notice the covers of my books are all spelled correctly.

We carried on the ea curse with my youngest son Austin, his middle name is Micheal! Clever or cruel?

Alana: I noticed and wondered about the difference in those spots. As to passing on the spelling, on one level it would be just plain confusing, I think, for them to be spelt differently, but on another level—speaking as someone who has had to spell her name and correct pronunciation all her life—I’m a great proponent of going with the norm.

Micheal: Well, there you are, I’ve been shying away from the normal for years! (laughs)


Alana:  Let me clarify; as far as spelling names is concerned I’m a great proponent of going with the norm. You now have four books in the series published. Would you tell us a little about where Cole finds himself in them, and are there any more on the horizon?

Micheal: You did a wonderful job in your review, thank you, of getting the story started. DIAMONDS AND COLE introduces us to Cole Sage and sets in motion the journey I intend to keep him on for quite a while. They say you can’t go home again, but Cole is forced to try. When he receives a call from his great lost love he is thrown into a mix of con-artists, street thugs and a fortune in stolen diamonds. Who gets hurt and who survives questions his loyalty and commitment to legality.

#2 CELLAR FULL OF COLE moves Cole from Chicago to California, but before he can leave he tries to help a colleague with an abusive family member and finds himself facing a pedophile with ties to child murders and pornography.



Alana: It has a very unsettling cover.

Micheal: The little girl is my granddaughter! Quite the little actress! The hand belongs to my son. It is dark but not graphic.


Alana: And the rest in the series?

Micheal: #3 HELIX OF COLE is the worst nightmare of anyone in the public arena. A piece Cole wrote years ago is the catalyst that sends a 60s radical and 21st century terrorist on one last mission, and he wants Cole to tell the story. Nasty fellow this one, bomber, murderer, and has a nuclear suitcase bomb! Charles Manson even pays a visit! Look out San Francisco.

From book 2 on San Francisco is home base for Cole Sage. This photos shows San Francisco Marina from Pacific Heights


Alana: I’m going to amend what I said about him being normal a while back. A normal bloke who encounters much more excitement and life-threatening problems than most of us normal folk!

Micheal: Some guys have all the luck.

#4 COLE DUST is one I am particularly proud of. Cole inherits a farm in Oklahoma. He discovers the journals of the grandfather he never knew. It is actually a book within a book. We follow the life of a very colorful tormented man through the journals and Cole’s discovery of a long buried family secret in the other. Some of my most rewarding reviews I’ve received as a writer have come from this one. By the way that is my grandparents on the cover.


I am currently working on #5 COLE SHOOT and #6 CROSS OF COLE. You heard it here first folks! COLE SHOOT opens with the Chinese New Year’s Parade in San Francisco’s Chinatown. Cole is right in the middle of a street gang shoot out that ends in the death of a close friend. Lots of old friends from the other books return for a visit.

CROSS OF COLE is about half finished. It has Cole investigating the death of a charismatic religious leader.

I have a lot more Cole books planned and outlined. I just have to find a few more hours on the clock to get them done!


Alana: You mentioned THREE NAILS earlier.  Can you tell us a bit about it, or any other books you have outside the Cole Sage series? I’m curious how your process works.

Micheal: THREE NAILS is a novella. It tells the story of a teacher who loses his son in a car accident. Like a handful of stones thrown in a pond, the circles of his life and memories are all interconnected to his processing his grief. His relationship with his wife, his other children, colleagues at work and even the kids he teaches are part of his healing. I think it raises a lot of questions of faith, love and why we do the things we do to survive tragedy. The story takes place over the course of a school year.

I am currently working on a young adult book. This is a real departure for me, but it kind of helps get out of the crime and suspense box for a while. It’s called THE TIME PEDALER and tells the story of a boy, 14, who finds a time machine. Lots of adventure and dare I say it, history lessons. It is also something new in that I’m working with a writing partner. More on that another time. Shhh, it’s a secret.


Alana: My lips are sealed.

Micheal: My other project I am really excited about is a Western novel, inspired by the lyrics of a song by Bob Dylan. Sort of a Dylan Inspired Western. Tight lips on this one for now, but I think it is going to be really interesting.

So, you can see I’ve got a lot of work to do!


Alana: All I can say is Whew. Now then, before I let you go tell me where your next trip will be to.

Micheal: We are going to be spending five weeks in a little town in Ecuador called Banos Aguasde Santa. It is in a beautiful valley at the foot of a volcano. Just the other side of the mountains is the Amazon basin. We’ve rented an apartment and hope to immerse ourselves in the community. We’ve been studying Spanish like crazy. Who knows, if we love it I might retire there!


Alana: Micheal, thanks so much for talking with me today. It’s been a pleasure finding out the details behind that teaser.

Micheal: Thank you for the opportunity. So nice to do an interview with fresh questions and ideas. Thanks for not asking me what my favorite book is or favorite author! I hope your readers will find our chat as much fun as I did.

 DIAMONDS AND COLE on Amazon   US   |   UK

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Alana Woods interviews Rebecca Hamilton, author of THE FOREVER GIRL series

Posted by Alana Woods on June 7, 2014 at 7:00 PM Comments comments (0)

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Rebecca Hamilton is my guest author this week and I know you’ll find her story as interesting as I do. Rebecca writes paranormal fantasy, and part of her reason for doing so is because she has a son with autism and this has inspired her to illuminate the world through the eyes of characters who see things differently.



Alana: Hi Rebecca, welcome. First off, I read that you live in Florida but you hate sand! How is that possible? :)

Rebecca: Like my son, I actually have severe sensory aversions ... sand and cotton balls are at the top of the list.


Alana:  I can empathise with sand; it’s one of the things I dislike about the beach!

Rebecca:  They’re a bit like nails on a chalkboard for me. I guess this helps me relate to my son’s sensory issues, though. I’m also deathly afraid of escalators. Escalaphobia they call it…


Alana: I’ve never heard of that before so here’s a link for anyone wanting to read about it.

You write paranormal fantasy fiction, what was the impetus for choosing that genre? Did it stem from your son being diagnosed with autism or were you already interested in it?

Rebecca: I write paranormal fantasy because it interests me. Always has, even since I was a kid. Which is strange since I don’t believe in any kind of higher power, but still, I find the supernatural thrilling! I do write in other genres as well, but one thing all my stories have in common is that I like to take unlikely points of view and make them more relatable—this is where the inspiration from my son and his autism come into play. I don’t think people with autism think wrong—they just think differently, and it’s harder to relate to since their line of thinking isn’t as common as the mainstream.

Alana: THE FOREVER GIRL, which I’ve just read and reviewed, is the first in a planned series. How many books do you envisage in the series and will they follow the same characters?

Rebecca: The series will have seven books in total. Book 2 is ready to go but we’re waiting for publishers to make their decisions so we can find out where it will be homed. Currently the first book is with Harlequin in Germany, so we’re also hoping they will take and translate the second book as well. There is a lot of crossover between characters, but the main characters differ in some of the books. Books 1, 4, and 7 all follow Sophia’s journey through the stages of her Wiccan character development (Maiden, Mother, Crone). Books 2, 3, 5, and 6 meet other elemental characters. They all come together in the final book, though, and many of them make cameos in each other’s stories.


Alana: It’s been very successful for you I believe. A bestseller plus available in three languages—which ones and what was the reason for choosing them?

Rebecca: THE FOREVER GIRL is available in English, German, and Hungarian. If it were up to me it would be available in all languages!

Note: The following two books are HER SWEETEST DOWNFALL a companion novella to THE FOREVER GIRL and available on Amazon. COME, THE DARK is the second in THE FOREVER GIRL series and yet to be released.




Alana: Oh for the time when all it takes is the push of a button to have top quality translations!

Rebecca: I agree, but alas for now we are at the whim of which mainstream publishers decide to pick up the title and have it translated and published. My favorite publisher to work with so far has been Harlequin (Germany). Right now we are currently working with some publishers in Brazil in hopes the book can be translated into Portuguese (I have so many fans in Brazil!), but we also have interest in France and Italy, and readers from Spain have shown interest as well. Only time will tell what the future holds there. :)


Alana: I also believe it’s been optioned for film. That’s every author’s dream and you must be excited? Is it too early in the process to talk about or can you give us some details. Perhaps how it came about, who and how you were approached, that sort of thing.

Rebecca: I’ll actually maybe possibly hopefully (wink) be finding out more this month! But for now I can tell you this: my agent was approached by Brian Witten, who was the producer for American History X, Final Destination, The Wedding Singer, Friday the 13th, Chernobyl Diaries, and more recently he’s working on the Cell with John Cusack. At one point when the contract was in the works my husband and I even travelled to LA to meet with him. We had a lovely dinner and saw a concert together. Brian’s totally awesome! I actually do know who is considering writing the screenplay and I’m SUPER EXCITED about who it is, but I’m not sure I’m allowed to say. Also, I don’t want to jinx it. Before her it was being considered by the screenplaywriter for Coraline, and it received fantastic feedback but time was an issue so it didn’t work out. Still kind of exciting to me that it’s even being considered by such amazing writers!


Alana: The main character in THE FOREVER GIRL, Sophia, is a Wiccan, a witch. You’re going to have to explain what that means.

Rebecca: Wicca is a form of paganism. It’s not really so different from most walks of faith. It’s rather nature based, however, and their biggest ‘rule’ is to harm no one. I think that’s why I am most fascinated by it. In a world where people will use anything (including religion) to hurt others, I appreciate those who hold not hurting people above all else. That said, I’m often asked if I myself am Wicca. For the record, I am not. Just a fan of many Wiccan people! I’m agnostic.


Alana: I did wonder, so now I don’t have to ask. :) Would you tell us about your other published books? Your Amazon bio says you also dabble in horror and literary fiction.

Rebecca: I have a title, CIRCUS OF LOST SOULS, that I co-wrote with another bestselling author Riley J Ford. She’s the real star of that show, though, but it’s a fun horror read. My literary project is still in the works and actually deals much more closely with autism. I’ve had a lot of professional interest in that title and it has me panicked that I might not live up to the expectations, so I’m in no rush to release it. I want to be sure I get it right. I’m working with Bram Stoker Award nominee Carole Lanham on this one. The first draft has been written and sitting in a drawer for ages, so I’m excited to have her on board to help revive it and get the ball rolling again.


Alana: How has living with autism affected your lives? I’ve read your guest article for ASAN (Autistic Self Advocacy Network) in which you describe some of the misunderstandings you face.

Rebecca: It’s up and down. I think I’ve learned a lot and I think it’s made me a better person. It’s helped me identify some issues with myself and work through them, somewhat. However, it makes life harder. I know some people feel it’s a blessing; I feel my children are all blessing, but I don’t find autism itself to be a blessing. Yes, I’m a better person for living with it (at least I think so) but daily I watch my son struggle and suffer from the problems and stress that his autism presents and I see the way it affects my typical child and it puts a strain on the flow of day to day life. That’s just being honest about it, about my experience with it. In fact, we now homeschool because the school system was just epically failing my son, and in a lot of ways that has made our lives easier, but it does make it more stressful at times, too.


Alana: I understand that to a certain extent. My sister homeschooled her son who had health problems when growing up and I know some of the pressure it put on her.

Rebecca: I often feel like there are just not enough days in a week. Well-intentioned people often want to offer advice that doesn’t apply or make assumptions about problems they can’t begin to comprehend and (sad to say) it’s at the point now where we find it’s easier to figure these things out alone than try to get ‘help’ from people who don’t fully understand what we’re up against.


Alana: I believe you donate a percentage of THE FOREVER GIRL royalties to ASAN.

Rebecca: Yes, at times I do! Not all the time. I usually make an announcement when I’m doing so, and what I usually do is a month-long promotion where I donate half of the proceeds for that cause. Usually I do it during autism awareness month, but the past year was not a good year for us due to the birth of our fourth child (born prematurely) and the health complications that followed. I hope to do it again next year as it really feels good to give back to such a wonderful community as ASAN.


Alana: Rebecca, it’s been a pleasure. I wish you every continued success with THE FOREVER GIRL series as well as everything else in your life.

Rebecca: Thank you, and you as well with your own writings! I appreciate you having me here today.

 Rebecca's links:  website   |   Facebook   |   Twitter   |   Pinterest   |   Instagram

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Alana Woods interviews Emma Calin, author of SHANNON'S LAW & COP'S KITCHEN

Posted by Alana Woods on April 19, 2014 at 6:00 PM Comments comments (0)

My books on Amazon Imbroglio | Automaton | Tapestries | 25 Writing Tips

My guest this week is UK author Emma Calin, although to label her ‘author’ is doing her a disservice to my way of thinking as she is so much more than that. Let’s see if I can tease it all out of her.

Alana: Hi Emma, welcome from what I hear is a very springlike UK at the moment. Maybe you’re in for a good summer. Although I believe you spend time in France as well, so maybe that’s where you’ll be.

Emma: Hi Alana, thanks for being so kind as to put these questions. Yes indeed I will be in France for much of the summer. My home there is in Charente Maritime, which is about halfway down and more or less on the Atlantic coast.

Alana: Tell me how living in both countries came about and how you manage to do it.  I take it you’re fluent in French.

Emma: I like to think I'm fluent in French and I do give private lessons in the UK. French folk think I'm Belgian because they can't identify my accent. My long-term project is to live in France. I bought the house with my partner Oscar who is also a French speaker. He doesn’t have a house in the UK so the French place is home to him. I was keen to educate my kids in both languages and just as importantly develop awareness of other cultures. Being a tourist really doesn't get you inside the life of a place. I have good friends in France and there is often someone popping in and out of the house. Brits are far more reticent.


Alana: You’re a woman of many talents: you write, you produce your own audiobooks—something I’ve felt beyond me technically—you play the trombone, you sound like an inveterate bike rider and you obviously also enjoy cooking. How do you fit them all in? Is there a descending order?

Emma: To be honest I only do one thing at a time. I've never been able to write all day so narrating or editing an audio book is a break. The editing is technical but mainly it is repetitive and painstaking. I have found that reading my own work has helped me work on sentence balance and the internal poetry of my prose. A reader won't spot an awkward line as such but the book will feel more difficult to read. The trombone is right on the back burner. I turn out for the local band in the UK maybe only twice a year. Bike riding has suffered while I've been writing and launching SHANNON’S LAW. I love cooking and have to do it anyway. Many women also do ironing/dusting/shopping/hoovering/gardening/community activities and watch TV. These are things I do not do! That’s where I get the time.

Alana: You sound like one of my daughters. She has a magnet on her fridge that says ‘Some people are into cleaning, I’m into art’. Puts housework squarely where it should be. :)

Emma: I wish I’d created that magnet.  If you don’t do dusting a lot of the piled up junk becomes invisible after a while.

Alana: I’ve just read and reviewed two of your books, a steamy crime/police procedural called SHANNON’S LAW, and an accompanying cookbook COP’S KITCHEN. I have to say it was a stroke of genius to think of producing a cookbook with recipes for all the food the characters enjoy in SHANNON’S LAW. There are definitely a few I’m going to have to make. Apart from the fact that you’re a dedicated foodie how did the idea for it originate?


Emma: Glad you like the look of some of the dishes—they are all family favourites in our home—although we don’t eat them that frequently as good old home-comfort cooking doesn’t always help in the weight management department! I'm not so much a foodie as a food lover. I'm no purist but I do love to cook food from scratch. We don't do ready meals.

Alana: I’ve come around to that way of thinking myself. We moved into our present house four years ago and it had enough ground for a vegetable garden—love being able to go out and pick fresh for dinner!

Emma: Exactly. And as an author I was looking for something unique to give the book a bit of a spin. Initially I was tempted to add the recipes at the end of the story then I realised I could use a cookbook as a giveaway to encourage reviews. Broadly this strategy is working. I also hoped that the novelty factor would attract some interest from the media. It did not!

Alana: You’ve written at least one other novel that’s also a steamy crime/police procedural, if I’m not mistaken. Let’s tackle the sex first, you obviously enjoy writing that aspect of your stories.

Emma: Pleasurable emotional sex is good for people! I have never shied away from that belief. The way a relationship develops emotionally will feed into the sexual behaviour of the lovers. Often the sex will be the best window into that complex situation. Is there shyness? Who is taking the lead? Are they capable of true naked honesty? Is their commitment to each other's needs equal? Sex will provide those insights more readily than heavy psychological analysis. I also know from my own life that sex is not always loving and fulfilling. Fiction by other writers has provided me with awareness, information and stimulation.

Alana: You know, I’ve never given it any in-depth thought before. Never thought of the sex as an extra insight into characters and personalities.

Emma: I really really believe that a writer should share what she knows with readers—not just to write a ‘sexy’ passage but to be open and human with them. After all, this stuff happens and I love it!

Alana: Maybe that’s why I didn’t mind it in SHANNON’S LAW. Usually I flick through the sex to get back to the story, but the sex seemed to hold its own, if you know what I mean.

Emma: SHANNON’S LAW is a difficult book to target as it crosses several genres. Fans of erotic/steamy/romance seem to love it but those who have bought it with the police/crime/action in mind have been surprised and sometimes shocked by the more explicit scenes in the romance—although I have now updated my blurbs to warn people! My editor thinks I should bring out a second version 'Shannon's Law Lite' with the explicit/erotic elements of the romance story removed or at least attenuated. She felt it could stand up as a crime-police procedural mystery that would then appeal to a wider audience of more mainstream readers plus young adult/new adult audiences. I'm still considering it as an option.

Alana: I think that’s a brilliant idea. I’d keep the title SHANNON’S LAW for the non-sex edition and call the sexy version SHANNON’S LAW: the steamy edition.

Emma: Wow—yes! I think that's the best idea so far. Here’s a link to the build-up scene prior to the sex (don’t worry it’s a non x-rated excerpt!)

Alana: Then there’s the crime angle. A good mix with the sex, perhaps, given they both make for intense reading. But tell me about your interest in crime?

Emma: We are all interested in crime and criminals in my experience. Crime means breaking the rules and being daring. Strip away the morality and a burglar, assassin or drug dealer is an extreme risk taker. Good girls often love bad boys. A lot of cops ‘respect’ the daring of criminals. These guys frighten us. They will just snatch it for themselves. We don’t have that detachment or recklessness and secretly we just slightly admire it. Come a war or desperate times people get a permission to break out. The fact is that they do. The bank clerk becomes the machine gun hero. Shannon has some criminal sparks in her nature. She walks a fine line. For some people breaking out into a sexual expression of themselves seems too daring. In a way I think that our excitement over all daring people has a vicarious dash of desire and orgasmic abandon in it.

Alana: Wow, that conjures up some images. :)

Emma: Crime and sex are mutual metaphors and the perfect armchair mix. Who dares pushes the ‘no return’ button and lets go ...

Alana:  I know you have other published works. Can you give a rundown of them?

Emma: My first recent novel was KNOCKOUT. It's a police story of a sexy Interpol cop who goes under cover to check out a hunk of a boxer. I have been a magazine short story writer and I love this form. My collection LOVE IN A HOPELESS PLACE has five stories. The theme is of urban working class life. It’s written without the constraints/traditions of genre romance. No one is impossibly beautiful, brave or intelligent. It's about folk at the lower end of the economic spectrum getting by and finding ways to fulfillment. I know that this collection is my best writing because it is dug out of my own life with my own hands.

As a younger writer I was a serious poet. I still love to use it to hit those high notes in a love story. My YouTube video You Are My Love shows how I talk to myself about emotion and build it up in my own heart when I'm writing.


The five stories contained in the LOVE IN A HOPELESS PLACE collection are also available separately.


Alana:  How many have you produced as audiobooks? And please do tell me what got you into producing your own and how you actually do it?

Emma: I have produced audiobooks for poetry collections, my own short stories and for third-party publications. I narrated ESCAPE TO LOVE myself since it is has a first person POV. My partner, who is the poet Oscar Sparrow, is popular as a narrator and has done a couple of my short stories where I needed a male voice. I get to do the dishes which means the editing. Rather like the cookbook, I was looking for ways to sell my print and e-books. Audio seemed exciting and I started to look around the net. I came across ACX and we did some auditions. Offers came in. We set up our own mini studio—a booth in the corner of the bedroom with a professional microphone and a ‘pop screen’ (looks like a pair of nylons stretched over a hoop to tone-down any explosive ‘p’ ‘t’ and ‘s’ sounds.) We added to this editing software on the computer and completed the set up with blankets and towels hung round to deaden the noise. We produced some very popular stuff. Then ACX banned us because it was only set up for tax paying citizens of the USA. However, the ban has just been lifted and it is going to be full ahead on audio work. We specialize in projects seeking British English accents across a range of social classes and regions. Oscar does all this readily and he gets top reviews. Our greatest triumph was THE GENTLEMAN AND THE ROGUE by Bonnie Dee and Summer Devon. It's a guy-on-guy historical romp. Oscar is a true pro and a trouper. The guys just love him. It's fascinating to me that a gay male story written by women and narrated by a straight guy is a number one hit. Perhaps love and sex unites us all.



Alana: And what about currently, are you working on another book?

Emma: Yes, I'm working on a prequel to SHANNON’S LAW. I plan to have it on ‘perma-free’ to stimulate sales of the main novel.

Alana: Will there be a series following Shannon?

Emma: Not as such because it’s hard for a character to have multiple romances and remain credible. The prequel will be the early life and desperate struggles for Shannon as a teenager on a tough inner city estate. It shows how she became a cop, the prejudices she faced and why she is the woman she is. It has drugs, loyalties, tragedies and violence. She only ever finds emotional love and sexual completion with Spencer in SHANNON'S LAW.  This will be followed by the next in the Passion Patrol series – another action/romance novel that will be set in the Metropolitan Police and follow the Passion Patrol theme about a woman officer. Both Shannon and Anna (from Knockout) will have walk-on parts.


Alana: Emma, thank you so much. It’s been lovely delving into your world.


Read an excerpt from SHANNON’S LAW here

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Alana Woods interviews Dan Alatorre, author of THE LONG CUTIE

Posted by Alana Woods on April 5, 2014 at 5:00 PM Comments comments (2)

My books on Amazon Imbroglio | Automaton | Tapestries | 25 Writing Tips

My guest today is Florida author Dan Alatorre. Dan and I met on Jason Matthews’ Facebook group How to make, market and sell ebooks—all for free. It seems I’ve met so many people I consider to be friends now in his group. Dan was kind enough to give me his prized chocolate walnut cookie recipe for Christmas because I’d mentioned to him one of my grandson’s had asked me to make them for the day—and Dan is sharing it at the end of the interview. Dan writes about a heart condition known as Long QT Syndrome and I plan to ask him to explain what it is.


Alana: Hi Dan, you live in a very exciting part of the world that experiences tornadoes on a regular basis. And when I say ‘exciting’ I don’t necessarily mean in a good way. What is it actually like to have one raging around you?

Dan: Hi, thank you for having me. You know, I grew up in Ohio near Cincinnati, and a small town near where we lived was pretty much wiped off the map one summer by a tornado. I thought if I moved to Florida I’d get away from them but I was wrong! I think they have more of them here! Maybe they followed me.

I’ve never seen one bearing down on the house like in The Wizard Of Oz or anything; mostly it’s just a big windy rainstorm and you have to go pick up sticks and tree limbs out of your yard after it blows through. Then you see in the news that a tornado touched down somewhere. Crazy. But for marketing purposes, ‘Florida: The Sunshine State’ probably sounded better than ‘Florida: Tornado Alley Plus Sharks And Hurricanes.’


Alana: So you gravitated to Tampa, Florida?

Dan: I definitely gravitated! We vacationed a lot in Florida when I was a kid, so I always wanted to live here. I went to college in Tampa, but I also lived in West Palm Beach for a while, and Orlando and Melbourne.


Alana: You have a Melbourne there too! Is it a suburb or a city? Ours is the capital of one of our states, Victoria.

Dan: Unfortunately the Melbourne where I lived is also in Florida. It’s a little city near to where they used to launch the space shuttle, on the east coast. I threw that in to see if you were paying attention.


Alana: Whew, passed that one. :)

Dan: With flying colours! The closest I’ve been to Melbourne, Australia, is knowing an exchange student who lived in Auckland, New Zealand. So, you know, that’s not even close, really. And I’ve had Foster’s beer. That’s the best I can do right now, but we do plan to visit one day.


Alana: Well, put us on the list of people to visit when you do.

Dan: Great. Will do. Tampa has been my home for most of my years in Florida. I love the sun and the warm weather. I love it even more when my friends are freezing up north and we are going to the beach. I’m bad that way.


Alana: I imagine there’s a fair amount of envy on their part. You write non-fiction, to date anyway. You’ve got a few books to your name and they are all about your daughter Savvy. Is that right?

Dan: I hope they’re envious, otherwise it’s no fun!

That’s right. It’s been pretty much nonfiction so far, but we do have a new book coming out soon that isn’t. It’s a thriller novel, fiction based on real events, called An angel on her shoulder. But my first books have been nonfiction based around my daughter Savvy. Those have been a lot of fun and people seem to like them.


Alana: Why the focus on your daughter?

Dan: Well, she was just a baby when I asked her if I could write about her, and she didn’t say no, so …


Alana: I’m sure she was very flattered. :)

Dan: Keep your fingers crossed.

Really, I think it started innocently enough. My wife and I were first time parents at an age much older than most first time parents, and I was posting on Facebook about various things that would happen with the baby that I thought were funny. My friends from high school were getting ready to have grandkids, or their children were starting college, and they just found my little Facebook stories hilarious. Quite a few of them said I should write a book and I said NO! But the more encouragement I got and the funnier the stories I wrote became I realized that I had a unique opportunity to put a book together from a first time parent’s viewpoint, have it be funny, and have it celebrate the magic of childhood. I don’t think your perspective on kids is the same at age 25 versus age 47.


So that became the force behind the first two books. Stories about how funny and fun and smart and magical kids are in those early years. It’s a lot of little things we either don’t notice or are too busy to remember later. Like a meltdown at a grocery store, or a simple drive across town while trying to keep the baby awake. Little things that turn out to be very funny. A lot of people write and tell me that reading my stories puts them right back to when their kids were young and recalled a lot of very fond memories.



Alana: That must make your day.

Dan: It does, absolutely. It feels pretty good when you hear that!


Alana: I’ve just finished reading THE LONG CUTIE, which is an evocative title to put my reaction to it mildly. It’s a departure of sorts from Savvy Stories books 1 and 2 (it's book 3 in the series) although it’s still very much about her and your delight in the everyday with her. Would you elaborate about it?

Dan: Sure! THE LONG CUTIE came about after my daughter was diagnosed with a rare and potentially fatal genetic heart condition. I wanted to learn as much as I could about it so I could help her doctors any way I could. That evolved into a Facebook site for Long QT Syndrome, and as I met people there from all over the world a familiar theme emerged: they were all lost and alone and afraid after receiving the news that they had Long QT. Almost all the stories they could find on the internet were really scary and negative and I thought, that doesn’t really represent reality. With proper medication and a few restrictions most people with Long QT Syndrome will live long happy lives.

Alana: So you created the Facebook page?

Dan: Yes, to inform people and represent a more balanced view of a life with LQTS. That site grew to over 1100 families in over a dozen countries! For a condition that affects only about 1 in 2500 people that’s the equivalent of about 10 million people visiting a regular Facebook site. As they shared their personal stories and read some of my funny stories about my daughter, we felt like a book dealing with Long QT would help raise awareness of a condition that kills more kids annually than all children’s cancers combined. So I wrote it!

Alana: Obviously it’s a subject very close to your heart.

Dan: Ha ha! Heart condition, close to my heart.


Alana: Apologies. An unintentional pun.

Dan: No apology needed. Yes, it became that way, that’s for sure. It’s a genetic condition, so that means I passed it on to my daughter, but I had lived my whole life not knowing about it. That also fueled my drive to learn more. How could my daughter and I have the same condition and she’s been told never to swim, no sports, etc, when I did all those things all my life. The short answer is the condition affects different people differently, and also some people who have it can be asymptomatic their whole lives, never having a problem. Like me. That makes for a tricky condition to control if you are a doctor!

By the way, the experts looked at her and said that she can do anything that any other kid her age can do, including swimming and the other stuff. That shows what a difference getting good information and the proper medication can make for people who have this condition.

**Dan explains the condition LQTS at the end of the interview.


Alana: The book switches between you and Savvy and contributions from Long QT Syndrome sufferers around the world. How did you find them?

Dan: From the websites. When I created the Facebook sites …


Alana: Dan, may I interrupt. Websites, Facebook sites—you have mentioned one Facebook page, are there more?

Dan: There are a few now, that I do. The main one focused on kids and families. The second smaller one is to help newly-diagnosed people, and we have started some spinoff sites for various countries to communicate in their own language; like we have an LQTS Mexico site on Facebook, written all in Spanish. Hopefully we will have sites for every country in every language, helping people all over the world. They can all join the main site, of course, but it’s easier for people when things are in their own language. For that reason we’re getting THE LONG CUTIE translated into different languages. The Norwegian version is about halfway done, and we have commitments to translate it into Spanish and German, too, so far.


Alana: Your aim is to cover the spectrum then?

Dan: I wanted to focus on the whole picture of a Long QT life, not just the bad stuff. That was revolutionary; people don’t write about ‘nothing happened today’, you know? That positive focus was unique on the internet. People learned a lot on my sites and I went out of my way to share a lot of personal stuff with them, to make them feel at home. If you get diagnosed and feel like you are the only one in the world with this condition, because it is so rare and because even the doctors don’t know a lot about it, it is a huge benefit to find others who understand what you are going through.

One big way to create that understanding is to tell them your own story about how you came to be diagnosed. So I told mine, then I told one for my daughter, then I’d talk about my dog and my cat and making pizzas and potty training—all the other things that go on in everybody’s life, to encourage them to share their lives. Like a big family get-together, you want to have fun and you might gossip a little and talk about the latest movie, as well as give out some vital information about a rare heart condition. You talk, you share, you discuss everything.


Note: Dan is updating the Savvy Stories covers and has provided me with the new ones to books 1 and 2 which will be available soon.


Once they started sharing—which I had to constantly ask people to do, because nobody thinks their story is special—we quickly had over 40 or 50 personal stories from all over the world.

When you do a Facebook search on Long QT Syndrome my site is the largest one you’ll find, by a landslide. So when we started talking about a book I asked people if I could use their story as part of the book. The vast majority were eager to help and said yes.

I thought the best way to create a book from that would be to have one main story that represents the most common thing about LQTS, and have it run for the entire length of the book. Then intersperse that main story with other short stories from other people with the condition. So the story of my daughter represents most people with LQTS, the story of the Norwegian man’s family represents the tragic side of LQTS, and the other stories represent the challenges of getting diagnosed, coming to grips with the condition, and deciding to live a full life after being diagnosed. It’s very uplifting.


Alana: It certainly is. I was very moved at times but finished reading with a feeling that it was a positive experience.

Dan: Many stories are about the triumph of the human spirit. The book is funny in places, sad in places, inspirational … it’s got a lot going on. People who have read it said it transcends just being about Long QT Syndrome, and that its lessons apply to any affliction. Cancer, diabetes, Muscular dystrophy. That’s pretty cool!


Alana: So tell us about the main Facebook page. What is its essential purpose?

Dan: It’s called ‘LQTS Kids and Families’. In a nutshell it’s a way for people to connect with other people who have the condition, in a positive and supportive way, without having the crap scared out of them from an internet full of horror stories. I started it as a way for me to learn and to collect information for my daughter one day, but it grew way beyond that!


Alana: Are you going to continue Savvy’s life in books or do you think there’ll come a time when she’ll object? Although I have to say that, given the questions my children and grandchildren ask about their early lives, she’s possibly going to be enchanted to have such a detailed record.

Dan: I think you touched on it there. The Savvy Stories books are about my daughter, but they are really about any child that age. All kids are magical. They all do funny stuff. If we are paying attention we notice and smile or laugh, if we have a pen handy we might write it down. I think you have to be careful when you write about what a baby does, or what a toddler does, when the life experiences are still pretty universal, versus what a five year old does. At some age you are writing less about kids and more about a specific kid. She deserves some privacy too. So the plan is that Savvy Stories series will stop after the 4th book, FOURthcoming, but some of the characters will appear in other books. The whole four book series covers birth through her fourth birthday.


Alana: And the thriller you’re planning?

Dan: It’s a mystery thriller—An angel on her shoulder—and is based on actual events. It uses characters from my real life family, like my wife and daughter, but we don’t disclose to the reader whether it was actually us who experienced the amazing events that happen in the book. I think it’s more fun that way, kind of like the Amityville Horror was way back when.

Alana: That was fun!? Never been able to bring myself to watch it. Don’t like horror one little bit! As well as the thriller do you have other books in mind?

Dan: Well, I thought it would be fun to switch from writing stories about my daughter to writing books that we can read to her, to books that she can read to us! So the upcoming books are The Adventures of Pinchy Pinchy Crab and Ramon D’Escargot, about a little girl who makes friends with some animals at the beach.


Alana: Does Savvy put in an appearance?

Dan: She does, but as a character, not a real person. That’s one to read to your kid, but there will also be a picture book for the kid to read. Then we have the thriller novel, a romance novel, and some other things. There’s a cookbook, too!


Alana: You’re going to have to include your chocolate walnut cookie recipe. That’s a must!

Dan: Okay, but I have to warn you, they're addicting!

Most of my books are collections of funny stories, but we will go down some other roads too. Savvy asked me to write a book about a character she made up called Super Balloon, a latex balloon that saves the day by rescuing kittens from trees and things like that. So, you know, I gotta do that too.

Alana: Sounds like you’re never going to be short of ideas—until she’s old enough to want to write them herself. :) Dan, thank you so much. THE LONG CUTIE was a delightful albeit heart-moving read.

Dan: I’m glad you enjoyed it! Thank you for having me! It was fun!


** Long QT Syndrome

In a nutshell, Long QT Syndrome is a genetic heart condition. When your heart beats it rests for a moment before it beats again. It receives an electrical signal to tell it to take the next heartbeat. In people with Long QT Syndrome the electrical system takes a little too long to deliver that signal. Doctors refer to that as the QT interval, and so people whose interval is elongated are referred to as having Long QT Syndrome.

They may pass out during exercise or swimming. For some the first symptom is sudden death. We’ve all heard about athletes who suddenly dropped dead at football practice—Long QT Syndrome is often behind that.

It is largely undetected and is often misdiagnosed as epilepsy or some other condition. Some people have been told that they are just trying to get attention!

But when diagnosed properly most people with LQTS can live long happy lives if they take their medicine, stay away from certain drugs that can elongate their QT interval, and avoid specific activities that may be a trigger for their type of LQTS.

There’s a list of drugs to avoid, and the doctor usually tells them about what sports or other activities to avoid, but for many there are very few restrictions.

The key is proper diagnosis. The main ‘red flags’ are early death in your family (deaths before age 40) and any history of passing out (syncope).

If you would like more information, please visit or the Mayo Clinic website for signs and symptoms of Long QT Syndrome.


Dan Alatorre’s chocolate walnut cookies



1 cup (200 g) unsalted butter, room temperature

1 cup light brown sugar

1/2 cup white granulated sugar

2 large eggs

2 teaspoon pure vanilla extract

2 cup all purpose flour

1/2 cup Dutch-processed cocoa powder; I use Hershey’s 100% Cacao Special Dark

1 teaspoon baking powder

1/4 teaspoon salt

2-3 cups walnuts OR white chocolate chips, or a combination of both

(I use 2 cups chopped walnuts AND 1 cup white chocolate chips)



Beat butter and sugars together.

Add eggs one at a time and then vanilla.

In a different bowl sift cocoa powder, and mix with the flour, salt and baking powder.

Mix into the butter and sugar.

Stir in the walnuts and chocolate chips with a wooden spoon.

Arrange unbaked cookies 12 per large tray or 9 per small tray. Bake on cookie sheet (with a baking mat if possible).

Bake at 350℉ for 18 minutes.


The reason they are Christmas cookies is because a friend said they look like reindeer droppings! But they taste GREAT.


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Alana Woods interviews Samantha Fury, author of the Street Justice and Christian Mystery series

Posted by Alana Woods on March 15, 2014 at 5:00 PM Comments comments (0)

My books on Amazon  Imbroglio | Automaton | Tapestries | 25 Writing Tips

It’s a pleasure today to have Samantha Fury here talking with me. You’ll recognise her name from my recent author blog chain. Samantha writes what she describes as life fiction, it has a predominant romance theme but is wrapped in stories that are much more than ‘will she, won’t he’.



Alana: Samantha, you’ve had an interesting life so far: 18 years on the road with your husband driving all over the States and Canada. There can’t be much you aren’t familiar with on the North American continent.

Samantha:  I’ve been in every state more times than I can count. I’ve been on every major interstate and on so many back roads it still amazes me to think about it. My travels helped me in my research and in developing my novels. I have lots of memories and some day hope to write a novel about my travels on the road. I was one of the first women traveling in a man’s world and I have lots of stories to tell about our adventures.

Alana: You were born in Kentucky—I love listening to you when we talk—and I believe you settled back there when you stopped travelling. Would you see yourself ever getting itchy feet again or are you well and truly ensconced at home nowadays with those little terriers of yours, Jack, Max and Socks?

Samantha:  Thanks. I never traveled enough to lose my accent. I think there could be a point and time I would like to hit the road again. This time in a nice RV. Although I was all over the country there were many places an 18-wheeler would not fit. I will say that for now home is where I want to be, writing and enjoying our home and our many dogs, fish, and wild birds.

Alana: I’ve read two of your books so far, MAID FOR MARTIN, which is the first in your California love trilogy that you write under the pen-name of Samantha Lovern, and CHARLIE’S ANGEL, which is the first in your Street justice series. They’re quite different. Can you explain why?

Samantha: MAID FOR MARTIN is my first clean romance. The main characters are not Christians; Randi and Martin were raised in Christian homes but they are not practicing what they learned. It’s more of a laid back way of writing for me. The storyline’s focus is romance and finding love. I also wanted to use my great-grandmother’s maiden name, Lovern, as it’s a perfect name for romance.

Alana: By ‘clean’ I assume you mean there’s no sex?

Samantha: Yes, there is a lot of romance and a lot of kissing and tense scenes but it’s no 50 shades, that’s for sure. I find that most women want the romance, they want to fall in love. To me anyone can write smut, but it takes an imagination to make women fall in love again and again.

Alana: And the Street justice series?

Samantha:  This series is clean too, but it takes on harder topics. There’s rape, abortion, drugs, and prostitution. It does have topics that are harder hitting. I hope it will be at least ten books long—it’s like law and order with kissing. It’s harder to write. There’s a lot of research involved, with police procedures, laws, and crimes taking place. I try to keep everything as real as I can so that means a lot of research. I have to be lawyers, doctors and nurses. 


Alana: You must be learning a lot. :)

Samantha: The writing process is a never-ending learning process. There’s always new software coming out, or apps that help us in our writing. Also, there is the learning process of getting into the minds of the characters. Feeling what they feel, and learning life lessons through the characters that come to me mostly in dreams.

Alana: You’re a Christian and incorporate your values into your books to varying degrees; less so in the Samantha Lovern novels than the Samantha Fury novels. Why is that?

Samantha: My Samantha Lovern novels are aimed more at the secular audience. Those that might not want much preaching but still want a clean read. Also, I thought some of my Christian fans might not appreciate so many romantic scenes and the more secular way of life that Randi and Martin have, so I wrote under a second pen name.

Alana: The Street justice series especially comes across as needing quite a bit of specialist knowledge, for instance of police procedures in CHARLIE’S ANGEL. What kind of research does it entail?

Samantha: It’s a result of a lot of research. I’ve had to research everything from bruised livers to crossing state lines with a gun. It takes a lot of time. I have several doctors, nurses, and police officers that I contact, and there is also Mr Google, he comes in handy all the time. For TIDAL WAVE I even had to make a call to our local postmaster.

Alana: People are happy to help then?

Samantha: Yes, most of them are excited to know that their helpful tips are going into a book. I try to give everyone credit too. Some knowledge comes from detective TV shows, but they don’t always go with the facts, so I normally always double check if I use them as an example.

Alana: I know you’re working on subsequent books in your series. What can we expect next from the two Samantha’s?

Samantha:  I’m getting close to releasing book two in the Maid for Martin trilogy, SURPRISE ENGAGEMENT, and book four in the Street justice series, MENDING FENCES. I also have several other things in the works, I just don’t have release dates yet: a sci-fi romance novel, SPACE STATION, a futuristic fantasy novel LOST IN SECTOR 9, and many others to come varying from mystery to westerns.


Alana: Wow, lots to look forward to reading then. Samantha, as always it’s been lovely immersing myself in that southern accent. Let’s catch up again soon.

Samantha: Thanks for having me, I love talking about writing!

Take this link to my review of CHARLIE'S ANGEL

Take this link to my review of MAID FOR MARTIN


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Alana Woods interviews Annie Seaton, steampunk author

Posted by Alana Woods on February 22, 2014 at 4:00 PM Comments comments (3)

My books on Amazon  Imbroglio | Automaton | Tapestries | 25 Writing Tips

Annie Seaton is a very successful author of romance fiction but to say they’re just romance is to do her a disservice because some also venture delightfully into fantasy, sci-fi and steampunk. I’ve read and reviewed three and won’t be stopping there.



Alana: Annie, welcome. It’s lovely to hear the Aussie accent. So many authors I interview have wonderful accents, but nothing compares to the dinky-di. I believe we both hail from the East Coast, although to say Canberra is on the coast is to be just plain misleading, given it’s three hours inland (from Sydney, for those unfamiliar with Australian cities). You’re further up the coast and actually on the coast, I believe.

Annie: Yes, Alana. I live in paradise. My house looks over the ocean and the weather is temperate.  We spend a lot of time in our little boat on the river that feeds into the ocean not far from our home (within walking distance actually). I also love walking on the beach.


Alana: Mmm, a river on the New South Wales coast: the Manning, Hastings, McCleay …

Annie: Nambucca.


Alana: Ah, a bit further north. I agree, a beautiful spot. Has living on the ocean’s edge influenced your writing?

Annie: It’s strange. I think a love of the water is something that is a part of me. As a child growing up in suburbia in Brisbane I can remember climbing the posts of my mother’s clothesline trying to see the ocean! I spent a few years living inland ‘away from the edge’ I called it and I felt disconnected. So, yes, the love of the ocean features strongly in most of my books. Even my fantasy historical books have water scenes.

Alana: You write romance, for want of a more accurate description that better fits. Your ENTANGLED imprints range through Bliss, Indulgence and Covet. They remind me of the imprints used by publishers for their romance literature ranging from G through to R rated. Is that what yours signify? Would you tell us something about them.

Annie: I also write for Ignite for ENTANGLED too. The only one of the imprints listed above which features a particular rating are the Bliss line … which is closed door sex.  There is still a high level of sexual tension and angst in the books, just no explicit description. Indulgence, Covet and Ignite can be from closed door to steamy. My books tend to fall in the middle ground … but probably closer to a higher heat level.



Alana: You seem to specialise in short novels—why is that?

Annie: My original steampunk novella was written for a competition with a shorter length word limit. The ENTANGLED line, as with most contemporary romances, are between 45,000 and 60,000 words as per the submission guidelines. You may be pleased to hear (I hope) I am currently writing a single title novel of approximately 80,000 words.

Alana: I am! I’d love to get my teeth into a longer work by you. But Steampunk—you’re going to have to explain that to me.

Annie: Steampunk? What is steampunk you ask? Sounds slightly steamy?

Steampunk as a literary genre began to gain popularity in the 1980s.It began as a subgenre of science fiction and fantasy and developed as a rebellious response to the science fiction that preceded it. It includes the core elements of steam power, alternate history settings (mostly Victorian/Edwardian era England, and sometimes the wild, wild west), SF/fantasy elements, and devices that reflect the period but are ahead of their time, for example, engines, airships and all sorts of clockwork and steam powered devices.

It’s warm, sassy, and larger than life. The new direction is now steampunk + romance and a major appeal is the historical setting, and a steampunk author can use familiar settings and times. Steampunk romance has the potential to offer something familiar, yet different. Authors can stretch their creative wings. Sassy heroines can stretch the limits of Victorian dress codes...


Her signature red bustier topped an emerald green skirt embossed with the symbols of industry flowing around her ankles, neither satisfying air safety dress regulation for dirigible travel. 

Excerpt from Winter of the Passion Flower by Annie Seaton


Alana: The DE VARGAS FAMILY series is a departure from the contemporary romance novels. What was the impetus for it?


Annie: Winter of the Passion Flower (the first in the de Vargas Family series) is a steampunk novella and was the very first thing I wrote when I took up writing three years ago. I wrote it in response to a competition call …  until then I had never heard of steampunk, but it certainly appealed to my imagination. I loved creating the imaginary worlds for that.

Alana: Yes, I have to say the first mention of something out-of-period took me completely by surprise. :) I imagine you get quite a few reactions like that.

Annie: As it was my first book a lot of people have classified me as such. I was at the local library at a talk last week and was introduced as the steampunk lady!



Alana: And then there’s Blind lust which is yet another departure from genre, into fantasy? It’s the first of your books that I read and I have to say I loved it—so playful. Did you intend it to be so?

Annie: I adored writing Blind lust. It was one of those books that just came to me, I’ve always been fascinated by the concept … when I wasn’t climbing clotheslines I was wriggling my nose in class trying to be Samantha from Bewitched! I wrote Blind lust in less than a week … it just poured out of me.



Alana:  Good grief, a week!  Mine take me years!  I can’t imagine that you’re not writing another story at the moment. Can you tell us what it is? Contemporary, historical, sci-fi, fantasy, steampunk—you range wide. Or is it something entirely different?

Annie: I am actually writing four at once with another two in the back of my mind.


Alana:  Again I say, good grief.  My mind boggles.

Annie: Yes I often use the hash tag#ammadwoman! I came late to writing and I have so many stories to tell. So … I am writing book 3 of my Half Moon Bay Bliss series, an historical about a pirate in the late eighteenth century, and the prequel to my romantic suspense, Dangerous desire. I am also working on my longer title which is set in the Northern Territory. I also have another Indulgence due to my editor in July and that is about an artist and is set in Tuscany. The beauty of that is I'm going to write it when I am over in Italy in our winter!


Alana: Italy. :) I was there for my daughter’s wedding in July and August last year. We were down in the Puglia region.  Spent three days in Polignano a Mare—gorgeous—and the rest of the time at a private massieria about half an hour away.  Loved every moment.  Can’t imagine that you won’t love it too.

Annie: Yes, I am really looking forward to it. Thanks for having me visit, Alana!


Alana: Annie, thank you so much.  All the best and continued success with your writing.



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Alana Woods interviews Ben Warden, author of LIFE WITHOUT

Posted by Alana Woods on December 7, 2013 at 4:00 PM Comments comments (0)

My guest today is Ben Warden, a writer I met on Goodreads and whose debut novel, LIFE WITHOUT, I’ve recently read and reviewed.


Alana: Ben, welcome. Let’s start with a bit of background information about you. You live in York and work at a university. Which one and doing what?
Ben: Hi Alana, I work at York St John University as the Quality Officer for the Faculty of Arts. I've also just completed my MA in Creative Writing there.

Alana: You also took a degree in film, television and radio at Canterbury Christ Church University. Are both universities in York? And are you doing anything related to those fields now?
Ben: No Canterbury Christ Church is in Kent, which is about a five hour drive from York. I'm originally from York and have recently moved back, hence taking the MA in York. While I was on my film degree in Canterbury I did a specialist module in scriptwriting, which is what started my love for writing. I do still write some script stuff and a micro film of mine has just been taken up by a Kent-based production company, Backlight Productions.

Alana: Wow, congratulations. When you say a ‘micro film’, do you mean a short one? What’s it about? And what do you anticipate or hope will eventuate from it?
Ben: It's a very short, short film. It probably won't be any more than two or three minutes long. The idea is that the production company will film it and take it to some festivals to get themselves recognised more in the field and obviously it'll be good for me because I'll get a produced writer’s credit. It's a really fun and challenging art writing a story that's this short. It's got to grab the audience’s attention and evoke a response from them. I love writing in this format. Hopefully they will be filming it in the new year. I also do some filming and editing, but very occasionally these days.

Alana: I see from your website that you have an interest in music and the website carries a video of you playing guitar and singing—nice voice, by the way, and I really liked the second song. How important or big is music in your life?
Ben: Thanks very much. Music has been a massive part of my life. I've grown up in a very musical family and it's always been a part of my home environment. I'm dyslexic and I used to do loads of creative writing as a very small kid, but I used to get embarrassed when I spelt things wrong and so I gave up writing. At that stage I got big into piano and guitar playing and writing songs that were often very narrative based. When I look back on it now, music probably helped me continue storytelling and develop my sense of a story at a time when I might have lost it.

Alana: As you’ve mentioned writing, let’s talk about LIFE WITHOUT, which is your first novel. I have to say you run counter to what I perceive is the genre trends for young male writers who seem to go for action, sci-fi, fantasy. Why is that?
Ben: To be honest I've always just written what has come to mind, not even always in the same format. I've written a horror film, sci-fi short stories, and I'm working on a dark comedy musical in collaboration with my sister, who has just finished a degree in musical theatre.

Alana: You really are a musical family then. Who else do you include in it? And is it by way of an interest or are any professionals?
Ben: I do lots of collaborative work. I'm script supervising for an independent film, which is being put together by one of my university friends. He and few others are professionals now and have their own art collective called Ameba. I'm also working with a friend on a potential idea for a TV series and potentially going to work with another on a writing project that we're yet to pin down. Working at the university and having done the MA in Creative Writing I've also had the opportunity to have my latest novel read by two published poets/authors, who have given some great advice and support.

Alana: You’re a busy boy! When writing, are you plot or character driven?
Ben: I suppose the one thing that strings all my stories together is that I love writing about people and their connections. I suppose that is what pulled me off in the chick-lit direction, which is a genre I didn't think I'd write. The book I'm currently writing is a thriller, but again it has a very strong focus on the people and their connection with each other. So, yes, I'm definitely character driven, though I love structure and plot too.

Alana: As I say in my review of LIFE WITHOUT, the storyline is refreshingly different. How did the idea for it come about?
Ben: I was literally in bed on Christmas Eve and the concept came to me. It sounds really cheesy but it's true. I got this idea for turning the conventional rags to riches concept on its head, to make a character go from riches to rags. I wanted to write about young people trying to find their way in life, but not just the typical bad situation to good. Life is more complex than that; sometimes the people you think have perfect lives are in a really bad place personally and emotionally, or have got there by luck and don't know how to sustain it (that's Steve). At the time the recession was really kicking in and so many people's situations were changing rapidly. It seemed like a story for the time.


Alana: Is Steve Goodman your alter ego, the person you fantasise about being? I can imagine many of your male readers wishing they were.
Ben: To be honest I think Steve is exactly who I don't want to be. He's a man with a really well-practiced front, but he's a wreck.

Alana: Such a good description for him!
Ben: Yeah, emotionally he has no idea where he is, he has no self-confidence if things aren't exactly on his terms or how he expects them to be, and he has no idea where his priorities should be. Of course I wouldn't mind having his money!!

Alana: Wouldn’t we all! I love the title, it’s so ‘just right’. I wondered all the way through the book what it meant and then right at the end you tell us. Did you have it chosen from the beginning or did you have a lightbulb moment when you wrote the sentence?
Ben: Actually I got the title straight away. It was all about this riches to rags concept. Steve was going to be 'without' in so many different ways and the whole story was going to be about him searching for what mattered in life. The title just jumped at me. It came even before I'd really sorted out the story. I think 'life without' is really the theme of the whole book.

Alana: Do you usually think of a title first?
Ben: No, I still have no idea what the title will be for the book I'm currently writing and it's almost done. I think I was lucky with Life without. Titles can be really tricky.

Alana: That’s the thriller you mentioned earlier?
Ben: Yes, that's right. I have a couple of things on at the moment. I'm about to be published in a Christmas Anthology called CHRISTMAS LITES 3. All the money from the sales will be going to NCADV, which is a charity against domestic violence. It's a really great cause and one I'm really proud to be a part of.

Last week a short story of mine went live in Joseph Rowntree Park, York. Joseph Rowntree Park has started a new project where they use QR codes attached to benches to let people access writing by local authors. And the next novel, the thriller.

Alana: Am I allowed to ask what it’s about?
Ben: Of course. Again one of the key characters is an artist. It's about an artist who walks into his studio one morning to find a girl sat in his space. This girl appears to have come from nowhere, refuses to answer any questions and won't leave. It's about their journey to get to know each other; about love, art, passion and unhappy endings.

Alana: Oh dear, unhappy endings—I won’t ask you to elaborate, I’ll leave it as a surprise for when the book is published! Ben, my best wishes for everything you’re undertaking and thank you so much for talking with me.
Ben: Thank you, Alana :)

Take this link to my review of LIFE WITHOUT

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Alana Woods interviews John L Work, author of the JD Welch detective series

Posted by Alana Woods on November 30, 2013 at 4:05 PM Comments comments (2)

My books on Amazon   Imbroglio   |   Automaton   |   Tapestries   |   25 writing tips

John L Work’s novels are both a product of his experience as a career policeman and his opinions about what’s going wrong in American society. He’s not afraid to use either to get a message across and his books are the more hard-hitting because of it. John is my guest author this week.

Alana: John, welcome. Am I right in thinking you’re a Colorado boy born and bred and that you’ve not strayed too far during your career and personal life?
John: Hi, Alana. Thank you for the invitation today. Actually, I was transplanted to Colorado from Pennsylvania via Southern California. I’ve lived in Colorado pretty much since 1978.

Alana: I’ve read several of your books now, the last two being my featured book reviews this week: The right angle murders and A dark obsession times 2. Both continue the career of Detective JD Welch, the character who stars in four of your books, the other two being A summons to perdition and Murder for comfort. They focus on different periods in Welch’s career and I’d like to ask several questions related to this. First, why not a time consecutive following of his career? Second, did you have a series in mind when you wrote the first Welch novel? And last, will there be any more of his exploits in books to come?
John: A dark obsession times 2, Murder for comfort, and A summons to perdition, are time-consecutive. At the beginning I didn’t intend to write a series. The idea sort of materialised after I published A dark obsession. As it turned out the first two books became the groundwork for A summons to perdition, which is the grand finale. Altogether the original trilogy was a two-year project. I thought I was pretty much finished with Welch as a retired old man by then.


Alana: But you realised you weren’t?
John: I received enough requests from readers for more JD Welch adventures that I wrote The right angle murders, putting Welch at the very beginning of his career as a rookie police detective. Hence the out-of-sequence stories.

Alana: How closely does Welch’s career parallel yours?
John: A dark obsession times 2 is based on a true case from my professional life and anecdotal events from my police career. Nearly all of it is true, although names and places are changed. (I did take some liberty with the very end of the story.)

Alana: I won’t give it away, but I’m glad to hear that. It made me very sad.
John: If I told you about the real-life ending here, I’d spoil it for your readers. In the sequel, Murder for comfort, Welch sets off to some places and encounters situations that are his own—yet there are elements of the story that are also from my career. By the time we get to A summons to perdition, Welch is doing things I never did. He’s become his own man.

Alana: Let’s look at your other works now. The canal, a futuristic police investigative novella, is one that brings to the fore your interest—if that’s the right word—in military injustice. What was the impetus for writing it?
John: Actually, I wrote The canal with two real-life situations in mind—the imprisonment of 10 American soldiers who killed terrorists in the Iraq/Afghanistan wars and came home to find themselves wrongfully prosecuted for murder; and the ongoing incremental Islamisation of the United States. The plot flips back and forth between now and the future. As one of my reviewers put it, it’s a story of life, love, war and survival in today’s world—and in an Islamised America, forty years from now.

Alana: And then there’s The barter and A well regulated vengeance, (a futuristic look at firearms’ legislation which I think I’m going to have to read) a novella that also looks at crime from a victim’s perspective. Both with subject matter close to your heart, I suspect, yes?
John: Near and dear to my heart, yes. Both of these books also have threads of real-life events running through them. A well-regulated vengeance puts an aggrieved father named Kirkbaugh, living five years or so in the future, in the position of planning to avenge his daughter’s brutal murder, because the cops botched the investigation. The killer is walking about free. At the same time Kirkbaugh himself becomes a fugitive from justice because he has a handgun which Congress has decided to outlaw. So, he’s the hunter and the hunted, the righteous avenger and a criminal on the run. I wrote The barter on a suggestion from my best-seller author friend Diana West. It’s set a few years in the future (I do seem to go there rather frequently) wherein the very sovereignty of parts of the United States is up for sale—to relieve our crippling national debt. There are two main characters, a retired army sergeant and his wife, whose lives are terribly, horrifyingly, nightmarishly turned upside down as the result of the land-exchanged-for-debt barter.


Alana: It sounds very dark.
John: Well, it’s not at all like Mary Poppins, Alana. But, then again, these are not particularly happy times in which we live right now. Oh, to be sure, there are some laughs in The barter along the way. I don’t want to give anything away, but it’s a very intense thriller. So, yes, I do try to capture our present time in my books and, in the microcosm of fictional characters’ sturm und drang, present a believable prognostication of what’s ahead for all of us.

(Readers, I had to look that one up. Here’s the definition: a late 18th century German literary movement characterized by works containing rousing action and high emotionalism that often deal with the individual's revolt against society.)

Alana: I notice a theme flowing through all of them, John—crime. I know you were a policeman and that you’re obviously very familiar with the subject, but has it been a conscious decision to focus on the crime genre in your writing?
John: It’s true there is a lot about crime in my works. I began this writing business with the sole intention of spinning a true-to-life yarn or two. But, as things progressed, a few political threads also began to elbow their way into some of my books. You can’t separate police work from politics, since the police are part of the executive branch of any Constitutional or Parliamentary government. A summons to perdition is really a hair-raising crime/political thriller, as are The barter, A well regulated vengeance and The canal. The right angle murders and Murder for comfort are purely crime fiction with an authentic feel.

Alana: Until very recently you had a blog—Here's The Right Side Of It—which was an eclectic collection of posts about books—yours and other authors—news and opinion pieces. You hold very strong opinions about what affects and influences American society such as military injustice and Islam. I mention those two in particular because, as we’ve discussed, they’ve found their way into some of your books. Would you tell us a little bit about why these are matters dear to your heart?
John: I come from a family with a deep history of military and police service. Not everyone who served made a career of it, but each of them answered the call. I believe I owe them a debt for their sacrifices. What’s happened to some of our returning soldiers and Marines coming home from Iraq and Afghanistan is nothing less than criminal. That’s a major thread in The canal. Since you’ve asked me about the Islamic jihad theme in my books, I hope you can hang with me here for a rather protracted explanation …

Alana: Oh, I’m sure I can.
John: There is a distinct parallel between the 1930s, 1940s and 1950s’ absence of news reporting regarding the Soviet infiltration of the American government pre and post WWII—and the current infiltration of our culture, institutions and government by the forces of Islam. Just as there were scores of communist agents in the White House, Treasury Department, and State Department during WWII (and they exercised strong influence on Roosevelt’s prosecution of the war), today there are Muslims in the Pentagon, the armed forces, the CIA, the White House and State Department. And they also exert a tremendous influence on what is amounting to our evolving shariah-compliant public policy. The similarities between the two eras are astonishing. Islamic doctrine is one very hot potato that few in political life or media outlets want to handle—in any straight-forward way. Ergo, nearly 13 years after the 9/11/01 attacks in New York and Washington, DC, very few Americans, including those in positions to shape public policy, have any clue as to what’s really Islam’s end game.

Alana: What is the end game?
John: Great question. Firstly, most Americans don’t even know about the beginning of the game (the war against the Infidels of the world actually began in 622 AD). Political leaders abjectly refuse to actually read the doctrines or to pay attention when Islam’s mainstream leaders throughout history tell us where they intend to take us. So, the WWII Big Lie was that Soviet Russia was our ally, a wonderful bastion of individual freedom, and that Josef Stalin was really a decent guy (even though he’d already murdered four million of his own people by the time WWII got under way). My friend Diana West wrote about that in her latest book, American betrayal. Today’s corresponding Big Lie is that Islam is a religion of peace and intends to peacefully co-exist with Western Civilisation. We’ve been spoon-fed that lie since 2001, beginning with George W Bush, a few days after the 9/11 attacks here in America. That’s a mind bender, huh?

Alana: John, you’re going to have to spell it out for me. What do you believe the end game is?
John: It’s not what I believe is the end game. It’s been clearly spelled out for us in writing by mainstream Muslim authorities throughout history. The end game is complete subjugation of all the world’s people and nations under Muslim Law. Convert to Islam or become a dhimmi—one who lives under the protection of his Muslim masters as a second class citizen with few rights. That’s the choice Islam gives us. Refusing to convert or to submit to dhimmi status is grounds for us to be killed in violent jihad. It certainly wasn’t my idea. It was written down in the Quran and in the shariah (Muslim law) centuries ago. Mainstream Muslim authorities today speak about that goal—often and in public. The problem is that our leaders and news outlets aren’t paying attention to them. Our elected officials and the majority of the press corps have their blinders on when it comes to violent jihad’s roots in the doctrines of Islam. Let’s put a sharp point on it here. Ignoring readily available books and public discourse, especially when the writers and speakers clearly state their intentions for us, can have sinister consequences. Mein Kampf comes to mind.

Alana: And that’s why you’ve pursued that issue in some of your books?
John: Absolutely. If no one writes or speaks about the jihad movement, our ongoing step-by-step surrender will go on. Not too many authors are writing fiction about jihad with authenticity. It’s just not polite. And it’s dangerous. Any criticism of Islam, in writing or spoken, is a capital crime—punishable by death. It’s called blasphemy. Nonetheless, I decided to spin a few detective suspense thrillers, especially A summons to perdition, around that end-game theme—grounded in fact, doctrine and in Muslim history. It’s a great detective story. I’ve had many readers, especially women, tell me they had difficulty sleeping for  few nights after reading ASTP.

Alana: Me included, I confess!
John: Mission accomplished! You’re very kind. Thank you for saying it. Islamic law is repressive and brutal in its treatment of females. Everything that unfolds in the plot of ASTP has its foundation in the shariah. What happens to the victims in ASTP could happen to any of us—including you wonderful Aussies there, down under. It’s a disturbing, terrifying novel. If you want thrills and chills, read on!

Alana: Before we finish I’d like to ask if you have another book or project in the pipeline and, if so, would you tell us about it?
John: I’ve taken a little break from writing books, at least for the time being. I just published The barter in August of 2013. Nonetheless, I have to confess that there are already a few pestering thoughts which have begun to circulate through my head about beginning another novel. But they’ve not taken sufficient shape for me to decide what the story will be about.

Alana: Another Welch novel?
John: Oh, sure, JD Welch is a remote possibility for another encore. But a real-life cop is limited in what he can do by the constraints of the law and by his department policies. I try to keep my stories authentic and believable. So, I don’t know how viable good old JD the cop really is for a reprise. We’ll see soon enough. It’ll come to me.

Alana: John, thank you so much. It’s been both thought-provoking and a pleasure.
John: And I thank you, Alana, for your kind invitation.

John L Work's books on Amazon US   |   UK   |   CA   |   IN   |   AU

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Alana Woods interviews Jason Matthews, author of THE LITTLE UNIVERSE

Posted by Alana Woods on November 23, 2013 at 4:10 PM Comments comments (0)

My books on Amazon   Imbroglio   |   Automaton   |   Tapestries   |   25 writing tips


My guest this week needs no introduction, to the indie author community at least. He’s considered close to being a superstar by the many he has helped towards publishing with his self-help books. But he’s also a novelist with two huge-in-scope works of fiction to his credit.




Alana: Jason Matthews, welcome, it’s a real pleasure to have you here today. Before we talk about your many activities and books could we find out a little about you. You live in California; have you always lived there?

Jason: Thank you, Alana, for the very kind reception. I was born in Chapel Hill, North Carolina. Unfortunately my parents divorced when I was a baby, and my mother, sister and I moved around quite a bit. We also lived in Massachusetts and Ohio while spending summers with Dad in Colorado and Oregon. I returned to North Carolina for college and then moved permanently to California in 1991. I love this state.


Photo: Jason formerly lived in Truckee, California.  Here he is enjoying some 'big snow'


Photo: He recently moved to Pismo Beach in California



Alana: You are also one of that rare breed, a full-time author who actually makes your living by writing—when did you reach that point?

Jason: I used to be a house painting contractor and just didn’t have the time or energy to follow through on a dream of writing my first novel. It took several years and probably never would have been written without taking substantial time off from painting. When I started selling my third book I broke free from painting and focused entirely on writing and marketing. The money wasn’t consistent and I used up all of my savings, but eventually things got better.

As you know it’s very difficult to earn a living on one or two books. I now have five titles selling as ebooks and paperbacks, but I also sell a video course, work as an author consultant and even do speaking engagements. It takes those other sources of income to pay the bills, and still there are times when it feels like just scraping by.


Alana: Well, let’s first talk about the publishing self-help books because they’re how many hundreds, if not thousands, of authors have first discovered you. There are three, I believe. What subjects do they address?

Jason: The titles are indicators of what they’re about.

HOW TO MAKE, MARKET AND SELL EBOOKS—ALL FOR FREE is an overview and training program for authors wanting to self-publish, and it specialises in using free methods when possible or recommending inexpensive alternatives, like with cover design for example.

Two important chapters within that book were about making blogs and websites, but there wasn’t enough time to go into thorough detail so I wrote HOW TO MAKE YOUR OWN FREE WEBSITE: AND YOUR FREE BLOG TOO where those subjects could be properly covered, and also the book would appeal to people who were not authors.


Alana: And the third?

Jason: A very important chapter in that book was about SEO (search engine optimisation), but again the subject was so large it really needed its own book, so I also wrote GET ON GOOGLE FRONT PAGE.




Alana: You’re active on so many fronts. I know you have a Facebook group because that’s how I first found you over a year ago, and you also host a weekly Google+ hangout about publishing that you post to YouTube—would you tell us about those, but also all the other ways you’re active publishing-wise.

Jason: The Facebook group came about as an example from the self-publishing book. I give examples of doing things I recommend, so for Facebook I created a group page and a fan page. Three and a half years later the fan page is a total dud but the group page has over 1800 members.

Google Plus is super because it has such a dynamic platform with features like hangouts. What’s really nice is that I only use it for writing associates and not for friends or family. I do an Indie Authors show on Google Plus that becomes YouTube videos, and I’ve even had the pleasure of interviewing Alana Woods for an episode on essential writing tips, which was a great show that is still helping others.


Alana: A plug! :D  Thank you.

Jason: My pleasure.


Alana: What you’re describing here is building a platform, isn’t it.

Jason: Yes. I work to build an author platform consistently over time. My blogs are very important, and I post regularly. Also YouTube is fantastic. If I can think of something that will make a good video, I always try it. Forums for writers and readers are good too, but there’s only so much time so it’s primarily Goodreads. Lately I’ve been doing more speaking events, and it’s really exciting to work with a live audience.


Alana: What are the types of groups you speak to? Are they primarily writing based?

Jason: Primarily, yes. I’ve spoken and made presentations about the self-publishing experience at a few paid writing conferences, so hopefully that will continue to grow. The focus is usually an outline of what it takes to sell books and the things writers often do to become successful. I’ve also presented to smaller, less formal gatherings like book signings or release events. I’ve talked to classrooms at schools and presented at libraries, where an interesting mix of people show up. I’ve done many radio interviews and also consult individual authors who want help with projects.


Alana: Let’s talk about your novels now. I’m familiar with two, JIM’S LIFE and THE LITTLE UNIVERSE—I’ve read and reviewed both. They deal with such big issues I’m going to wimp out and ask you to tell us what they are.

Jason: THE LITTLE UNIVERSE began as a way to think about our place in the universe, other planets, other intelligent life and how we might all be evolving together. Obviously these are big subjects with profound, even unanswerable, questions. The book is really about creating a project that displays those things in a way we might be able to learn from it, and of course I’ve taken some liberties with what I believe we might find if we had a universe and all its mysteries at our fingertips.


Alana: It kept me interested! And JIM’S LIFE, which, I didn’t realise when I read it, is the sequel to THE LITTLE UNIVERSE—not that I think it’s necessary to read them in order. But I think JIM’S LIFE is my favourite of the two.

Jason: That’s great to hear, Alana, because many readers have told me the opposite, and I like them both for different reasons. JIM’S LIFE is about a teenage boy who suffers a life-changing accident. The trauma affects his brain function and vision in a way that gives him the ability to see the light fields with living things, like the auras and chakras of people. In time he learns to work with the light fields and becomes a healer, even considered a miracle healer. What complicates things is the accident he endured was a result of running from a crime. So he is on trial for a crime as the world realises his unique healing abilities, which brings the philosophical and spiritual nature of the story to the forefront.


Alana: You present such a conundrum for the reader to come to grips with! It’s terrific.

Jason: Thank you.


Alana: You also have other works to your credit. I’m unfamiliar with them so could you give us a rundown?

Jason: Presently I just have some short stories on Amazon, and I’ve written a screenplay called Minor Extremes that is collecting dust on my shelf. It’s about a young man’s effort to bring the sport of extreme skiing from obscurity to the limelight and the lengths he’ll go to make his dream a reality.

Alana: I hesitate to ask the next question because you sound as though it might be difficult to fit anything else in to your schedule, but I’m going to anyway. Are you working on another book or project? If you are can you tell us about it, or is it too early to be revealing ideas, themes and plot points?

Jason: Yes, it’s important to create new content, and I’ve made the mistake of only marketing existing titles for far too long. I’m working on the third novel of the series …


Alana: Sorry to interrupt but, GREAT. I can’t wait to see where you take things.

Jason: That’s perfectly okay … and I have a nice critique group reading along the way. That is so helpful for edits and suggestions, wish I did more with critique groups before! This story is about two girls, sisters with different mothers, who are born with a cellular mutation that enables them to have special abilities and powers. They are viewed by the world as the next stage for humankind. How they use their powers is up to them, and the conflicts arise from the public pressures, their own internal struggles and with each other.


Alana: These are all subjects you’re obviously intensely interested in. Would you tell us how that interest arose and how you continue to pursue them.

Jason: As a kid I was always fascinated by the universe and our own human evolution. How did we get to where we are and where might society be heading in the future? When one spends time contemplating these things, subjects like science, religion, spirituality, environment, relationships and more come into the picture. I think my novels touch on all of those subjects, hopefully in a fun way leaving room for interpretation and without coming across as one way of thinking or as preachy.


Alana: Definitely not preachy, but I have to say they opened up my mind to so much more than I’ve previously thought about. Jason, thank you so much. It’s been an absolute pleasure to find out more about the man as well as the author. :)

Jason: Thank you so much. What a pleasure it is getting to know and working with authors all over the world, like you, Alana :)

Take this link to my review of THE LITTLE UNIVERSE



Jason’s links:      Amazon   |   THE LITTLE UNIVERSE website   |   EBOOKSUCCESS4FREE website   |   Google+

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Alana Woods interviews June McCullough, author of HOME TO STAY

Posted by Alana Woods on November 16, 2013 at 9:10 AM Comments comments (2)

 My books on Amazon   Imbroglio   |   Automaton   |   Tapestries   |   25 tips


My guest this week has written and published two vastly different books. The first is HOME TO STAY, a contemporary romance with a dash of western that I’ve just read and reviewed. The second, that I also want to ask her about, is ON THE OTHER HAND, a story that gets to the heart of how to deal with life after a loved one suffers a stroke. A subject relevant for so many of us.





Alana: June, welcome. First tell us a little about yourself. You live in Alberta, Canada. Forgive my ignorance but is that anywhere near Calgary, the setting for HOME TO STAY?

June: I live in Red Deer, a little more than an hour’s drive from Calgary, but most people will not have heard of it so I just say Alberta. Calgary is a city in Alberta and Alberta is a province of Canada. I did live there for a few years and I still visit family and friends there often.

Alana: And you chose it as the location for the story because … ?

June: I chose Calgary because I know it well and it’s a city that many people around the world know. It’s the home of the Calgary Stampede and many large national and international companies have offices there.

I used the home that my parents owned in Springbank, just outside Calgary, as the home where Diana lives in HOME TO STAY.


Alana: After reading your bio it sounds like we have a lot in common. You’re a keen traveller, hiker and gardener—all things that I also love doing. What have been your travel/hiking highlights so far? Maybe we’ve crossed paths without realising. :)

June: Traveling is something I wanted to do from a very young age. I wanted to visit other cultures and to see other ways of life, but I was in my forties before I needed a passport. Since then my husband and I have visited many places, including the States, Mexico, Fiji, and Egypt. He’s my best travel buddy.

Photos: June in Egypt and with her husband in Ireland


Alana: What about lately?

June: The last two years we visited the provinces of Quebec and Nova Scotia, right here in Canada, and quickly realised that we didn’t need to leave our own country to see different cultures and breathtaking scenery.

Alana: I know what you mean. My husband John and I feel the same way about Australia.

June: As for hiking, I love it because it’s something that my girlfriends and I do, so we get a little ‘girl time’. It’s healthy for us physically, mentally, and emotionally.

Photos: June with her sister in Palm Springs, California and hiking in Victoria, Canada, with friends



Alana: Can we talk a little bit about ON THE OTHER HAND? Like you, I’ve experienced stroke in my family and the effects are profound. I believe it’s a fictional story but is it also an attempt to come to terms with the devastation it caused you?

June: In 1983 my father kissed my mother good-bye and went into town. When he came home a few hours later he found her collapsed on the floor. Her head hurt so bad that she had vomited and could hardly speak. He placed her on their bed and phoned 911. By the time the ambulance arrived she was in a coma and she died in the hospital a few days later. That is very similar to what happens when Nina, the main character in ON THE OTHER HAND, finds her husband in the backyard. But that is where the similarities to my father’s experience ends.

Since then there have been many friends and family members who woke up with a spouse and were widowed before day’s end, due to heart attack or stroke. Every time it happened it was difficult for me to accept what felt like an injustice. I could only imagine what the widow(er) was experiencing and it was devastating to watch them, knowing that I couldn’t fix it and not knowing how to help them. Nina is a composite of all of them.

Alana: Did writing it help you personally? And has it helped others?

June: Writing ON THE OTHER HAND was very emotional for me, but I believe it was worth it. Readers of all ages have told me how much they enjoyed the story, but the response from people who share Nina’s experience is overwhelming. I am receiving comments like: ‘You got it. I didn’t think anyone understood what I was going through, but you got it’, or ‘My mother and sister couldn’t understand what I was going through, so I gave them your book to read. Now they get it’.

Writing it helped me, but knowing what it means to others, to know that someone ‘gets it’ … to be honest, I can’t describe how that makes me feel.


Alana: I believe you’re now working on a third novel. Can you tell us what it’s about? Is it a romance, like HOME TO STAY, or something entirely different?

June: My third novel is entirely different from my first two. ON THE OTHER HAND is inspirational. HOME TO STAY is a romance. My third novel is all about payback.

Alana: Your first two books are founded on personal experience so you were, to some extent at least, writing ‘what you know’. Is this also true of novel number 3 or are you branching out into new territory?

June: I am totally branching out into new territory. Because the first two novels were founded on personal experience there was not a lot of research. The novel that I’m currently writing has murder, sexual abuse, and embezzlement. I’m happy to say that I have not had experience in any of those, but it is making for a lot of research.

I hope this novel will make the reader ask him/herself a lot of questions like ‘Is payback EVER justified?’ and, if so, ‘How far do you go for payback?’ ‘Is murder going too far?’

Alana: Big questions! And I think I know the answer to at least one of them. :)  I look forward to seeing how you address them. June, thank you so much, it’s been such a pleasure talking to you.

Take this link to my review of HOME TO STAY


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Alana Woods interviews Emily McDaid, author of new release TETHERBIRD

Posted by Alana Woods on October 19, 2013 at 5:00 PM Comments comments (0)

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After finishing TETHERBIRD there was so much I wanted to discuss with its author, Emily McDaid, I was sorry it never entered my brain to give her a call while I was in the UK recently and ask if we could meet up for a really good in-depth. The fact that we were several hours apart (me down near Brighton, Emily up in Birmingham) wouldn’t have been too much of a problem. But there you are, I simply didn’t think of it and now I’m paying the price. Next year maybe, Emily.

Alana: Emily, first off, you’re an American living in Britain. How did that come about?

Emily: When I was 24and just starting out my career in PR, mutual friends introduced me to myfuture husband, James, from Northern Ireland. He had come to Boston for adegree and his student visa only had one year remaining. We dated for that yearand then took the plunge and moved to London together. I was an illegal immigrantfor a short while, then I got a work permit and so started our life in the UK.

Alana: Why Birmingham? How long do you intend to stay?

Emily: We moved from London to Birmingham for his job, again, and at that time I started my own PR agency, Hatch PR. Although it meant I was moving away from London's vibrant media scene it turned out to be a marvelous move for us. We will be in the UK for life, although our long-term home will be Northern Ireland, where we are in the process of buying a house. (For his job, again, but also to be near lots of family—and free babysitters!)

Alana: I can totally relate to that—I get regular school run and school holiday calls from my kids. :) TETHERBIRD, where does the title come from and what is its meaning?

Emily: The book is based largely on a bird metaphor and I wanted to reflect that in the title. It’s effectively a story about how war affects us both at home as well as abroad, in the form of PTSD and our rampant gun culture (in the US) and sport gun culture (shooting birds) in the UK.

I settled on TETHERBIRD because I wanted the reader to finish the story reflecting on how the main character, Benjamin, and the narrator, Stanley, found their futures tied to each other through their relative roles in the war (warrior and journalist). And it also reflects how Benjamin's freedom was limited, or ‘tethered’, by the long-lasting impact of war.

The fact that the event that eventually takes Benjamin down happens during a bird shoot is really one big metaphor. I think that most readers won’t notice that, so I wanted the title to emphasize the metaphorical feeling of the book.

Photos: Ludlow, Shropshire, on which the fictional town of Runnermede is based, and the Adirondack Mountains.


Alana: In it you explore the effects of war on the participants as well as those they leave behind. It’s obviously of interest to you but why?

Emily: My life and the lives of my brother and sister were dramatically impacted by the Vietnam War. Though it happened before our lifetimes, our father was severely injured in the war and suffered some undiagnosed form of PTSD. His stories of the war were incredibly frightening; he saw some real action as a Marine who drove truckloads of supplies to the front lines in Na Trang, and he lived with those memories on a daily basis.

It made me want to write about how the impact of war is ever-reaching. In America we tend to forget that fighting is going on in Afghanistan because it’s not on CNN. But the reality is that it impacts us every day, in every way. And obviously for military families the impact is immediate and life-altering.

I came about the story of TETHERBIRD in a more roundabout and personal way. My husband took a job where he worked 7 days a week, sometimes 24 hours a day (as a kidney surgeon). For a year I never saw him and neither did our children. It was incredibly tough when I was at home with a newborn and a two-year-old. It made me want to write about the plight of a military spouse who faces separation and division in her family on a constant basis, plus the harrowing reality that daddy might never come home.

Alana: Well, the story certainly drives all of that home. Looking at another aspect of the book—the different locations—was your use of the UK as a location element a direct and conscious decision emanating from your love for the country? And why incorporate the class system?

Emily: I am fascinated by English royalty, not just through history but right now, the royals who live in these gigantic country houses and yet have no real power in society. You could even say they have been discarded by society. I think the legacy of the royals as a ruling class is endlessly interesting. I love the UK and most everything about it. There are so many interesting elements to society here. I love writing about how England looks from an American’s perspective andI love imagining how America must look to a Brit. The rest of the world is only getting a tiny taste for the nuances of the English class system through Downton Abbey. Class structure impacts most aspects of life in England.

Alana: Practically impossible to eradicate, I imagine, given it’s been the accepted way of things for so long.

Do you mind if we move away from TETHERBIRD and talk about your other work. Would you tell us about your first novel THE BOILER PLOT.

Emily: THE BOILER PLOT is about how we live our lives online, via computers, which can easily be used for menace. It explores what would happen if our privacy were violated in a real way through our search engines. (I didn’t have to stretch my imagination too much for this premise!) The story is told through the eyes of an American PR girl in London who is bright yet gullible and, in a way, she orchestrates her own demise. It has a romantic element, as her counterpart and savior appears halfway through the book. But can she trust him? 

Alana: Given the obvious parallels, is she based on you at all? 

Emily: I definitely used some of my personal observations on London's PR industry in creating the character, but she differs from me in many fundamental ways. I felt that I should ‘write what I knew’ for my first book. I no longer feel constrained by that. But I think there's a little piece of the author in every book. 

Alana:  Your bio says that along with writing mainstream fiction you write social satire. Where does that fit into your published works? 

Emily: My third novel will be a suspenseful comedy. I believe that comedy is more difficult to write than drama, so I wanted to write a couple of straight suspense novels first to learn more about the craft of writing. But that being said, THE BOILER PLOT was quite satirical with regards to our dependence on technology.  

Alana: And TETHERBIRD? I have to confess that I don’t remember anything I thought overtly satirical. 

Emily: TETHERBIRD was satirical with regards to our relationship with guns. In America many people claim that guns protect them, yet their kids find them in the cupboard and accidentally shoot themselves. So the greatest tragedy in their life stems directly from their own paranoia. There is great irony with regards to human's reliance on guns as devices that grant protection. The saying ‘Guns don't kill people, people kill people’ is probably the stupidest thing anyone has ever said, in my opinion.  

I appreciate your feedback though—maybe the satire was too subtle! I hope it's more blatant in my third book. 

Alana: Would you give us a clue as to what your third novel is about or is it too early to be revealing storylines and plot points? 

Emily: The comedy I’m writing is called THAT GUY and it’s about a Boston-based stay-at-home-dad who creates a secret life for himself out of boredom and the emasculation of staying home and looking after kids. He’s an ex-journalist, keeping with the media theme of my other books. His secret life is amusing, and suspense builds as he contends with the idiosyncratic art world and some eccentric, yet nefarious, characters. 

Alana: Emily, it’s been a real pleasure talking to you and maybe next time—when I’m back in the UK—we can get together in one of those delightful Irish pubs.


Take this link to my review of TETHERBIRD.

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Alana Woods interviews Gisela Hausmann, author of NAKED DETERMINATION

Posted by Alana Woods on October 12, 2013 at 5:10 PM Comments comments (4)

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My guest author this week has lived such an interesting life so far that I can only hope the interview does her justice.




Alana: Gisela, hello, you were born and grew up in Austria but have lived in the US for quite a few years now. Do you ever get the urge to return to Europe to live?

Gisela: Hi Alana, so happy to be here.

I think I just fell in love with the United States on the first day I arrived in November 1982. I was a young film production manager, still living and working in Austria. My goal, like everybody else’s in the industry, was to win an Oscar. Thus I was eager to travel to Los Angeles with my fiancé at the time. He was an Austrian movie maker who had done one study-abroad year in Los Angeles. On my first morning in LA we drove down Sunset Blvd and I fell in love with the United States. Funnily enough none of these plans worked out. I did not marry the man, I did not win an Oscar, and I did not even stay in the movie industry. But, surprisingly, the great love of my life and father of my two children wanted to live in Florida. Together we immigrated to the United States. Both of our children were born here, therefore I would not go back unless my children decided to live in Europe.

Alana: Yes, I can relate to that. And the need to be close by intensifies, if that’s possible, when grandchildren arrive. :)  In my review of NAKED DETERMINATION I’ve called it an autobiography of sorts, but it could just as easily be called a memoir, albeit in the form of lessons you’ve learned or situations that have taught you something about yourself.

Gisela: NAKED DETERMINATION is really a book outside conventional genres. One reviewer at Amazon, Robin, wrote: ‘Naked determination reminds me of the series Chicken soup for the soul, only every story has been written by one person.’ Personally, I believe it is an adventure book, with adventures taking place on trips to exotic countries, at the work place, and even in relationships.

Alana: I hadn’t thought of it in that way but you’re right. So what inspired you to write it?

Gisela: It was really the Great Recession that inspired me. As you pointed out in your review, I had it really tough for a while. That's when the lessons I learned previously came in handy. I believe that revealing what I found by telling funny, adventurous and sexy stories might be an easier and more entertaining concept for readers than the usual 12-step programs. I believe that readers like the idea, because many of the reviewers point to similar experiences and say they could relate to my stories.

My book also won Bronze at the eLit Awards 2012, in the category inspirational/motivational.

Right now I have reduced NAKED DETERMINATION’s price by 75% to 99 cents. I am moving out-of-state and cannot promote my book as vigorously as I would like. It will be priced at 99 cents until October 19.

Alana: Congratulations on the Bronze! I wonder about the recollections from childhood in particular—how did you remember them? Did you keep a diary?

Gisela: As a child I lived in this unimaginably boring town where nothing ever happened. Also, at the time girls were expected to live this similar boring life of ‘being well-behaved’; consequently, anything out of the ordinary became memorable. I don't remember everything from my life. Just recently a friend from Austria reminded me of a trip about 28 years ago, when (obviously) he and I drove to Salzburg to have a cup of coffee in one of the famous coffee houses. Most embarrassingly I have absolutely no recollection of this trip, yet he remembers tiny little details.

Alana: Your time in the Austrian film industry in particular and your travels made for engrossing reading. What are your favourite memories from both?

Gisela: Though I shot many commercials and movies the greatest experience was shooting the bus-commercial, which I mentioned in my book. Our film team rented an entire stone quarry for three days. When we were not shooting because the team had to set up, we drove around in the bus and the tank to explore best locations. Also, during the entire filming only one tiny thing went wrong. In the end we ended up with a wonderful commercial, which became a finalist at the NY film festival for commercials, which was so thrilling for me.

As for traveling: I like traveling and seeing new things more than anything else. Having said that, I haven't traveled to a single country where I did not find awesome beauty. If I would have to pick one region which was outstanding it would be the Himalayan region. Since the plateaus where I traveled—Tibet from the Chinese side and Kashmir from the Indian side—are at such high elevations, useless commercialized products didn’t make it up there at the time. It was too complicated to transport them. Thus, everything had a certain simplicity and purity, which was just striking; it was almost a spiritual experience.


China, including the Great Wall and an ice sculpture at the International Ice and Snow Sculpture Fesitval in Harbin, capital of the Heilongjiang Province.



Gisela in front of the Taj Mahal and a houseboat on Kashmir's Dal Lake


A tent camp in Kashmir and the Zoji-La (Pass) en-route to Kargil and Padum in the Zanskar Valley in the Indian Himalyas.



Alana: NAKED DETERMINATION isn’t your first published book; would you tell us a little about your others.

Gisela: With my late husband, who was an aerial photographer, I published two aerial photography coffee-table books, one about Vienna, the other one about Austria.


Alana:  What was your role?

Gisela: I worked mostly on the visual concept and design. The Vienna book received the biggest recognition I have ever received. In 2005, when President Clinton visited Vienna, Austria's biggest business publication gave him my/our book as a good-bye gift and keepsake.

Alana:  Wow!

Gisela: Yes. They could have picked anything they wanted and chose the book my husband and I created. I did not even know anything about it. This business publication had an article with a picture in the newspaper. My father clipped it out and sent it to me. Can you imagine my reaction when I opened the envelope? My father did not call me or send an email, he just sent the article via snail mail as a surprise. And, didn't that work out! :D

Alana: Any others? Although I think that would be hard to top.

Gisela: A few educational children's books that I’ve published in print and on CD, but I had to stop that because teaching materials are advancing in a way which is beyond my technical skills.

And having analyzed 100,000+ emails I also wrote an ebook about how to write great emails. Plus a short inspirational ebook telling success principles through the eyes of a/my cat.




Alana: Are you working on another book at the moment? If so, could you give us an insight, or is it too early to reveal?

Gisela: Right now I am working on a children's book. Concept and pictures are already finished, but I am still writing. I need to research a lot to have good keywords, whichc hildren are supposed to practice. Therefore this is a complicated stage and I cannot say more about it because it is still evolving.

Alana: Gisela, thank you so much for giving me your time, especially given you’re in the midst of moving.

Gisela: Thank you for inviting me to share with your readers!


Take this link to Gisela's books at all ebook vendors


Gisela's website   |  blog   |   Twitter   |   Facebook   |   Google+

Take this link to my review of NAKED DETERMINATION

In 2014 Gisela published a short edition of NAKED DETERMINATION for people who have little time to read substantial books. Here are the Amazon links:   US   |   UK.

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Alana Woods interviews Gillian Jackson, author of THE COUNSELLOR

Posted by Alana Woods on May 19, 2013 at 4:10 AM Comments comments (0)

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My guest this week is Gillian Jackson, author of THE COUNSELLOR, a novel that delves into the inner workings of therapeutic counsellors. I was intrigued to say the least about Gillian’s background and reason for writing this story.


Alana: Gillian, welcome, it’s lovely to have another author from the UK here. I’d like to combine my first question with a bit about you and a bit about the book. Do you live in the book’s location?

Gillian:Yes, although the book is set in North Yorkshire and I live just over the border in County Durham, England. The fictitious market town is a combination of several which are near my home, an area I love, combining the best of urban and country living right on the doorstep, with the coast just forty minutes drive away.



Alana: Looks like heaven! I have to say that as I read THE COUNSELLOR I was intrigued by what seems to me to be quite in-depth knowledge of how to ‘treat’ people who seek counselling. You have childcare qualifications and are now a voluntary worker for Victim Support, is it that knowledge and experience you called upon or was further research required.

Gillian: My childcare career was a wonderful period which I loved enormously but one which came to a rather abrupt end with the worsening of a long-term back problem. Seeking out a less strenuous occupation led me into training for therapeutic counselling which is currently put to use in my work for Victim Support, a brilliant charity which does amazing work in supporting people at vulnerable times in their lives.


Alana: Ah, that’s something I didn’t pick up on when researching for the interview—that you had trained for that. I imagine it was similar to the training Maggie underwent in the book?

Gillian:Yes, the training and ongoing work has provided invaluable knowledge and insight in the areas I write about, although I would never actually use a ‘case’ for a scenario in the books. It’s very much an instance of truth being stranger than fiction, my real life clients’ stories would not be believed!


Alana: Now THAT piques my interest. Not that I’m going to ask about the real cases, but I have to say the fictional ones were emotional enough to read. But before writing and publishing THE COUNSELLOR you had already published a self-help book From victim to survivor. Could you give an insight into what it contains and why you wrote it.



Gillian: From Victim to survivor is a short, self help book specifically for adults who were sexually abused as children but did not disclose until later life. It’s a sad fact of life that this atrocity happens and is something which can destroy lives. The book is in many ways a very personal one, inspired by my own abuse as a child which I kept secret until I was fifty years old. It is not, however, a book about me and is surprisingly positive!

My own story is briefly outlined but in the book as a whole I have attempted to offer positive and practical ideas for self help and to signpost to organizations which can support and encourage survivors. I was in a very bad place for two or three years and was given books on the subject which I hadn’t the energy or inclination to even open, so huge and complicated they looked! Eventually seeking therapeutic counselling for myself, it proved to be a most empowering experience and From victim to survivor is the book I would have wished to read at the time, short, succinct and even with pictures! Therapy was the spark which ignited my interest in counselling and afterwards I returned to college to study psychology and counselling.

Alana: Just like Maggie.

Gillian: Absolutely. I was the ‘granny’ of the group and, like Maggie, enjoyed the complete change of focus this brought.


Alana: Did the information you use in From victim to survivor inform Maggie’s methods in THE COUNSELLOR?

Gillian: Certainly in the specific area of historical childhood abuse, yes. There is a cross over in From victim to survivor with the character Janet in THE COUNSELLOR, who is loosely based on my own experience. The depth of training and practical work for counselling however is the main inspiration for Maggie. I wanted to give her the ability to get alongside each client to offer the best possible help she can, her own grief and loss bringing the empathy needed to be totally committed to the work. Although a novel, I hope to portray therapeutic counselling as a powerful tool in taking control of life in general rather than a fashionable whim for those who can afford it.


Alana:You were certainly successful there; it definitely came across as a powerful tool! I was pleased to discover that Maggie continues in a second book—Maggie’s world—already published and I believe you’re working on a third. Would you tell us a little of where Maggie’s story takes her in them?

Gillian: Maggie’s world moves her personal story along in time and brings her into contact with three new clients. I love being able to choose an issue to explore and in the second of the series is a young mother with amnesia, a newlywed who is the victim of psychological abuse and the heartbreaking topic of childlessness.

The third in the series is my work in progress, again with three new clients bringing diverse issues and the return of a popular character from book one! The working title is ‘Pretence’ and is on track to be finished later this year. I have been thrilled and encouraged by the feedback from the first two books. The subject matter seems to have captured people’s attention and the way I write, alternating stories throughout the book, for many makes easy reading. I’m also a believer in happy endings and aim for the best possible outcome, although to reflect life and be realistic there has to be a measure of sadness.


Alana: Well, I think you’ve got the mix just right in THE COUNSELLOR.

Gillian: That was my debut novel and first serious attempt at fiction. It was like a new baby and as a new writer I feel I’m growing and honing my work continuously. Writing is compulsive, I could not imagine life without my lap top and writing projects; our cat, who used to be my only ‘laptop’ has resigned herself to second place and my wonderful supportive husband has been persuaded to subscribe to SKY television to immerse himself in football but there are simply not enough football matches in the day to keep me happy!

Alana: I’ll take that as a hint that I’ve kept you from writing long enough and let you get back to it. :) Gillian, thanks so much for talking to me today.

Take this link to my review of  THE COUNSELLOR

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Alana Woods interviews Marsha Roberts, author of Confessions of an instinctively mutinous baby boomer and her parable of the tomato plant

Posted by Alana Woods on May 5, 2013 at 5:15 AM Comments comments (11)

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Today I have as my guest one my fellow Goodreads Boomer Lit group members. I’ve just reviewed her first book CONFESSIONS OF AN INSTINCTIVELY MUTINOUS BABY BOOMER and wanted to find out more about her and what prompted her to write her memoirs.


Alana: Marsha, I’ve got to ask—Confessions of a mutinous baby boomer ... Why mutinous?

Marsha: It's funny, Alana, that your first question is about mutinous. I can't tell you the variety of responses I've received about that word! One reviewer said, ‘This book may have the most intriguing title of any other book I've read in the past year’, and another started off her review with, ‘At first I was put off by the title, since Boomers are by definition a mutinous generation’, but went on to say how much she liked it! I suppose what she said was exactly my point: Boomers ARE by definition a mutinous generation. One of the meanings stated in the dictionary is ‘refusing to obey or submit to control’. Well, that sounds like Boomers to me! I thought the word that stood out was instinctively, but I guess not!


Alana: Instinctively hardly registered on me. It was definitely mutinous that piqued my interest. I’m a Boomer myself but I have to say that as a member of Goodreads Boomer lit group I’m learning so much about what being one actually means. :)

Seeing how we’ve dived straight into the book let’s stick with it for a while. Let’s talk about the parables. How did you remember all of those episodes in your life that you’ve written about? Did you keep a diary?

Marsha: Good question. Yes, I did keep a diary from time to time, especially when significant things happened. For instance, I wrote about the process of birthing our son, Matt, a week or so after he was born. When I dug through old papers and found what I had written I was a little taken aback by how accurate it was concerning what I had experienced physically and emotionally. I don't think I could have written that chapter on such an earthy level had I not documented it so soon after it occurred.


Alana: I can so relate to that. Just a week ago I was at the birth of my newest grand-daughter. What an experience! It immediately became one of the precious moments in my life. Sorry, :)  I couldn’t resist telling you that.

Marsha: How lovely for you and congratulations. I'd like to suggest to you that you take the time to write down exactly how you felt while it's still fresh! Of course there were many stories I shared that I had little or no documentation about and I'll tell you how I remembered. I went to this beautiful spot on top of a mountain and would sit, staring off into the clouds. I would let my mind wander back and when I remembered something I'd jot it down on a legal pad. For instance, the sequences that were about some of the extraordinary things I witnessed when I was a young operating room nurse and also in the ICU. I didn't want to write those chapters until I could walk through those doors again and look around each room—the sounds, the smells, all of it. That took being by myself, in the quiet, to unearth those memories.



Alana: What beautiful photos! Did those episodes have significance at the time? Was it immediately apparent that they were life lessons?

Marsha: Sometimes yes. Sometimes no. I think there are moments in everyone's life when something happens and it's like a two-by-four just hit you across the head—you know it's significant! But there are other situations that it takes the passage of time to see that one seemingly unimportant moment was really a defining moment after all.


Alana: And when did you start thinking of them as parables?

Marsha: That came about with the tomato plants. When the incident that I call The parable of the tomato plant happened I went right inside, sat down and wrote it out long hand that very day. That was about a year and a half before I began writing my book, but it was ‘the seed’ for what was to come.


Alana: I query in my review the revealing of other people’s personal details. It’s something I guess you can’t avoid if you’re being candid in a memoir. How did you tackle that?

Marsha: I would never use someone's actual name and reveal personal details without their permission. There were miscellaneous people in my life, particularly when I was a young woman, who I either didn't want to use their real name or couldn't locate them to ask permission. And these people were not those who I based the stories around—they were more incidental characters. It's really my family and a few close friends that we're talking about here.


Alana: Yes.

Marsha: My husband and long-time business partner, Bob Rector, who is also a writer, told me to ‘keep it honest’ from the beginning, and he stuck by me on that all the way.

I'll tell you a quick story that best sums it up, Alana. You recall that there is one chapter about our son when he was a teenager. It was a tough chapter to write and it might be tough to read, I don't know. But Matt is now a grown man and very happily married.


Alana: So how did you approach it?

Marsha: I sent the chapter to him before including it in the book, to get his permission to be as personal as I was about what we had experienced during that troubling time. After he read it he told me, ‘I was holding my breath, wondering if you were going to pull your punches or not. I was so proud of you that you didn't. Yeah, mom, include it. It might help some other parent going through the same thing’.


Alana: Wow, how wonderful of him.

Marsha: That meant SO much to me. As you can see, I've had a lot of encouragement about keeping it honest ...


Alana: You’ve obviously had some tough times in your life but you’ve overcome them. You come across as an indomitable spirit but do you see yourself that way?

Marsha: Ha! Yeah, I guess I do! The photograph of the little stinker of a girl on the cover of my book is me!

(The photo of adult Marsha below is the one she considers her current 'Mutinous' photo.)



Alana: It’s a fabulous photo. I love the look on your face.

Marsha: I was born with that attitude and frankly it's been a lot to live up to at times. I expect myself to be world-conquering material and when I miss the mark I'm terribly disappointed in myself. To answer your question, yes, I do rather think of myself as indomitable, but often I'm not. It's part of what my book is about really, making sure that you remember how you overcame tough times so that you can pull from that part of yourself when tough times come again.


Alana: Well, you’ve certainly done that in spades. What prompted you to write the memoir?

Marsha: Actually it didn't start out as a memoir at all. Initially it was going to be a series of vignettes about remembering life's lessons. I've been in the unusual situation of experiencing the normal side of life as a wife, mother and daughter in a middle-class neighborhood, while at the same time living BIG dreams! Among other things Bob and I traveled the globe doing something that had never been done before: producing an original play, Letters from the Front, that entertained American troops and their families around the world for fifteen years. Quite a contrast!


Alana: I’m sorry to say I’d not heard of the play until reading about it, but I Googled and found the website. What an undertaking is all I can say! Oh, and congratulations on seeing it through and it being so successful.

Marsha: Thanks so much, Alana, and as you could tell from reading the book, it took years of persistence before it was successful, which gave me a keen awareness of what it takes to overcome life's obstacles. I wanted to share what I had learned in the process. However, when I presented the first draft to my in-house editor (Bob!) he told me that he liked it very much but thought it was going to leave the reader unsatisfied.


Alana: How so?

Marsha: He explained that I had introduced so many extremely personal issues in my parables and then moved on too quickly. For instance, there is an early chapter about my mom being sick with breast cancer. Bob said that I needed to let the reader know what happened to my mom and how it affected me. He told me to connect the dots in my book, to give it a narrative flow as an overall story, even though each chapter can basically stand on its own. At that point I had to rethink the entire structure of the book, but I'm sure glad I did. The second draft was twice as long as the first and very close to how the final book turned out. Certainly a memoir in a way, but with a different twist I think.


Alana: Definitely a different twist. And there’s nothing quite like good advice. Given all the parables you write about why did you choose the tomato plant as the book’s sub-title? Why not Letters from the Front, which dominated your life for so long?

Marsha: Because my book started with the tomato plant story. About 18 months after I wrote it I found myself about as lost as I had ever been. We had been hard hit by the economy, like so many other people, and I was feeling pretty beat up by life. Not indomitable at all! I found the hand-written pages of The parable of the tomato plant tucked away in a drawer, next to where I would sit in the den and look out at my garden. When I read it I cried, smiled at the silliness of life and felt more hopeful. There have been very few changes to that parable from when I first wrote it. You see, I didn't write Letters from the Front, my husband did. I produced it. When I read The parable of the tomato plant that day I realized that I was a writer and it was time for me to write a book. I suppose I felt I had to leave it in the title to honor that moment. (I took a picture of the very first tomato that popped out—it was a cherry tomato.)


Alana: And a magnificent one it is! You now live in the mountains and I have a vision of you in a little log cabin surrounded by mountains and fir trees? Am I close or a way off track?

Marsha: Well, you were pretty close concerning where we lived when I wrote my Mutinous Boomer book! It was more of a cottage than a cabin, there were initially fir trees, but they were taken out by a tornado! We recently moved to a lovely spot very near the mountains but with a good deal more room than the cottage!


Alana: Do you have any projects on the go at the moment. Another play perhaps, another book?

Marsha: I will definitely write at least one more Mutinous Boomer book and I have an outline for another writing project that I've been working on. I am a writer now, there's no going back from that.

As far as plays, Letters from the Front is the love of my life in that category! There is interest in touring it again, which I would love to do. There is no better or more appreciative audience in the world than our troops and their families. We shall see.

But, Alana, since you've read my book, you know I try not to write a script for my life. Try is the operative word here! My personal goal is to allow myself to feel the wind change, God's wind in my life, and let it fill my sail and take me where it will. It sure has taken me to some amazing places so far!


Alana: Marsha, I can only agree with you, it certainly has. May I say it’s been a real pleasure talking to you. Thank you.

Marsha: Thank you, Alana. The pleasure was mine.

Take this link to my review of Confessions of an instinctively mutinous baby boomer

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Alana Woods interviews Michael Murphy, author of GOODBYE EMILY

Posted by Alana Woods on March 9, 2013 at 4:10 PM Comments comments (2)
By Alana Woods

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Today we have the pleasure of Michael Murphy visiting to talk about his latest book GOODBYE EMILY and to also give us a little insight into his life which, although I didn't ask him about it, obviously includes sky-diving!


Alana: Michael, welcome, thank you for giving up part of your weekend to come visit. Hopefully I haven’t kept you from chicken farm chores. :D  What about giving us a peek into what life is like as a chicken farmer in Arizona.

Michael: A couple of years ago my wife from out of nowhere said, “Don’t you think it would be fun to raise chickens in our backyard?” Before I could give it serious consideration she’d brought home five chicks, a small pen and heating lamp. Of course the girls quickly outgrew their initial enclosure, so we ordered a chicken coop which we set inside a portable dog run and surrounded the whole thing with fencing. It’s been quite an investment in money and upkeep, but fun? Well, I guess.


Alana: And I imagine there are always plenty of eggs for breakfast! Have you always been an Arizona boy or did you arrive there after a life elsewhere?

Michael: I’ve lived more than fifty years in Arizona, so I’m practically a native. It’s got everything, desert, mountains with pines, lakes, snow in the winter and more than 300 days a year of sunshine. Guess that’s why everyone’s moving here, or at least it seems that way.


Take this link to images of Arizona


Alana: Sounds like a little slice of paradise. :)  Let’s talk about GOODBYE EMILY. There are three themes running through it: Woodstock, obviously, but also the effects of war, on Vietnam vets specifically, and Alzheimer’s. First, can we talk about Woodstock—what attracted you to it?

Michael: I grew up in the sixties and attended the Monterey Pop Festival in 1968, but Woodstock was the most culturally historical event of the twentieth century. The performances have been covered in book and film, but no-one ever wrote about the 400,000 who braved the elements and helped make it such a memorable event.


Take this link to Looney Palace to see original Woodstock festival photos 


Alana: Well, you certainly brought that aspect to life in GOODBYE EMILY. While reading it I was thinking that you must have been there because it was so real to me. But what about the effects of war angle? What instigated or encouraged you to touch on this?

Michael: Growing up in the sixties one couldn’t help but be impacted by a war that divided the country so much. And what we did to, or failed to do for, Vietnam Veterans was tragic. I tried to convey some of that in the novel with my character Buck Jamison.

Alana: And lastly Alzheimer’s. Another extremely emotive topic. Why bring that into what is already an emotion-packed story?

Michael: When I was younger I worked in a nursing home that had an Alzheimer’s unit. I’ll never forget the impact of the disease on family members. Also, since the novel is about three baby boomers, I wanted to touch on the impact of aging on their lives which is why the main character, Sparky, struggles with a very real disease, Broken Heart Syndrome.


Alana: Your descriptions of that were ‘heartfelt’ to say the least! I could almost feel the ache as I was reading. How did you know or find out about it?

Michael: I drew upon my experience working alongside an Alzheimer’s unit. The former schoolteacher with Alzheimer’s in GOODBYE EMILY was based on a patient who greeted me each morning by asking if I’d turned in my homework. It was sad and touching at the same time. One day she stopped asking.


Alana: Following on from that there’s another topic I almost forgot—the companion dog Lady. She’s a real honey. You’ve packed enough tear-jerkers into this book. Did you set out to tackle so many emotive subjects?

Michael: My wife and I had a golden retriever and anyone who’s had one can attest to their personalities which I tried to convey. As far as so many emotional subjects, I wanted to address some serious topics that baby boomers deal with, but do so in a humorous story with likeable characters. From the reviews so far I think it worked.


Alana: I know it worked because the entire story made such an impact on me. But GOODBYE EMILY isn’t your first book, is it. In fact I believe it’s your eighth. Are the topics and themes of those similar—eg Boomer Lit—to those in GOODBYE EMILY?

Michael: My first novel The Class of ’68 takes place in the most tumultuous year of the twentieth century, so there are many similar themes. However, the others are the types of novels I enjoy reading, mystery/suspense. My first post-GOODBYE EMILY novel The Yankee Club, which isn't out yet, is a humorous mystery set it 1933 New York. Prohibition, speakeasies, and I get to use the word dames a lot. I think readers who enjoy GOODBYE EMILY will enjoy The Yankee Club.



Alana: Michael, thank you so much. I’ll let you get back to the girls and that incredible sunshine now.  :)

GOODBYE EMILY on   |   |   Barnes & Noble

Michael's GOODBYE EMILY website   |   Michael's website   |   Amazon author page


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